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The Screenwriting Life with Meg LeFauve and Lorien McKenna

Meg LeFauve & Lorien McKenna

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Welcome to The Screenwriting Life, a podcast where Oscar-nominated writer Meg LeFauve and Emmy-nominated writer Lorien McKenna discuss not only the craft and business of Screenwriting, but also the emotional life: the ups and downs of being a creative, to remind you that you are not alone and to keep writing.
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Write On: A Screenwriting Podcast

Final Draft

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Designed to help you navigate the screenwriting industry, Final Draft, interviews working screenwriters, agents, managers, and producers to show you how successful executives and writers make a living writing and working with screenplays, and how you can use their knowledge to break into the industry. Subscribe today to catch every episode!
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Bulletproof Screenwriting™ Podcast

Bulletproof Screenwriting

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The Bulletproof Screenwriting Podcast shows you how to make your screenplays bulletproof. Weekly interviews with Oscar® and Emmy® award winning screenwriters, story specialists, best-selling authors, Hollywood agents and managers, and industry insiders. We cover every aspect of the screenwriting process. This is the screenwriting podcast for the rest of us. No fluff. No BS. Just straight talk that will help you on your screenwriting journey. Some of the past guests include 3X Oscar® Winning ...
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The Writer's Cut: A Screenwriting Podcast

Andrea Berting and Trevor Owens

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The Writer's Cut is a movie podcast by screenwriters, for screenwriters. Each episode, we discuss a movie that won a screenplay award from the Writers Guild of America. The full list: https://boxd.it/lhVYQ The Writer's Cut is not affiliated with the Writers Guild of America.
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Just Shoot It: A Podcast about Filmmaking, Screenwriting and Directing

Filmmakers Matt Enlow & Oren Kaplan

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Just Shoot It is a podcast about directing hosted by directors. Each week we interview filmmakers on writing, cinematography, development and acting to learn how to build a successful career as a filmmaker in the Hollywood industry. Hosted on Acast. See acast.com/privacy for more information.
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ScriptBlast Screenwriting Podcast

ScriptBlast

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Hosted by screenwriter and producer Hudson Phillips, the ScriptBlast Screenwriting Podcast exists to help you write better screenplays and write a better life. Jumpstart your productivity in our private screenwriting community! Join today at https://members.scriptblast.com. Learn more at http://www.scriptblast.com.
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The Student Screenwriting Podcast

Liam Dekel

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Join Liam Dekel as he interviews screenwriters around the world. The Student Screenwriting Podcast teaches young screenwriters how to perfect their craft and how to break into the industry. We are proudly part of the Harvard College Podcast Network!
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PopCraft: Screenwriting

Carl Albert

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Let's autopsy the screenplays of your favorite films and TV shows. We'll talk the craft you can learn from their concrete examples, as well as the underlying theories and philosophies behind their storytelling structures. Hosted by Carl Albert. Hosted on Acast. See acast.com/privacy for more information.
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Daily discussions about the latest movies and television, including analysis and pro-tips from our global network of screenwriters. Visit thescriptdepartment.net for more shows in our podcast network and to keep up-to-date on our latest projects. Welcome to The Script Department. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-script-department-screenwriting-discussion--3123141/support.
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Interviews with members of the Screenwriters Network Discord server. Guests include professional screenwriters with produced film and television credits. Emerging writers who have optioned screenplays and made The Black List, Blood List, and Hit List. Get insight on how to finish at the top of contests from Austin Film Festival winners and Nicholl Fellowship Finalists. Each episode we discuss the writing process, screenwriting contests, fellowships, dealing with rejection, optioning scripts, ...
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The Secrets of Story: A Screenwriting & Novel Writing Podcast

Matt Bird and James Kennedy

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Matt Bird (author of "The Secrets of Story: Innovative Tools for Perfecting Your Fiction and Captivating Readers") and James Kennedy (author of the novel "The Order of Odd-Fish") have raucous debates about the craft of novel writing, screenwriting, storytelling (and anything else they want to fight about!) Through their discussion you will learn how to be a better storyteller.
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Welcome to The Successful Screenwriter Podcast your go-to source for in-depth discussions, expert insights, and captivating interviews in the world of screenwriting. Hosted by seasoned screenwriter Geoffrey D. Calhoun, this podcast is a valuable resource for both novice and experienced screenwriters, offering a wealth of insights and guidance. About the Podcast: Dive deep into the art and craft of screenwriting with our engaging episodes that cover a spectrum of topics – from mastering the s ...
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The Indie Film Academy® Podcast features interviews with industry insiders in every aspect of the filmmaking process. Our goal is to give filmmakers as much information as possible about the entire filmmaking process so that they don't make the mistakes that many filmmakers have made in the past. Our focus is not simply on one way to make a film, but of the many different ways that filmmakers have found success with a variety of funding and distribution strategies. We also discuss technical ...
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Indie Film Hustle Podcast: Filmmaking | Film School | Screenwriting | Film Marketing | Independent Film | Cinematography | Film Festival | Filmmaking Podcasts I Moviemaker

Alex Ferrari | Filmmaker, Directing, Visual Effects, Crowdfunding, DP, Film Distribution & Film Business

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Indie Film Hustle is dedicated to showing you how to hack filmmaking & the film business. Interviews with Acadamy Award® / Oscar nominees and industry professionals giving you the real deal from the inside with no BS, just the truth on what it takes to survive and thrive doing what you love. We discuss cinematography, RED Camera, Arri Alexa, Blackmagic camera, post production, color grading, filmmaking, visual effects, motion graphics, film festivals, editing, film crews, directing, producin ...
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What does it take to make a celebrity-free, microbudget feature and premiere at one of the most competitive festivals in the world? Filmmaker and No Film School podcast host GG Hawkins joins Jeff to share how she turned a family house in Panama, a tiny team, and a three-month timeline into I REALLY LOVE MY HUSBAND, a breakout SXSW premiere with no …
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In this episode, veteran actor and director Greg Travis dives into his decades-long filmmaking journey, culminating in the release of his once-abandoned 1984 feature Dark Seduction. Shot on 16mm black-and-white film, the noir-vampire hybrid languished in post-production limbo for over 30 years before digital technology made its completion possible.…
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Matt & Oren dive into answering your questions. It's a new format and we hope it clicks! And whether it works or not, there's a new way you can let them know. There's questions from early career filmmakers. What is the one piece of gear filmmakers buy early on, but don't need? What's the best way to invest $100 in film gear? How do you write dialog…
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The Writer's Cut - Episode 52: Hud (1963) 15th Writers Guild of America Awards - Best Written Drama - Written by Harriet Frank Jr. and Irving Ravetch The Full List on Letterboxd Hosted and Produced by Andrea Berting and Trevor Owens, Composed by Rob Sobnosky Contact: [email protected] Next Episode: Lilies of the Field Ed's Notes: PAWS Chicago…
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How do the antagonistic forces in your story escalate distinctly from the protagonists’ journey? We often struggle to develop the middle stages of a story. Could this be because we focus on our protagonists’ journeys and plot structure more than on how the antagonistic powers are awakened, wronged, discovered, gathering strength and revealing thems…
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“The thing that started it all off was me saying [the character Toxie] should be a guy in a suit. In other words, let’s not do a computer-generated creature, let’s have a person in a suit and have that handmade, hand-stitched kind of quality to it where you can sort of see the seams a little bit and have that be part of the fun. I also said let’s h…
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Read From Paris to Columbus to California: Screenwriter Grace Cunard Was the Ultimate Hyphen as an Actress-Writer-Director (And Sometimes Editor) Read about more women from early Hollywood Related posts: Her Career Outlasted the Hays Code: Kathryn Scola – Dr. Rosanne Welch, Script Magazine, March 2025 Lois Weber: More than a Writer-Director She’s t…
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Evan Kidd is a passionate indie filmmaker who believes great stories don’t need big budgets—just big heart. In this episode, he shares how he created his feature film Son of Clowns using the resources he already had: friends, favors, and faith in the process. With a deep respect for collaboration, Evan emphasizes the importance of building a reliab…
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Marvel director Kat Coiro https://www.imdb.com/name/nm0192478 covers everything from working with day players to why directors have to take acting classes. Once an actor herself, Kat has mastered the art of infusing enthusiasm into every set and using that energy to supercharge collaboration. Kat's worn every hat—writer, actor, director, producer, …
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Join TSL Workshops: https://tslworkshops.circle.so In this episode, Meg sits down with writer, actor, and filmmaker Eva Victor to discuss their debut feature, SORRY, BABY — a darkly funny, deeply personal story about friendship, trauma, and hope. They dig into how to make a personal story feel truly cinematic, both in the writing process and on set…
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The Writer's Cut - Birthday Bonus Episode: Flow (2024) Written by Gints Zilbalodis and Matīss Kaža The Full List on Letterboxd Hosted and Produced by Andrea Berting and Trevor Owens, Composed by Rob Sobnosky Contact: [email protected] Next Episode: Hud
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Join TSL Workshops: tslworkshops.circle.so Every writer dreams of getting their script into the right hands — but what actually makes a producer want to fight for your project? This week, Jeff sits down with powerhouse indie producer Julie Waters (Watermark Media), fresh off producing OH, HI! — one of the few films sold at Sundance this year and no…
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Brit Cruise—educator, filmmaker, and producer of Pixar in a Box—takes us on a journey through the fusion of storytelling, science, and education. From his early days editing videos with dual VCRs to his innovative work at Khan Academy, Brit reveals how deep focus, analog creativity, and a love for explanation helped shape his approach to teaching c…
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After an amazing DP/cinematographer has an unfortunate schedule change, Matt & Oren whip up a discussion about social media and listener notes about their websites. And Matt talks about how his LinkedIn post got noticed. And there's a surprising little twist that might make some listeners uneasy. Later, they dig into a listener question. And that l…
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The Writer's Cut - Episode 51: To Kill a Mockingbird (1962) 15th Writers Guild of America Awards - Best Written Drama - Written by Horton Foote The Full List on Letterboxd Hosted and Produced by Andrea Berting and Trevor Owens, Composed by Rob Sobnosky Contact: [email protected] Next Episode: Flow (2024) - Trevor's Birthday Bonus Episode Ed's…
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JOIN TSL WORKSHOPS: https://tslworkshops.circle.so In this episode, Meg and Lorien sit down with Kaz Firpo (Marvel’s ETERNALS, RUIN) to talk about the timeless craft lessons that make a great screenplay. From writing scenes that still land without sound, to creating emotional clarity on the page, Kaz shares why subtext is the secret engine of great…
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Gary King is a filmmaker who transitioned from a career in psychology and human resources to independent cinema, building a body of work that balances heart, hustle, and deeply human storytelling.In the spirit of Taoist unpredictability, Gary’s story unfolds not as a straight line, but as a rich weave of intuition, risk, and creative alignment. He …
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Matt & Oren discuss the feeling dogging every freelancer: "Will I ever work again?" They dig into who they recommend when they can't take an awesome job, and how that has paid it forward in good ways. Maybe it's all about who you vibe with. But what is that, exactly? And what if a brand or agency does a vibe check on you? Surprisingly, it's like a …
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The Writer's Cut - Episode 50: The Music Man (1962) 15th Writers Guild of America Awards - Best Written Musical - Written by Marion Hargrove The Full List on Letterboxd Hosted and Produced by Andrea Berting and Trevor Owens, Composed by Rob Sobnosky Contact: [email protected] Next Episode: To Kill a Mockingbird Ed's Notes: Trevor says "The Ru…
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Join TSL Workshops: https://tslworkshops.circle.so In this episode, Meg and Lorien dive into a messy, magical stage of screenwriting: the barf draft — your first unfiltered pass at a script. They share how to tackle chaos on the page, whether your draft is too long, too short, tonally inconsistent (hello, surprise aliens!), or just plain confusing.…
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When two Daves walk into a podcast, you don’t expect to stumble upon a meditation on art, failure, persistence, and horror-comedy. But that’s exactly what happened in this electric and delightfully unfiltered conversation with Dave Campfield, a filmmaker, actor, and host of the Troma Now Podcast, best known for his work in the cult Caesar and Otto …
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Matt's been getting wrapped up in analytics, and Oren's been updating his reel. So yeah, update your f**king website if you haven't! This week, we get into where to host your portfolio whether you want the best web host or video platform. And we dive into some honest talk about what defines you as a director, because trying to be everything just do…
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“Our goal in writing [Sirens] was to write something that makes you think, and offers the opportunity to re-examine your own assumptions that you made about these characters. And it's taxing. We ask some difficult questions. It's not The Perfect Couple. It's not a murder show. We're going after something thematically that’s really large and really …
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The Writer's Cut - Episode 49: That Touch of Mink (1962) 15th Writers Guild of America Awards - Best Written Comedy - Written by Nate Monaster and Stanley Shapiro The Full List on Letterboxd Hosted and Produced by Andrea Berting and Trevor Owens, Composed by Rob Sobnosky Contact: [email protected] Next Episode: The Music Man…
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Join TSL Workshops: https://tslworkshops.circle.so Costume designer turned writer/director Courtney Hoffman has worked on some truly iconic films (THE HATEFUL EIGHT, BABY DRIVER) and beloved indies (CAPTAIN FANTASTIC, THE BOY NEXT DOOR). These experiences have profoundly shaped how she approaches storytelling, especially now that she’s writing and …
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In this episode, screenwriter and filmmaker S.S. Wilson shares the behind-the-scenes journey of creating the cult classic Tremors, revealing how creative limitations, meticulous story structure, and a deep respect for character and sound design brought the film to life. From his writing process with partner Brent Maddock to the evolution of the Tre…
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Director Emily Elizabeth Thomas joins Matt and Oren to talk about her journey from commercial success to directing vertical series and feature films. Meanwhile, Oren’s been updating his website and shares some valuable insights on what to include in your reel, what to leave out, and why it matters. And that leads into Matt sharing some insightful d…
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The Writer's Cut - Episode 48: West Side Story (1961) 14th Writers Guild of America Awards - Best Written Musical - Written by Ernest Lehman Adriana Laplanche on Twitter The Full List on Letterboxd Hosted and Produced by Andrea Berting and Trevor Owens, Composed by Rob Sobnosky Contact: [email protected] Next Episode: West Side Story Ed's Not…
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Or, how focusing on good drama will result in good subtext. We often hear how subtext is important for good screenwriting. We’re here to tell you it isn’t. Good subtext is a result of good drama, and your focus should be on creating that good drama. But how? In this episode, Chas Fisher and Stu Willis are joined by screenwriter+teacher, Tom Vaughn …
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Join TSL Workshops: https://tslworkshops.circle.so Apple TV+’s THE STUDIO is both a razor-sharp satire and a surprisingly heartfelt love letter to Hollywood — born out of Seth Rogen’s own frustrations and empathy for studio executives. For co-creator Frida Perez, the show explores the spectrum between art and commerce, a balance that serves as a gu…
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In this episode, we dive into the wild, wonderful world of Ron Bonk, an indie filmmaker and founder of SRS Cinema known for the cult horror-comedy House Shark. Ron shares his journey from studying accounting and criminal justice to becoming a self-taught director, driven by a passion for storytelling and a deep love for genre cinema. With no Hollyw…
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Jamaal Parham, part of the directing duo Jams and Bash, talks to Oren and Matt about how they approach their business without the cheesiness. From a start working exclusively with Broadway productions, they've become a CAA-recognized brand in sports comedy. Matt discusses how the dream of never looking at a spreadsheet isn’t realistic in filmmaking…
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The Writer's Cut - Episode 47: Breakfast at Tiffany's (1961) 14th Writers Guild of America Awards - Best Written Comedy - Written by George Axelrod The Full List on Letterboxd Hosted and Produced by Andrea Berting and Trevor Owens, Composed by Rob Sobnosky Contact: [email protected] Next Episode: West Side Story Ed's Notes: screenpit.org…
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“Write your own anxieties. Get into your own psyche. I think if it scares you – like, I'm terrified of guns, and that's where The Purge came from. But here, there were various generational fears and whatnot that led to The Home, Adam's fears and my fears about getting older and our anxiety. So I would say if it's born from your fear, the majority o…
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Join TSL Workshops: ⁠https://tslworkshops.circle.so⁠ In part two of this incredible conversation, literary managers Daniela Gonzalez (Good Fear Content) and Garrett Greer (Haven Entertainment) join us to unpack what “breaking in” looks like today. How do writers getting their second staffing job, what are some red flags we should avoid when repped,…
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Michael Ryan started his career working in the TV industry for Sir Lew Grade’s UK company, ITC. In 1978 he formed J&M Entertainment with a colleague, a distribution sales agent for independent films. As J&M grew, it developed its business model to also take responsibility for financing new films & providing production finance.In 1980 Ryan and J&M w…
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Legendary director Joseph Kahn https://www.josephkahn.com/ talks about his new movie "Ick" https://www.imdb.com/title/tt31795447/. And Matt and Oren get him to share how this creature feature came about as a kid-friendly movie and the challenges he faced in making a script written for a $100 million budget shot during COVID and the WGA & SAG- AFTRA…
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Have you ever reached the middle of the year, looked back at all those shiny goals you set in January, and thought, “Wait… what happened?” You started out so full of excitement and ambition—maybe THIS was going to be the year you wrote your script, made your movie, or finally kicked those old habits to the curb. But then, life happened. Maybe the w…
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Do you ever sit down with the very best intentions to write - and suddenly find yourself deep-cleaning your kitchen, binge-watching Instagram reels, or tackling every odd job in your house except for actually writing? Trust me, you are so not alone. I’ve been there too - those days (or weeks… or months) where, despite your burning desire to create,…
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The Writer's Cut - Episode 46: The Hustler (1961) 14th Writers Guild of America Awards - Best Written Drama - Written by Sidney Carroll and Robert Rossen The Full List on Letterboxd Hosted and Produced by Andrea Berting and Trevor Owens, Composed by Rob Sobnosky Contact: [email protected] Next Episode: Breakfast at Tiffany's…
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Join TSL Workshops: https://tslworkshops.circle.so In part one of a two-part conversation, literary managers Daniela Gonzalez (Good Fear Content) and Garrett Greer (Haven Entertainment) join us to unpack what “breaking in” looks like today. Even as the industry pulls back and fewer projects are greenlit, getting repped isn’t out of reach. In some w…
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A blank canvas. A single frame. The quiet hum before a film breathes life into a screen. But what happens after the final cut? How does a filmmaker's vision transcend the void and reach the hearts and minds of an audience? Today, we unravel this mystery with Danielle Raiz, a passionate advocate for creatives, whose work at Wix has been dedicated to…
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Kelly Christensen built a toolkit for crafting a lasting career as a commercial producer. And he shares what directors can do to stand out and keep getting hired. Matt and Oren chat with Kelly about what makes his secret sauce. And you may be surprised to find out about the many layers and why it's different for each person. Sure, collaboration mat…
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The Writer's Cut - Episode 45: Elmer Gantry (1960) 13th Writers Guild of America Awards - Best Written Drama - Written by Richard Brooks The Full List on Letterboxd Hosted and Produced by Andrea Berting and Trevor Owens, Composed by Rob Sobnosky Contact: [email protected] Next Episode: The Hustler Ed's Notes: Tasting India…
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“Vampires hold incredible destructive power, and so we're very drawn to them, sort of like moths to a candle, right? I think that's sort of eternal, and that's the reason every culture, pretty much around the globe has some version of the vampire because it represents that very human conflict of what we desire which is so in tune with and aligned t…
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Join TSL Workshops: https://tslworkshops.circle.so How do you turn a real-life moment into a movie — without studio backing or a big festival launch? Jeff talks with The Bragg Brothers about making PINBALL: THE MAN WHO SAVED THE GAME, an indie biopic about GQ journalist Roger Sharpe, who helped overturn New York’s ban on pinball in 1976. They share…
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Cynthia Hill, a filmmaker from North Carolina, discussed her journey from pharmacy school to filmmaking, highlighting her documentaries "Tobacco Money," "Private Violence," and the upcoming eight-part series "Road to Race Day" on NASCAR. She emphasized the importance of storytelling and character development, sharing her experiences with funding th…
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What does cinematic mean to you? Carlyn Hudson https://www.carlynhudson.com/ joins Matt and Oren fresh off completing her latest short, "Waffle". Is cinematic just a slick look? Is it about lighting? Or is it whatever Midjourney gives you when you ask for a cinematic style? It's always a party when these three are together, with lively discussion, …
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The Writer's Cut - Episode 44: Bells are Ringing (1960) 13th Writers Guild of America Awards - Best Written Musical - Written by Betty Comden and Adolph Green The Full List on Letterboxd Hosted and Produced by Andrea Berting and Trevor Owens, Composed by Rob Sobnosky Contact: [email protected] Next Episode: Elmer Gantry Ed's Notes: Recovery o…
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