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เนื้อหาจัดทำโดย The Rev. Joshua T. Condon and Holy Spirit Episcopal Church เนื้อหาพอดแคสต์ทั้งหมด รวมถึงตอน กราฟิก และคำอธิบายพอดแคสต์ได้รับการอัปโหลดและจัดหาให้โดยตรงจาก The Rev. Joshua T. Condon and Holy Spirit Episcopal Church หรือพันธมิตรแพลตฟอร์มพอดแคสต์ของพวกเขา หากคุณเชื่อว่ามีบุคคลอื่นใช้งานที่มีลิขสิทธิ์ของคุณโดยไม่ได้รับอนุญาต คุณสามารถปฏิบัติตามขั้นตอนที่แสดงไว้ที่นี่ https://th.player.fm/legal
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Species Unite
1 Patti Truant Anderson: Polling and the Surprising Results Around What People Really Think About the Food System 24:55
Text “Do people even want to know about some of these issues? Because I think some of the meat production concerns, it's kind of like people would rather in some cases, I think some people might not really want to know all the nitty gritty. They don't want to know how the sausage is made. That poses an interesting question and challenge about how you communicate about some of these issues, when maybe there's a resistance among a subset of people who don't want to know more.” - Patti Truant Anderson This is the fourth episode in a special four-part series where we go deep into the food system with some of the brightest minds from Johns Hopkins Center for a Livable Future, an interdisciplinary center based out of the Johns Hopkins Bloomberg School of Public Health. One of the reasons that we did this series is because we're about to enter another four years with the Trump administration; and last time, as we know, the Trump administration was pretty terrible for the food system in terms of climate, public health, worker safety, and of course, for the animals. This conversation is with Patty Truant Anderson. Patty is a senior program officer at the center. Part of her work at the Center focuses on public opinion polling around the food system. These polls can inform decisions by lawmakers. The great news is we're not nearly as polarized as it might seem. There is a lot of hope in the results. Links: Johns Hopkins Center for a Livable Future - https://clf.jhsph.edu/ Patti Truant Anderson - https://clf.jhsph.edu/about-us/staff/patti-truant-anderson…
3. Two Rags
Manage episode 266236032 series 1111158
เนื้อหาจัดทำโดย The Rev. Joshua T. Condon and Holy Spirit Episcopal Church เนื้อหาพอดแคสต์ทั้งหมด รวมถึงตอน กราฟิก และคำอธิบายพอดแคสต์ได้รับการอัปโหลดและจัดหาให้โดยตรงจาก The Rev. Joshua T. Condon and Holy Spirit Episcopal Church หรือพันธมิตรแพลตฟอร์มพอดแคสต์ของพวกเขา หากคุณเชื่อว่ามีบุคคลอื่นใช้งานที่มีลิขสิทธิ์ของคุณโดยไม่ได้รับอนุญาต คุณสามารถปฏิบัติตามขั้นตอนที่แสดงไว้ที่นี่ https://th.player.fm/legal
Original Rags and The Entertainer
Scott Joplin (1868-1917) was the first famous black American composer and is best remembered for his contribution to ragtime. Here are two of his most famous rags – while they were written for the piano, they translate well to the organ. (from 2015)
565 ตอน
Manage episode 266236032 series 1111158
เนื้อหาจัดทำโดย The Rev. Joshua T. Condon and Holy Spirit Episcopal Church เนื้อหาพอดแคสต์ทั้งหมด รวมถึงตอน กราฟิก และคำอธิบายพอดแคสต์ได้รับการอัปโหลดและจัดหาให้โดยตรงจาก The Rev. Joshua T. Condon and Holy Spirit Episcopal Church หรือพันธมิตรแพลตฟอร์มพอดแคสต์ของพวกเขา หากคุณเชื่อว่ามีบุคคลอื่นใช้งานที่มีลิขสิทธิ์ของคุณโดยไม่ได้รับอนุญาต คุณสามารถปฏิบัติตามขั้นตอนที่แสดงไว้ที่นี่ https://th.player.fm/legal
Original Rags and The Entertainer
Scott Joplin (1868-1917) was the first famous black American composer and is best remembered for his contribution to ragtime. Here are two of his most famous rags – while they were written for the piano, they translate well to the organ. (from 2015)
565 ตอน
ทุกตอน
×One of the best-known marches of John Philip Sousa (1854-1932) “America’s March King”, the Washington Post March has opened every one of our “Old Fashioned Fourth” concerts at Holy Spirit – including this one. (from 2019)
Gordon Balch Nevin (1892-1943) was an American composer, primarily living and working in western Pennsylvania. In folklore, a “will o’ the wisp” is a strange ghostly light often seen by travelers late at night and often has sinister implications. Modern science is more likely to explain it as bioluminescence or chemiluminescence – the famous “Marfa Lights” are a Texan will o’ the wisp. Nevin’s “musical confection”, as one writer described this piece, doesn’t threaten very much but it certainly does tease. (from 2017)…
Original Rags and The Entertainer Scott Joplin (1868-1917) was the first famous black American composer and is best remembered for his contribution to ragtime. Here are two of his most famous rags – while they were written for the piano, they translate well to the organ. (from 2015)
The hymn “How Great Thou Art”, derived from a Swedish folk tune and hymn text, is a great favorite among many churchgoers. Dale Wood (1934-2003) gives us a beautiful lush setting that shows of some of the quieter sounds of the organ. (from 2015). Prelude on How Great Thou Art © 1993 The Sacred Music Press Reprinted with permission under ONE LICENSE #A-735597. All rights reserved.…
Dan Miller (b. 1954) is a well-known figure amongst American church musicians. He has served as the organist at several major American churches and now is the tonal director for Rodgers Instruments, one of the leading builders of digital organs. Here he takes an old Gospel hymn and has great fun doing some surprising things to it. (from 2015) Count Your Blessings © 1994 Morningstar Music Publishers Reprinted with permission under ONE LICENSE #A-735597. All rights reserved.…
Armed Forces Medley, arr. Stephen J. Morris (b. 1956) Every “Old Fashioned Fourth” concert at Holy Spirit has featured this medley of Armed Forces tunes. In concert, we invite those with ties to each branch of the service to stand when that music is played. You don’t need to at home, but you can if you want! (from 2019)…
American composer Van Denman Thompson (1890-1969)penned this serious piece in 1919 as a tribute to the American soldiers who fought in “The War to End all Wars”. (from 2019)
In 1896, a passenger agent for the M, K & T Railroad presciently named George Crush decided that a good way to drum up business for the railroad was to create a spectacle and crash two trains into one another head on! So he had a little temporary depot with 4 miles of tracks, a bandstand, and viewing stands constructed just north of Waco, Texas, and offered free admission to his audience. So many spectators showed up – over 40,000 – that for one day, Crush, Texas was the second largest city in the state. It was a real spectacle. The trains collided at close to 60 mph, the boilers exploded sending shrapnel into the crowd, and at least three people were killed and more than 20 injured. In those less litigious times, the railroad fired George Crush (and hired him back the next day) and paid off the victims with cash and lifetime rail passes. One of the uninjured spectators that day was the young Scott Joplin, who we heard from earlier. He wrote this piece telling the story of the event. We hear the happy crowds gathering at the beginning, and soon the program begins. We hear the trains gathering speed running at each other, their whistles sounding – and then the unmistakable collision…followed by the happy crowds continuing to enjoy themselves at the party. (from 2015)…
Each “Old Fashioned Fourth” concert has featured a sing-along and this one is no different. There is a song sheet posted on this website and you are invited to join the 2019 audience in singing (and clapping) along. (from 2019)
One of the most favorite pieces of classical music is Antonín Dvorák's (1841-1904) New World Symphony , loosely based on spirituals and Native American (along with some Czech folk tunes from his native country). He wrote the piece shortly after arriving in America to serve as director of the National Conservatory of Music of America in New York in 1893. The symphony was premiered in Carnegie Hall in December of that year. The favorite movement of the symphony is the Largo slow movement, in no small way due to the words that William Arms Fisher, one of Dvořák’s students, appended to it in 1922. It is equally famous in its original form and wearing its :”new clothes”. This shows off many of the beautiful solo colors and soft sounds of the organ. (from 2019)…
The Stars and Stripes Forever has closed each “Old Fashioned Fourth Concert”, as it will today. It is by far the most famous of John Philip Sousa’s many marches, and in 1987, an act of Congress made it officially the national march of the United States. Less well-known is that Sousa wrote the piece to promote national unity, which was much threatened in the days following the Civil War. The three themes of the piece are intended to represent the three regions of the country – the North, the South, and the West – and at the last section of the piece, he brings them all together to represent the unity of the nation. The famous piccolo part here is played by then-organ scholar Jared Cook, who is quite familiar to us at Holy Spirit. (from 2015)…
Surrexit Christus Hodie by Giovanni Gabrieli (1557-1612) Recorded at Holy Spirit Episcopal Church, 2018 Arranged by Stephen J. Morris for: 4 trombones, timpani, and organ Originally a choral work for 11 voice parts. The text is the basis for our hymn “Jesus Christ Is Risen Today”
Praise the Lord with Drums and Cymbals by Sigfrid Karg-Elert (1877-1933) Recorded at Holy Spirit Episcopal Church, 2003 Arranged by Donald Rotermund for: 2 trumpets, 2 trombones, timpani, and organ
Grand Choeur Dialogu é by Eugène Gigout (1844-1925) Recorded at Holy Spirit Episcopal Church, 2003 Arranged by Stephen J. Morris for: 2 trumpets, 2 trombones, timpani, and organ. Originally a work for organ. Gigout served as the organist at the Church of Saint-Augustin in Paris for 62 years.
Carillon-Sortie by Henri Mulet (1878-1967) Recorded at Holy Spirit Episcopal Church, 2018 Arranged by Stephen J. Morris for: 4 trombones, timpani, and organ Originally a work for organ. “Carillon” piece were popular in late-19th and early 20th-century France. The main objective was to imitate the tolling of bells, which can be clearly heard in this piece. The “Sortie” of the title is merely the French word used for what we call the Postlude.…
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