In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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เนื้อหาจัดทำโดย Write Your Screenplay and Jacob Krueger Studio เนื้อหาพอดแคสต์ทั้งหมด รวมถึงตอน กราฟิก และคำอธิบายพอดแคสต์ได้รับการอัปโหลดและจัดหาให้โดยตรงจาก Write Your Screenplay and Jacob Krueger Studio หรือพันธมิตรแพลตฟอร์มพอดแคสต์ของพวกเขา หากคุณเชื่อว่ามีบุคคลอื่นใช้งานที่มีลิขสิทธิ์ของคุณโดยไม่ได้รับอนุญาต คุณสามารถปฏิบัติตามขั้นตอนที่แสดงไว้ที่นี่ https://th.player.fm/legal
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Keep Your New Year's Writing Resolutions
MP3•หน้าโฮมของตอน
Manage episode 281356777 series 1213018
เนื้อหาจัดทำโดย Write Your Screenplay and Jacob Krueger Studio เนื้อหาพอดแคสต์ทั้งหมด รวมถึงตอน กราฟิก และคำอธิบายพอดแคสต์ได้รับการอัปโหลดและจัดหาให้โดยตรงจาก Write Your Screenplay and Jacob Krueger Studio หรือพันธมิตรแพลตฟอร์มพอดแคสต์ของพวกเขา หากคุณเชื่อว่ามีบุคคลอื่นใช้งานที่มีลิขสิทธิ์ของคุณโดยไม่ได้รับอนุญาต คุณสามารถปฏิบัติตามขั้นตอนที่แสดงไว้ที่นี่ https://th.player.fm/legal
Keeping your New Year’s resolutions as a writer begins with learning to think a little more like your characters. One of the ways that we tend to be a little bit different from our characters-- and not in a good way-- is that our characters in a movie or TV show are really good at relentlessly pursuing these hard things. That's what makes them so compelling as characters. It's what makes us fall in love with them. They are going for something they want so badly that they're making choices every day, every scene, to get them. Choices that are so big, that are so passionate, the kind of choices that we wish that we could make in our lives. A poorly written life really is just like a poorly written screenplay. Everything falls apart when our goal setting, and our pursuit of our goals, gets diffuse. Rather than feeling the drive of our passions in pursuit of the things that really matter to us, what we end up feeling is the diffusion of the many, many, many, many, many other goals and things and crap that we have to deal with: things that don't necessarily serve that big superobjective. If you're a screenwriter, what you know is that the way movies and TV shows work is curiously similar to the way life works: the person you are today, is not the person you're going to be at the end of the movie. The person you are today is not going to be the person you are at the end of the screenplay. And that's really true whether you make any choices or not. What ends up happening is one of two things: either we're going to take the world, or the world is going to take us. Either way, we're going on a journey. The difference is, if we allow the world to take us, the journey is not going to be that interesting. It's going to be hard to root for yourself if you're simply getting swept along a river. So here’s an exercise to help you create that river you want to be traveling… the one that’s driven by the force of your goals as a writer.
…
continue reading
211 ตอน
MP3•หน้าโฮมของตอน
Manage episode 281356777 series 1213018
เนื้อหาจัดทำโดย Write Your Screenplay and Jacob Krueger Studio เนื้อหาพอดแคสต์ทั้งหมด รวมถึงตอน กราฟิก และคำอธิบายพอดแคสต์ได้รับการอัปโหลดและจัดหาให้โดยตรงจาก Write Your Screenplay and Jacob Krueger Studio หรือพันธมิตรแพลตฟอร์มพอดแคสต์ของพวกเขา หากคุณเชื่อว่ามีบุคคลอื่นใช้งานที่มีลิขสิทธิ์ของคุณโดยไม่ได้รับอนุญาต คุณสามารถปฏิบัติตามขั้นตอนที่แสดงไว้ที่นี่ https://th.player.fm/legal
Keeping your New Year’s resolutions as a writer begins with learning to think a little more like your characters. One of the ways that we tend to be a little bit different from our characters-- and not in a good way-- is that our characters in a movie or TV show are really good at relentlessly pursuing these hard things. That's what makes them so compelling as characters. It's what makes us fall in love with them. They are going for something they want so badly that they're making choices every day, every scene, to get them. Choices that are so big, that are so passionate, the kind of choices that we wish that we could make in our lives. A poorly written life really is just like a poorly written screenplay. Everything falls apart when our goal setting, and our pursuit of our goals, gets diffuse. Rather than feeling the drive of our passions in pursuit of the things that really matter to us, what we end up feeling is the diffusion of the many, many, many, many, many other goals and things and crap that we have to deal with: things that don't necessarily serve that big superobjective. If you're a screenwriter, what you know is that the way movies and TV shows work is curiously similar to the way life works: the person you are today, is not the person you're going to be at the end of the movie. The person you are today is not going to be the person you are at the end of the screenplay. And that's really true whether you make any choices or not. What ends up happening is one of two things: either we're going to take the world, or the world is going to take us. Either way, we're going on a journey. The difference is, if we allow the world to take us, the journey is not going to be that interesting. It's going to be hard to root for yourself if you're simply getting swept along a river. So here’s an exercise to help you create that river you want to be traveling… the one that’s driven by the force of your goals as a writer.
…
continue reading
211 ตอน
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