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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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”House Made of Splinters” with Simon Lereng Wilmont
Manage episode 352172117 series 2978062
เนื้อหาจัดทำโดย michaellouismerrill เนื้อหาพอดแคสต์ทั้งหมด รวมถึงตอน กราฟิก และคำอธิบายพอดแคสต์ได้รับการอัปโหลดและจัดเตรียมโดย michaellouismerrill หรือพันธมิตรแพลตฟอร์มพอดแคสต์โดยตรง หากคุณเชื่อว่ามีบุคคลอื่นใช้งานที่มีลิขสิทธิ์ของคุณโดยไม่ได้รับอนุญาต คุณสามารถปฏิบัติตามขั้นตอนที่อธิบายไว้ที่นี่ https://th.player.fm/legal
Children in a shelter in Eastern Ukraine–many of whom have all but lost their parents to war, alcohol, homelessness. But the director of “House Made of Splinters”, Simon Lereng Wilmont (“The Distant Barking of Dogs”) insists that his film is one founded not only on tragedy, but on hope.
Hear Simon speak with Mike on “Top Docs” (co-Creator: Ken Jacobson). Simon discusses the cyclical nature of his film–“When one child leaves, another arrives”–and how it is reflected in his depiction of the seasons, even in the structure of the film. They speak about Eva’s fate, Sasha’s strength of character, and Kolya’s intelligence. And finish with the ultimate moral of the “Scorpion and the Frog”.
Hidden Gem: American Movie.
Follow:
@simonlerengwilmont on Instagram and @simonwilmont on twitter
@topdocspod on Instagram and twitter
The Presenting Sponsor of "Top Docs" is Netflix.
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