Have you always thought there was something special about 80s and 90s country music that you've never been able to put your finger on? Why does this music stand out? Well, let's don our cowboy hats, adjust our oversized belt buckles, tease that hair, and see if we can get the bottom of it, by picking apart one song at a time.
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A critical look at each King of the Hill episode by two fans. Join Melton McMaynerbury and Daisy Durndle as we stand in the alley behind Rainey Street and dig into each episode of this great television series, discussing the universal themes that it explores along with all the nice little touches that keep it grounded. Line starts behind Lucky.
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Dissecting "Wanted" by Alan Jackson
21:05
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21:05
We explore the supremely earnest delivery of Alan Jackson, as exemplified in 1990's "Wanted". Honky-tonk meets gospel in this quintessentially neotraditionalist gem, but how can Jackson's humble "yes ma'am"s and no ma'am"s authentically carry the emotional weight that this song needs them to?
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Dissecting "We Tell Ourselves" by Clint Black
18:11
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18:11
We take another look at the Haggard-esque neo-traditional grit of early Clint Black, with his 1992 hit, "We Tell Ourselves". We get all the earthy blues we'd expect, but how does the musical setting of this cut channel both the doubt and the determination inherent in the complex and heavy situation that the lyrics describe?…
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Dissecting "Please Remember Me" by Tim McGraw
25:26
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25:26
We explore the late-90s country pop of megastar Tim McGraw's megahit "Please Remember Me". Dramatics abound in this go-big-or-go-home production, but why exactly does this song feel more suited to a stadium stage than to a honky-tonk? And how can a cut that sounds so full manage to convey such emptiness?…
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Dissecting "Somewhere in My Broken Heart" by Billy Dean
30:49
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30:49
Melody, harmony, and lyrics all meticulously and perfectly set a specifically bittersweet tone on Billy Dean's 1991 classic: "Somewhere in My Broken Heart". One listen to this cut will tell you that it's a beautiful song. But why? What specific, nuanced details of this tune and these words strike such a distinct chord with us, both literally and fi…
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Dissecting "Islands in the Stream" by Kenny Rogers & Dolly Parton
35:49
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35:49
Things turns all kinds of Yacht Rock as we sail away with one of the biggest hits of the 1980s, Kenny Rogers and Dolly Parton's iconic duet, "Islands in the Stream". We're not even sure what they're talking about, but when a song is this catchy and fun, who cares? But why is that? What is it about this country pop classic that has kept it in our co…
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Dissecting "God Bless the U.S.A." by Lee Greenwood
31:31
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31:31
Bonus episode! For the Fourth of July, we had to turn to Lee Greenwood's towering, uber-patriotic, 1984 single, "God Bless the U.S.A." That he's proud to be an American no one can doubt, but what richer depths might we find undergirding that sentiment upon closer examination? And what do fireworks have to do with it?…
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Dissecting "The Heart Is a Lonely Hunter" by Reba McEntire
17:46
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17:46
Reba McEntire helps us connect some of the dots that comprise the specific mid-90s MCA sound, as she narrates the complexities of adulthood as only she can, in her 1995 hit "The Heart Is a Lonely Hunter". We relate to the loneliness mentioned in the title, but is that all that's going on here? And what do major 9th chords have to do with this song'…
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Dissecting "Cadillac Style" by Sammy Kershaw
23:12
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23:12
We cruise down to southwestern Louisiana to encounter Sammy Kershaw and his debut single, "Cadillac Style". We've all always known there was a lot of Jones in Kershaw, but is there something deeper to that connection than just the voice? And what possible connection could there be between Cadillac Style and one that's often considered the greatest …
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Dissecting "My Love" by Little Texas
33:55
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33:55
Little Texas continue to blend musical streams with their only #1 single, 1994's "My Love". This song is more than just the video, and this band is more than just the hair. But they aren't less than that either. Listen to find out what 80s hair metal and 70s California rock have to do with this song's specific sound. How much is Heart, and how much…
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Dissecting "It's a Little Too Late" by Tanya Tucker
17:38
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17:38
In this episode, we dance across the familiar ground of 12-bar blues, as the energetic shuffle of Tanya Tucker's 1993 hit "It's a Little Too Late" convinces us to kick up a little sawdust while we re-evaluating some of our life choices. It's a fun song, but how does the melding of persona and reality make this early 90s dance number particularly me…
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Dissecting "Straight Tequila Night" by John Anderson
31:56
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31:56
We take a shot of an all-time classic, John Anderson's "Straight Tequila Night". Anderson's signature breathy vocals anchor a particularly textural take on neotradional honky-tonk, but why does this song have a certain uncanny sound, and what does the number 440 have to do with it?
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Dissecting "Lost and Found" by Brooks & Dunn
25:48
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25:48
We search through another early Brooks & Dunn hit, 1992's "Lost and Found". It's all about the flow, as this song always seems to take us exactly where we want to go, measure after perfect little measure. But we already knew Kix Brooks could write a great cut, so how exactly does this one nail the feeling of a frantic search, and what does Brooks &…
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Dissecting "Honey, I'm Home" by Shania Twain
26:46
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26:46
90s icon Shania Twain takes us right back to the world of 90s feminism with her half-arena-rock / half-honky-tonk hit, "Honey, I'm Home". Twain played big, and this song plays big, but where we do get irony in her particular brand of subversion, and what musical touchpoints does this song have with a couple of hits from 20 years before?…
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Dissecting "One Man Woman" by The Judds
23:08
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23:08
We look at how The Judds bring their acoustic-with-attitude vibe to the sultry, electric piano-infused "One Man Woman". Slow, dark, and bluesy is the order of the day on this late-career Judds single, but what does a sonic atmosphere like that have to do with the lyrics' insistence on monogamy?
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Dissecting "Smoky Mountain Rain" by Ronnie Milsap
33:33
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33:33
We take a ride with a legend in his prime in this episode on Ronnie Milsap's 1980 classic "Smoky Mountain Rain". The connection to Elvis's "Kentucky Rain" is multifaceted and deep, but how does this song use theatrical drama to color its image of a country music cliche? And what happens when you ask Ronnie Milsap to make the thunder roll? Here a co…
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Dissecting "Love, Me" by Collin Raye
27:10
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27:10
In this episode, we look at how Collin Raye's signature song, "Love, Me" kept it gentle sentimental. Everything contributes, from the memorable acoustic guitar intro to Raye's smooth, sweet tenor vocals. But what do stoic farmers have to do with it? Also, who remembered that this recording had an electric piano?…
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Dissecting "Better Things to Do" by Terri Clark
23:13
23:13
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23:13
Terri Clark tells her ex where he ranks in no uncertain terms, with her debut hit, "Better Things to Do". Or does she? There's plenty of 90s attitude here, but what details in these lyrics hint that something else may be going on?
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Dissecting "Carrying Your Love with Me" by George Strait
25:05
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25:05
Melton finally gets to take on the King, by way of his 1997 hit "Carrying Your Love with Me". Everything works in this perfect little country song, but how does it all work together, and what is it about George Strait's simple delivery that connects so well not only with the song but also with us?
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Dissecting "I Feel Lucky" by Mary Chapin Carpenter
22:05
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22:05
We continue to explore the quirky side of Mary Chapin Carpenter, and of early 90s country, with her Grammy-winning 1992 hit "I Feel Lucky". So what is it besides the Dwight Yoakam and Lyle Lovett reference that makes this song so much fun, and what does the long history of country "outlaws" have to do with it?…
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Dissecting "Christmas in Dixie" by Alabama
29:30
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29:30
For Christmas day, we went with the perfect song about Christmas night: Alabama's 1982 classic "Christmas in Dixie". The joyful yuletide setting is plenty explicit in the song, but what subtly bittersweet threads have also been knit into this comfy Christmas sweater?
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Dissecting "John Deere Green" by Joe Diffie
17:52
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17:52
We plow through one of Melton's all-time favorite's, Joe Diffie's and Dennis Linde's 1993 classic: "John Deere Green". The tongue-in-cheek Mayberry tone carries over from "Bubba Shot the Jukebox", but how exactly does this one celebrate simplicity with an assertion that never flaunts its rural contentment?…
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Dissecting "On the Other Hand" by Randy Travis
27:08
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27:08
They don't get much more classic than Randy Travis's major label debut single, 1985's "On the Other Hand". We could have spent the whole episode on Travis's understated vocals (we practically do!), but what other elements of the song cause us to find ourselves rooting for a man who has already gone a few steps too far?…
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Dissecting "Bubba Shot the Jukebox" by Mark Chesnutt
24:59
24:59
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24:59
Mark Chesnutt balances funny and disturbing with the of-its-time 1992 hit "Bubba Shot the Jukebox". It's a Dennis Linde composition, so we can expect a tongue-in-cheek tone, but how does this one mix peril with absurdity to stay just on this side of too far?
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Dissecting "Killin' Time" by Clint Black
24:30
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24:30
We finally get to a classic from Clint Black's era-defining (and we're not exaggerating here) 1989 debut album, its title track no less: "Killin' Time". But we're not just filling 24 minutes: What are the puzzle pieces that make this song cross that line from great to classic, and why do they fit together so naturally?…
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Dissecting "Down at the Twist and Shout" by Mary Chapin Carpenter
16:04
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16:04
Mary Chapin Carpenter's ode to her favorite Bethesda haunt is one of the most infectious country songs of the early 90s. But what exactly made "Down at the Twist and Shout" strike such a strong Cajun chord, and what exactly is she saying anyway?
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Dissecting "Party Crowd" by David Lee Murphy
17:15
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17:15
David Lee Murphy shows us what it was like in 1995 to hang out with the "Party Crowd"... or does he? What's going on below the surface of this honky-tonk celebration, and what do "Neon Moon" and "The Thunder Rolls" have to do with it? I bet you thought this one was straightforward, didn't you? Listen to see if you agree with Melton that there's som…
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Dissecting "Honky Tonk Man" by Dwight Yoakam
24:11
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24:11
Dwight Yoakam's influences are readily apparent in this early neotraditionalist cover of Johnny Horton's "Honky Tonk Man". Hank, Cash, Elvis, and of course Buck Owens are all in there, but what thematic material has Yoakam also imported from the mid-20th century?
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Dissecting "Soon" by Tanya Tucker
24:35
24:35
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24:35
Tanya Tucker reminds us that there is more than one point of view to a country cliche, beating Sugarland to the punch while doing so, in her early 90s hit "Soon". We didn't just start liking cheating songs or anything, but what is it about the melody and harmony on this particular one that leaves us feeling so unsettled?…
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Dissecting "Unanswered Prayers" by Garth Brooks
28:18
28:18
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28:18
Garth Brooks finds the best kind of disillusionment at his high school homecoming in his 1990 hit "Unanswered Prayers". Nostalgia reigns in this early example of Brooks's sweet spot, but what is it about his brand of neotradionalist country music that keeps this song so gloriously local as we wistfully revisit it all these years later?…
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Dissecting "From This Moment On" by Shania Twain with Bryan White
22:39
22:39
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22:39
Shania Twain takes us back to the diva days of the late 90s with pop-country powerhouse, 1997's "From This Moment On". Of course, we're still suckers for the soaring vocals and dramatic key-changes, but is there something more that keeps this nuptial classic in our collective consciousness?
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Dissecting "Billy the Kid" by Billy Dean
24:15
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24:15
Billy Dean takes us into the wild west of his childhood backyard in his signature hit, "Billy the Kid". Rodeo-esque dark, western blues permeates the chorus, but in what sense(s) does the tone shift in the choruses? And what exactly is so relatable about Dean's specific take on nostalgia in this song?…
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Dissecting "Step by Step" by Eddie Rabbitt
22:51
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22:51
We take our first walk with Eddie Arnold's brand of early 80s R&B-inspired country pop with his 1981 hit "Step by Step". But what is it that gives this song its particular catchy groove, and how does that groove relate to the idea of taking it slow?
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Dissecting "You Had Me from Hello" by Kenny Chesney
29:29
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29:29
The influence of Garth Brooks and some hallmarks of country piano take center stage in Kenny Chesney's 1999 #1 hit "You Had Me from Hello". Some of the same trends we've previously explored about country music in 1999 show up here as well, but how does Chesney's particular brand of macho mojo enrich in this seemingly straightforward love song?…
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Dissecting "He Didn't Have to Be" by Brad Paisley
30:10
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30:10
Brad Paisley applies his self-consciously retro schtick to the concept of grace in a modern family, in his late-1999 breakthrough hit, "He Didn't Have to Be". But what exactly is the nature of his throwback vibe? What's surprising about it, and what about his neo-traditionalist-influenced vocals works so well with this song's whimsical melody? "Whe…
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Dissecting "Take Me Down" by Alabama
21:07
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21:07
Alabama shows us how country music approaches Conway Twitty's favorite subject, while continuing to meld the 70s & 80s influences that formed their unique wheelhouse, on their 1982 hit "Take Me Down". But how does this song's harmonic complexity particularly fit the particular subject matter?
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Dissecting "Holes in the Floor of Heaven" by Steve Wariner
22:16
22:16
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22:16
Melton tackles Steve Wariner's 1998 ACM & CMA Song of the Year, "Holes in the Floor of Heaven," a cut remarkable for its similarity to recent selection, "Two Teardrops". But what holes might there be in this song so acclaimed, and what points of departure from its said close cousin?
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Dissecting "Boot Scootin' Boogie" by Brooks & Dunn
19:24
19:24
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19:24
Brooks & Dunn get us up from our tables and onto the dance floor with their quintessential neotraditional honky-tonker, "Boot Scootin' Boogie". But what is it about this cut that not only made us start dancing in 1992 but has also kept us dancing all these decades later?
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Dissecting "A Little More Love" by Vince Gill
21:55
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21:55
Vince Gill teaches us how to milk a great hook for all it's worth in his 1997 hit "A Little More Love". But what specific take does this hook have on the country trope of almost breaking up? And what on earth is Melton talking about with this idea of "bluegrass soul"?
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Dissecting "He Got You" by Ronnie Milsap
26:52
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26:52
Ronnie Milsap does what he does on 1982's "He Got You". You knew it was going to be 50s/60s R&B-infused 80s country, but what other genre shows up, perhaps unexpectedly, with all four on the floor?
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Dissecting "Elvira" by the Oak Ridge Boys
30:53
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30:53
The Oak Ridge Boys remind country music what it sounds like to be lighthearted and fun with their monster 1981 hit "Elvira". Everybody remembers Richard Sterbin's rafter-rattling bass solo, but what context does it take for something that unique to fit perfectly into? In other words, why are our hearts on fire for this classic country song?…
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Dissecting "Two Teardrops" by Steve Wariner
23:01
23:01
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23:01
Steve Wariner puts on a clinic in tasteful, well-crafted sentimentally in one of his last hits, 1999's "Two Teardrops". But how exactly is he able to keep it mellow without becoming melodramatic?
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1
Dissecting "Love in the First Degree" by Alabama
21:07
21:07
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21:07
In this episode, we get locked away inside of some old Alabama, in their 1981 hit "Love in the First Degree". Nowadays it all just sounds like old school country, but what specific things things were happening more broadly in country music at the time that Alabama are guilty of?
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1
Dissecting "I Can Still Feel You" by Collin Raye
21:19
21:19
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21:19
Collin Raye makes us still feel like we're in 1998 with his upbeat pop country hit "I Can Still Feel You". We've apostrophized lost love before, but what perhaps surprising left turn does this particular version take?
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1
Dissecting "Third Rock from the Sun" by Joe Diffie
27:15
27:15
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27:15
The restrained pendulum from the last episode swings fully the other way as we examine Joe Diffie's audacious 1994 hit, "Third Rock from the Sun". Diffie's vocals take center stage in another E blues romp, but what are the links in this chain that Melton thinks don't quite hold together?
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Dissecting "Look at Us" by Vince Gill
24:19
24:19
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24:19
Vince Gill's 1992 CMA Song of the Year "Look at Us". What a nice, straightforward love song. ...Or is it? Might there be some sub-surface complexity in this one that invites us look at it a little more deeply? Tune in and find out.
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Dissecting "Wild One" by Faith Hill
13:51
13:51
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13:51
Syncopation moves to the center of the ring, as we saddle up for a youthful and whimsical ride through Faith Hill's 1993 debut megahit, Wild One. But what particular twists will we find on this otherwise well trodden course?
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Dissecting "Crazy Over You" by Foster & Lloyd
20:31
20:31
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20:31
Everybody in town knows Foster & Lloyd are doing their best Elvis impression on 1987's Crazy Over You, but what early 90s country song finds its boots firmly in this song's footsteps?
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Dissecting "I'm Gonna Hire a Wino to Decorate Our Home" by David Frizzell
17:42
17:42
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17:42
Melton has more questions than answers as he explores the ambiguous tone of David Frizzell's 1982 hit "I'm Gonna Hire a Wino to Decorate Our Home". Who's mocking whom?
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Dissecting "Girls Night Out" by The Judds
22:45
22:45
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22:45
Melton tackles an early example of The Judds' unique approach to 80s country in "Girls Night Out", but does this song hold up as well as some of its contemporaries?
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Dissecting "I'll Try" by Alan Jackson
23:34
23:34
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23:34
Melton puts his best effort toward getting to the bottom of what makes Alan Jackson's 1995/1996 hit "I'll Try" tick. It comes down to three adjectives: two of which are part of the patented Alan Jackson formula, but the third of which may surprise you. Tune in to see if you agree or disagree.
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