“LA Made” is a series exploring stories of bold Californian innovators and how they forever changed the lives of millions all over the world. Each season will unpack the untold and surprising stories behind some of the most exciting innovations that continue to influence our lives today. Season 3, "LA Made: The Other Moonshot," tells the story of three Black aerospace engineers in Los Angeles, who played a crucial role in America’s race to space, amid the civil unrest of the 1960s. When Joan ...
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เนื้อหาจัดทำโดย The Whispering Gallery and Whispering Gallery Podcast เนื้อหาพอดแคสต์ทั้งหมด รวมถึงตอน กราฟิก และคำอธิบายพอดแคสต์ได้รับการอัปโหลดและจัดหาให้โดยตรงจาก The Whispering Gallery and Whispering Gallery Podcast หรือพันธมิตรแพลตฟอร์มพอดแคสต์ของพวกเขา หากคุณเชื่อว่ามีบุคคลอื่นใช้งานที่มีลิขสิทธิ์ของคุณโดยไม่ได้รับอนุญาต คุณสามารถปฏิบัติตามขั้นตอนที่แสดงไว้ที่นี่ https://th.player.fm/legal
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S4 Ep3: The Ghost of the Clay Tablet
MP3•หน้าโฮมของตอน
Manage episode 339744943 series 3345447
เนื้อหาจัดทำโดย The Whispering Gallery and Whispering Gallery Podcast เนื้อหาพอดแคสต์ทั้งหมด รวมถึงตอน กราฟิก และคำอธิบายพอดแคสต์ได้รับการอัปโหลดและจัดหาให้โดยตรงจาก The Whispering Gallery and Whispering Gallery Podcast หรือพันธมิตรแพลตฟอร์มพอดแคสต์ของพวกเขา หากคุณเชื่อว่ามีบุคคลอื่นใช้งานที่มีลิขสิทธิ์ของคุณโดยไม่ได้รับอนุญาต คุณสามารถปฏิบัติตามขั้นตอนที่แสดงไว้ที่นี่ https://th.player.fm/legal
In ancient Mesopotamia people didn’t just want to believe in ghosts, or yearn for an extraordinary encounter in a shadowy haunted building. They believed in ghosts. Ghosts were simply part of normal everyday life. They were to put it plainly— expected. Let's take a closer look at the first known drawing of a ghost--drawn in clay.
If a ghost were to become a problem or a nuisance, something would need to be done about it. In fact Irving Finkle author of The First Ghosts and curator at the British Museum likened the situation to needing to call the plumber. Got a clogged drain? You’d call a professional to help. Got a ghost? Who ya gonna call? The exorcism guy! And he came prepared, ready with a really well rounded guide with specifics on how-to-get-rid of ghosts with programmatic if this, then do this type of thing and kind of umbrella-like statements, to cover things. You don’t want to do a half-baked job when getting rid of a ghost. The guide, not as convenient as our phones, or even a book was written in cuneiform on clay tablets.
What does all of this have to do with art? From what I understand of all of the detailed instructions for the many situations that had to be considered in getting a ghost to leave–they weren’t all illustrated. But here’s an “if statement” — What if I told you that one of these clay tablets was really special, with the oldest known (3,500 years old) drawing of a miserable, sad man–a bearded ghost? Finkle gives the example that maybe the man had three wives and lost each of them. One could jump to the conclusion that he would follow a young woman to the underworld, thus the ritual that complemented the illustration that we’ll talk about in more depth.
First here’s the formal description of the piece:
Title: Tablet impressed with Mesopotamian ghost, side profile
Artist: Master craftsperson
Date: 1,500 BCE
Geography: Ancient Babylon
Medium: Clay tablet
Dimensions: Fits in a person’s hand
Classification: Tablet
Location: British Museum, Great Russell St, London WC1B 3DG, UK (has not been displayed)
Acquired: 19th century, approximately half of the tablet is missing
Photo © British Museum, line drawing © James Fraser and Chris Cobb for The First Ghosts at https://news.artnet.com/.../oldest-ghost-british-museum...
Thanks to the audio sound artists at FreeSound for the accompanying sound/music.
Please Support the Whispering Gallery Podcast:
https://www.patreon.com/suzannenikolaisenart
https://www.buymeacoffee.com/suznikart
Social Media
https://www.facebook.com/whisperinggallerystories/
https://www.instagram.com/whisperinggallerypodcast/
https://www.etsy.com/shop/MysticMediumsStudio
www.whisperinggallerypodcast.com
Copyright 2022 Suzanne Nikolaisen. All Rights Reserved.
If a ghost were to become a problem or a nuisance, something would need to be done about it. In fact Irving Finkle author of The First Ghosts and curator at the British Museum likened the situation to needing to call the plumber. Got a clogged drain? You’d call a professional to help. Got a ghost? Who ya gonna call? The exorcism guy! And he came prepared, ready with a really well rounded guide with specifics on how-to-get-rid of ghosts with programmatic if this, then do this type of thing and kind of umbrella-like statements, to cover things. You don’t want to do a half-baked job when getting rid of a ghost. The guide, not as convenient as our phones, or even a book was written in cuneiform on clay tablets.
What does all of this have to do with art? From what I understand of all of the detailed instructions for the many situations that had to be considered in getting a ghost to leave–they weren’t all illustrated. But here’s an “if statement” — What if I told you that one of these clay tablets was really special, with the oldest known (3,500 years old) drawing of a miserable, sad man–a bearded ghost? Finkle gives the example that maybe the man had three wives and lost each of them. One could jump to the conclusion that he would follow a young woman to the underworld, thus the ritual that complemented the illustration that we’ll talk about in more depth.
First here’s the formal description of the piece:
Title: Tablet impressed with Mesopotamian ghost, side profile
Artist: Master craftsperson
Date: 1,500 BCE
Geography: Ancient Babylon
Medium: Clay tablet
Dimensions: Fits in a person’s hand
Classification: Tablet
Location: British Museum, Great Russell St, London WC1B 3DG, UK (has not been displayed)
Acquired: 19th century, approximately half of the tablet is missing
Photo © British Museum, line drawing © James Fraser and Chris Cobb for The First Ghosts at https://news.artnet.com/.../oldest-ghost-british-museum...
Thanks to the audio sound artists at FreeSound for the accompanying sound/music.
Please Support the Whispering Gallery Podcast:
https://www.patreon.com/suzannenikolaisenart
https://www.buymeacoffee.com/suznikart
Social Media
https://www.facebook.com/whisperinggallerystories/
https://www.instagram.com/whisperinggallerypodcast/
https://www.etsy.com/shop/MysticMediumsStudio
www.whisperinggallerypodcast.com
Copyright 2022 Suzanne Nikolaisen. All Rights Reserved.
50 ตอน
MP3•หน้าโฮมของตอน
Manage episode 339744943 series 3345447
เนื้อหาจัดทำโดย The Whispering Gallery and Whispering Gallery Podcast เนื้อหาพอดแคสต์ทั้งหมด รวมถึงตอน กราฟิก และคำอธิบายพอดแคสต์ได้รับการอัปโหลดและจัดหาให้โดยตรงจาก The Whispering Gallery and Whispering Gallery Podcast หรือพันธมิตรแพลตฟอร์มพอดแคสต์ของพวกเขา หากคุณเชื่อว่ามีบุคคลอื่นใช้งานที่มีลิขสิทธิ์ของคุณโดยไม่ได้รับอนุญาต คุณสามารถปฏิบัติตามขั้นตอนที่แสดงไว้ที่นี่ https://th.player.fm/legal
In ancient Mesopotamia people didn’t just want to believe in ghosts, or yearn for an extraordinary encounter in a shadowy haunted building. They believed in ghosts. Ghosts were simply part of normal everyday life. They were to put it plainly— expected. Let's take a closer look at the first known drawing of a ghost--drawn in clay.
If a ghost were to become a problem or a nuisance, something would need to be done about it. In fact Irving Finkle author of The First Ghosts and curator at the British Museum likened the situation to needing to call the plumber. Got a clogged drain? You’d call a professional to help. Got a ghost? Who ya gonna call? The exorcism guy! And he came prepared, ready with a really well rounded guide with specifics on how-to-get-rid of ghosts with programmatic if this, then do this type of thing and kind of umbrella-like statements, to cover things. You don’t want to do a half-baked job when getting rid of a ghost. The guide, not as convenient as our phones, or even a book was written in cuneiform on clay tablets.
What does all of this have to do with art? From what I understand of all of the detailed instructions for the many situations that had to be considered in getting a ghost to leave–they weren’t all illustrated. But here’s an “if statement” — What if I told you that one of these clay tablets was really special, with the oldest known (3,500 years old) drawing of a miserable, sad man–a bearded ghost? Finkle gives the example that maybe the man had three wives and lost each of them. One could jump to the conclusion that he would follow a young woman to the underworld, thus the ritual that complemented the illustration that we’ll talk about in more depth.
First here’s the formal description of the piece:
Title: Tablet impressed with Mesopotamian ghost, side profile
Artist: Master craftsperson
Date: 1,500 BCE
Geography: Ancient Babylon
Medium: Clay tablet
Dimensions: Fits in a person’s hand
Classification: Tablet
Location: British Museum, Great Russell St, London WC1B 3DG, UK (has not been displayed)
Acquired: 19th century, approximately half of the tablet is missing
Photo © British Museum, line drawing © James Fraser and Chris Cobb for The First Ghosts at https://news.artnet.com/.../oldest-ghost-british-museum...
Thanks to the audio sound artists at FreeSound for the accompanying sound/music.
Please Support the Whispering Gallery Podcast:
https://www.patreon.com/suzannenikolaisenart
https://www.buymeacoffee.com/suznikart
Social Media
https://www.facebook.com/whisperinggallerystories/
https://www.instagram.com/whisperinggallerypodcast/
https://www.etsy.com/shop/MysticMediumsStudio
www.whisperinggallerypodcast.com
Copyright 2022 Suzanne Nikolaisen. All Rights Reserved.
If a ghost were to become a problem or a nuisance, something would need to be done about it. In fact Irving Finkle author of The First Ghosts and curator at the British Museum likened the situation to needing to call the plumber. Got a clogged drain? You’d call a professional to help. Got a ghost? Who ya gonna call? The exorcism guy! And he came prepared, ready with a really well rounded guide with specifics on how-to-get-rid of ghosts with programmatic if this, then do this type of thing and kind of umbrella-like statements, to cover things. You don’t want to do a half-baked job when getting rid of a ghost. The guide, not as convenient as our phones, or even a book was written in cuneiform on clay tablets.
What does all of this have to do with art? From what I understand of all of the detailed instructions for the many situations that had to be considered in getting a ghost to leave–they weren’t all illustrated. But here’s an “if statement” — What if I told you that one of these clay tablets was really special, with the oldest known (3,500 years old) drawing of a miserable, sad man–a bearded ghost? Finkle gives the example that maybe the man had three wives and lost each of them. One could jump to the conclusion that he would follow a young woman to the underworld, thus the ritual that complemented the illustration that we’ll talk about in more depth.
First here’s the formal description of the piece:
Title: Tablet impressed with Mesopotamian ghost, side profile
Artist: Master craftsperson
Date: 1,500 BCE
Geography: Ancient Babylon
Medium: Clay tablet
Dimensions: Fits in a person’s hand
Classification: Tablet
Location: British Museum, Great Russell St, London WC1B 3DG, UK (has not been displayed)
Acquired: 19th century, approximately half of the tablet is missing
Photo © British Museum, line drawing © James Fraser and Chris Cobb for The First Ghosts at https://news.artnet.com/.../oldest-ghost-british-museum...
Thanks to the audio sound artists at FreeSound for the accompanying sound/music.
Please Support the Whispering Gallery Podcast:
https://www.patreon.com/suzannenikolaisenart
https://www.buymeacoffee.com/suznikart
Social Media
https://www.facebook.com/whisperinggallerystories/
https://www.instagram.com/whisperinggallerypodcast/
https://www.etsy.com/shop/MysticMediumsStudio
www.whisperinggallerypodcast.com
Copyright 2022 Suzanne Nikolaisen. All Rights Reserved.
50 ตอน
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