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เนื้อหาจัดทำโดย Benedikt Hain / Malcom Owen-Flood เนื้อหาพอดแคสต์ทั้งหมด รวมถึงตอน กราฟิก และคำอธิบายพอดแคสต์ได้รับการอัปโหลดและจัดหาให้โดยตรงจาก Benedikt Hain / Malcom Owen-Flood หรือพันธมิตรแพลตฟอร์มพอดแคสต์ของพวกเขา หากคุณเชื่อว่ามีบุคคลอื่นใช้งานที่มีลิขสิทธิ์ของคุณโดยไม่ได้รับอนุญาต คุณสามารถปฏิบัติตามขั้นตอนที่แสดงไว้ที่นี่ https://th.player.fm/legal
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#75: The One Engineering And Mixing Skill That Will Give You 80% Of The Results

53:20
 
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Manage episode 297983707 series 2864231
เนื้อหาจัดทำโดย Benedikt Hain / Malcom Owen-Flood เนื้อหาพอดแคสต์ทั้งหมด รวมถึงตอน กราฟิก และคำอธิบายพอดแคสต์ได้รับการอัปโหลดและจัดหาให้โดยตรงจาก Benedikt Hain / Malcom Owen-Flood หรือพันธมิตรแพลตฟอร์มพอดแคสต์ของพวกเขา หากคุณเชื่อว่ามีบุคคลอื่นใช้งานที่มีลิขสิทธิ์ของคุณโดยไม่ได้รับอนุญาต คุณสามารถปฏิบัติตามขั้นตอนที่แสดงไว้ที่นี่ https://th.player.fm/legal

Download the free Ultimate 10 Step Guide To Successful DIY-Recording here: https://theselfrecordingband.com/10stepguide
Download the free Essential Gear Guide here:
https://theselfrecordingband.com/gearguide

Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--
There's one thing that we immediately pick out as listeners, even if we don't have very trained ears and even if we're not very experienced or familiar with the genre: We immediately notice when something is way too loud or way too quiet.
And we subconsciously notice when the song doesn't feel right, maybe because it's hard to make out the bass line, or the drum groove is just not hitting hard enough, or there's this weird, buried thing in the background that's distracting us, while something else is jumping out too much.
We might not be able to put it into words, but we definitely notice when there's something wrong with the balance.
So there is one skill that we have to learn and constantly improve as engineers and mixers if we want our music to translate well and deliver all the emotion and energy with minimal distraction: Balancing. Simply finding the right levels for every track in every part of the song and every mic on a every source that we record.
Technically it's super simple, but it's also incredibly difficult to get right. If you get it right, however, assuming that your source tones are good, you're 80% there. Without touching an EQ, compressor or effect.
Let's discuss!
For full show notes go to: theselfrecordingband.com/75

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: podcast@theselfrecordingband.com

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: podcast@theselfrecordingband.com

  continue reading

217 ตอน

Artwork
iconแบ่งปัน
 
Manage episode 297983707 series 2864231
เนื้อหาจัดทำโดย Benedikt Hain / Malcom Owen-Flood เนื้อหาพอดแคสต์ทั้งหมด รวมถึงตอน กราฟิก และคำอธิบายพอดแคสต์ได้รับการอัปโหลดและจัดหาให้โดยตรงจาก Benedikt Hain / Malcom Owen-Flood หรือพันธมิตรแพลตฟอร์มพอดแคสต์ของพวกเขา หากคุณเชื่อว่ามีบุคคลอื่นใช้งานที่มีลิขสิทธิ์ของคุณโดยไม่ได้รับอนุญาต คุณสามารถปฏิบัติตามขั้นตอนที่แสดงไว้ที่นี่ https://th.player.fm/legal

Download the free Ultimate 10 Step Guide To Successful DIY-Recording here: https://theselfrecordingband.com/10stepguide
Download the free Essential Gear Guide here:
https://theselfrecordingband.com/gearguide

Join the free Facebook Group ("The Self-Recording Band Community"):
theselfrecordingband.com/community
--
There's one thing that we immediately pick out as listeners, even if we don't have very trained ears and even if we're not very experienced or familiar with the genre: We immediately notice when something is way too loud or way too quiet.
And we subconsciously notice when the song doesn't feel right, maybe because it's hard to make out the bass line, or the drum groove is just not hitting hard enough, or there's this weird, buried thing in the background that's distracting us, while something else is jumping out too much.
We might not be able to put it into words, but we definitely notice when there's something wrong with the balance.
So there is one skill that we have to learn and constantly improve as engineers and mixers if we want our music to translate well and deliver all the emotion and energy with minimal distraction: Balancing. Simply finding the right levels for every track in every part of the song and every mic on a every source that we record.
Technically it's super simple, but it's also incredibly difficult to get right. If you get it right, however, assuming that your source tones are good, you're 80% there. Without touching an EQ, compressor or effect.
Let's discuss!
For full show notes go to: theselfrecordingband.com/75

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: podcast@theselfrecordingband.com

If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: podcast@theselfrecordingband.com

  continue reading

217 ตอน

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