Music education isn’t just learning how to read alto clef and knowing your intervals anymore. The evolution of music technology education, the changing attitudes of students towards music production, and the importance of teaching foundational skills alongside technology have made the collegiate experience is music more diverse than ever. In this e…

Finale, the legendary music notation software program, has been discontinued 36 years after its groundbreaking release in 1988 from Coda Music Technologies. MakeMusic, the company that now owns Finale, has partnered with Steinberg to sell its Dorico application at a specially discounted price directly to Finale users. Jason Loffredo joins Philip Ro…

The 2024 conference of MOLA: An Association of Performance Librarians recently concluded in Cleveland, Ohio, and by all accounts it was a rocking success. The conference began with the second annual Tech Fair, a gathering of librarians, product specialists, and vendors, with demonstrations and exhibits bookended by panel discussions about technolog…

Printing music is something that takes skill and attention to detail — both by the music preparer and the printer. When everything’s communicated well, it leads to print shop nirvana and the ideal result for everyone involved. Philip Rothman and David MacDonald talk through a specific project and illustrate the various steps along the way to set it…

With music notation work often intersecting in some capacity with music production and scoring to video, it’s important to know when your software of choice is the best option for a particular need within a project, and when it’s not. When it comes to fine-tuned formatting and engraving decisions, we can’t move from one notation software product to…

We last visited with Steinberg’s product marketing manager Daniel Spreadbury on the podcast upon the release of Dorico 4 in January 2022, and more recently last summer in Berlin at the MOLA conference in a panel discussion with his colleagues and competitors in the music notation software industry. Although Dorico didn’t have much of a presence at …

At the 2024 NAMM Show, we interviewed representatives from the businesses in our field of music notation software and related technology. Today’s podcast episode is a conversation Philip Rothman had with Jack Sutton, Muse Group’s head of communications. Jack’s first visit to NAMM coincided with the company’s first official presence at the show as t…

At the 2024 NAMM Show, we interviewed representatives from the businesses in our field of music notation software and related technology. Today’s podcast episode is a conversation Philip Rothman had with Jason Wick, MakeMusic’s director of product development. Jason talked with me about their MakeMusic Cloud product, including their Practice tool, …

At the 2024 NAMM Show, we interviewed representatives from the businesses in our field of music notation software and related technology. Today’s podcast episode is a conversation Philip Rothman had with Sam Butler, Avid’s director of product management. Sam talked with us about the new Sibelius features that Avid previewed at NAMM, the new Android…

The 2024 NAMM Show was full of exciting news, products — and, most of all, the interesting people that create the news and products. Especially as it pertains to the Scoring Notes beat of music notation software and related technology, there was a lot to cover, and many miles were logged in service of bringing as much of the experience back to our …

It’s easier than ever to publish your own music — but that doesn’t mean it’s a simple proposition. Even though a lot of music is made available digitally, there is still a significant demand for printed material. The logistics of printing physical copies and shipping them to customers can be tricky to navigate. It’s important to not be “toner-deaf”…

With the Muse Group acquisition of Hal Leonard, and Dorico, MuseScore, Sibelius, and Finale all freshly updated, 2023 is going out with a bang. We gather round the fire and discuss all the news, as we get ready for the year ahead in music notation software and related technology. More on Scoring Notes: Muse Group acquires Hal Leonard Dorico 5.1: Fi…

Black Friday is one of the best times of the year to get new stuff at low prices. But in the world of music notation software and related technology, it can also be a chance to reflect on the way you work and create, and to acquire the tools that will complement your skills. Philip Rothman and David MacDonald summarize the best deals we’ve found to…

David MacDonald and Philip Rothman talk with David William Hearn, the co-founder and lead designer of StaffPad, about everything from product updates to what it was like making a live demo for Apple in 40 minutes, along with the implications of AI, industry changes, the Muse Group acquisition, and much more. More on Scoring Notes: StaffPad “capture…

To celebrate Halloween, we’re looking at scary things we see in the music notation software and score preparation process, and see if we can sweeten the experience with some tricks and treats. Philip Rothman and David MacDonald discuss the spookiness of using the mouse and how you can better become a jack-o-lantern of all trades by focusing more on…

Notion is one of the oldest and most ubiquitous music notation software products available today. With its roots stretching back to Musicprinter Plus, a program invented in the 1990s, to today, with native apps on virtually all major desktop and mobile operating systems, Notion has always been at the vanguard of music notation software. Notion was …

Listeners responded to our “call for calls” with some terrific questions about music notation software, related technology, the business of music preparation, and more. On this episode, Philip Rothman and David MacDonald celebrate the beginning of the academic year by answering questions about the music notation software, tools, and services best s…

For the first time ever, MOLA, An Association of Performance Librarians, devoted an entire day to technology that featured vendor exhibits, presentations, discussions, and meetings. Bookending the day were two panel discussions; one moderated by David MacDonald on the subject of music reader tablet experiences, and one moderated by Philip Rothman w…

If there is one book that anyone working with music notation needs to have, either on their desk, or on their device — or at least in a library within walking distance of their home — it’s Behind Bars: The Definitive Guide to Music Notation. Published in 2011 by Faber Music, Elaine Gould’s 700-page volume quickly became the preeminent reference for…

For the first time ever, MOLA, An Association of Performance Librarians, devoted an entire day to technology that featured vendor exhibits, presentations, discussions, and meetings. Bookending the day were two panel discussions; one moderated by David MacDonald on the subject of music reader tablet experiences, and one moderated by Philip Rothman w…

Listeners responded to our “call for calls” with some terrific questions about music notation software, related technology, the business of music preparation, and more. On this episode, Philip Rothman and David MacDonald take a variety of questions and dispense solicited (and unsolicited) advice. The topic at hand for this part: Using music notatio…

Listeners responded to our “call for calls” with some terrific questions about music notation software, related technology, the business of music preparation, and more. On this episode, Philip Rothman and David MacDonald take a variety of questions and dispense solicited (and unsolicited) advice. Among the topics: the best way to switch among diffe…

Have you ever listened to an episode of the Scoring Notes podcast and wished you could ask a question directly on the show? No?! Never had that desire? But now that I’ve mentioned the possibility, it sounds like something you’d want to do, right…? Right? Seriously, we actually do get a lot of questions and suggestions for the podcast, and many of t…

It’s fair to say that the concept of music notation software is easy to understand. You write music on a computer, it shows up on your display, and you print it out. What could be so difficult about that? Well, as we all know, plenty. Philip Rothman and David MacDonald remember beginning with zero knowledge about programs like Finale, Sibelius, and…

Sometimes music notation software is perfect for the job, but other times, it’s the related technology that’s better suited to the task. Fortunately, we cover both sides of the equation on Scoring Notes — and it’s the latter part that Philip Rothman and David MacDonald discuss on this podcast episode. When creating scores and parts, music notation …

forScore, the sheet music reader, is the no. 1-ranked music app on the Apple Store with good reason. Justin Bianco, its creator and developer, relentlessly refines the vision that he had when the iPad was first introduced: to make a simple yet powerful music reader for Apple’s revolutionary platform. Used in all music genres, in live performance, s…

The release of MuseScore 4 is a major update and quite possibly the most significant one in the open-source application’s history since the release of MuseScore 1.0 in 2011. It includes major improvements to the user interface, layout, engraving, and playback features. Not coincidentally, this is also the first major version of of MuseScore to be r…

Philip Rothman and David MacDonald review significant themes and product releases, reflect on our favorite podcast episodes, recall fun times, spread holiday cheer, and refresh ourselves for the year ahead in the world of music notation software and related technology. More from Scoring Notes: Scoring Notes product guide Podcast highlights from 202…

Soundslice syncs audio, video and music notation into a single web-based interface that can be used on virtually any piece of music. A favorite tool for musicians that want to learn how to play music by interacting with both the sheet music and a recording, it’s at the cutting edge of some developments in the more general field of music application…

It’s here! Black Friday, the time when retailers and consumers meet in the happy place of sales and specials. This time can be about more just getting a few dollars off, though — it can be an opportunity to acquire new skills using products and services that will benefit you all year round. To that end, Philip Rothman and David MacDonald run throug…

On the Scoring Notes podcast, we have spoken before about music preparation and the technology we all use to create musical compositions and get them in front of players and an audience. But how do those compositions begin in the first place? We’re not talking about the magical moment when a composer wakes up and decides that they are going to crea…

When Aaron Copland thought of the Far West, he probably didn’t have Wisconsin in mind, but Milwaukee was the perfect location to “road test” the new edition of Rodeo. That’s where Philip Rothman went for the first rehearsals of a new edition of Copland’s masterpiece that I prepared. The Milwaukee Symphony Orchestra, under the direction of music dir…

We’ve spoken about opera occasionally on a few Scoring Notes episodes — like in the 2-parter we did on lyrics, for instance. But a genre as big and complex as opera deserves our uninterrupted focus. Around for centuries as an art form, opera continues its appeal through the present day, with many contemporary composers working in this area, includi…

Garrett Breeze’s podcast, called Selling Sheet Music, features practical advice about the art and the business of getting scores from your head to the music stand. Garrett invited Scoring Notes co-host Philip Rothman to be a guest on his show, and it was fun having someone ask Philip the questions for a change instead of the other way around. We di…

If you’re not up to date, then you’re missing out on the latest features. That’s always been true, but perhaps never more so than now, with regular updates being the norm for music notation software. Philip Rothman and David MacDonald review the latest updates to Dorico, Sibelius, Finale, and MuseScore, and highlight the most useful new features — …

Tim Davies calls himself “really an arranger that fell into orchestrating,” but that barely begins to describe the active and successful musical life that he leads. Born and educated in Australia, now based in Los Angeles, the Grammy-nominated and Annie-winning musician splits his time between orchestrating for features, television, and video games…

We continue our interviews with members of MOLA, An Association of Performance Librarians, at their annual conference in June. We’re calling these brief conversations “Scoring Half Notes” In this segment, we revisit with our good friend Nicole Jordan, the principal librarian of the Philadelphia Orchestra. Nicole hosted the 2022 MOLA conference in h…

We continue to share some interviews that we did with members of MOLA, An Association of Performance Librarians, at their annual conference in June. We’re calling these brief conversations “Scoring Half Notes”. In this segment, we talk with Mark Fabulich, an assistant librarian at the Boston Symphony Orchestra. Mark is the chair of MOLA’s Technolog…

For the next few weeks we’ll be sharing some interviews that we did with members of MOLA, An Association of Performance Librarians, at their annual conference in June. We’re calling these brief conversations “Scoring Half Notes”. In today’s segment, we talk with Jane Cross, a music archivist at the Library of Congress. She’s been in that position n…

At the 2022 MOLA conference, Philip Rothman and David MacDonald jointly presented a session called “Advancements in Music Notation Software”. It’s a summary of the developments from the past year or so in the world of music notation software and related technology, and we thought it made for a great podcast episode if you’re looking to get caught u…

What happens when you combine custom fonts, fine-tuned engraving settings, and decades of collective music preparation expertise? The Scoring Express templates for Sibelius, Dorico, and Finale. Philip Rothman and David MacDonald talk with Joseph Trefler and Leo Nicholson about the creation of new template suites for Finale and Dorico, along with an…

Allison Loggins-Hull and Nathalie Joachim are distinguished flutists and composers, and Flutronix, the name of their duo, says it all. Known for their unique blend of classical, hip hop, electronic programming and soulful vocals, music and technology intersect constantly in their work and music. They’re active in all of those genres and more, and y…

When using music notation software and other technology, it can be worthwhile to have a consistent workspace for a long period of time. Sometimes, though, the opportunity presents itself to start anew. On this podcast episode, Philip Rothman and David MacDonald talk about making those upgrades — from the desk itself, to what’s on and around it. For…

As the Scoring Notes podcast approaches the two-year mark and our 100th episode, we announce some changes to the release schedule and preview what’s coming in future episodes. More from Scoring Notes and elsewhere: Nicole Jordan, Philadelphia Orchestra librarian [encore] MOLA 40th Annual Conference MuseScore 4 – First Alpha Released…

Knowing the various rules and conventions that govern the setting of lyrics in vocal music is a good start, but if you use music notation software, there’s more to learn. In this second of a two-part episode, Philip Rothman and David MacDonald discuss how to actually apply those principles in the leading scoring programs: Finale, Dorico, and Sibeli…

Working with lyrics and vocal music presents a special set of challenges and opportunities to burnish your music engraving skill set. In this first of a two-part episode, Philip Rothman and David MacDonald discuss many of the conventions and principles that govern lyric text. Staff position, alignment, and spacing must all be carefully considered w…

When you work with music notation software, sometimes the greatest challenge is knowing what a task is actually called and where to find it. Plus, if you use more than one program, the same item might be implemented in different ways. In this encore presentation, Philip Rothman and David MacDonald go on a scavenger hunt to find useful features in F…

Software updates are often blockbuster events, but sometimes they are smaller affairs that just make working in the programs appreciably better. Such is the case with the latest updates to Finale and Dorico. Philip Rothman and David MacDonald recap the Finale v27.2 update, which featured new a jazz template and document style designed in collaborat…

Darcy James Argue returns to Scoring Notes to talk with Philip Rothman about his role in creating the fully revamped SMuFL-compliant jazz default file and document style in the Finale v27.2 update. Darcy’s a composer, bandleader, and, as pertains to today’s topic of conversation, world-renowned music preparation expert, particularly when it comes t…

We talk a lot about fonts on the Scoring Notes podcast. But there was a time when there were no music fonts. And then, there was one. Cleo Huggins, on the staff of Adobe in 1986, designed Sonata, the very first music font. It’s hard to imagine today, but it was revolutionary at the time, and a leading industry publication called it the “Music Produ…