As She Rises brings together local poets and activists from throughout North America to depict the effects of climate change on their home and their people. Each episode carries the listener to a new place through a collection of voices, local recordings and soundscapes. Stories span from the Louisiana Bayou, to the tundras of Alaska to the drying bed of the Colorado River. Centering the voices of native women and women of color, As She Rises personalizes the elusive magnitude of climate cha ...
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เนื้อหาจัดทำโดย Audioboom and Somerset House เนื้อหาพอดแคสต์ทั้งหมด รวมถึงตอน กราฟิก และคำอธิบายพอดแคสต์ได้รับการอัปโหลดและจัดหาให้โดยตรงจาก Audioboom and Somerset House หรือพันธมิตรแพลตฟอร์มพอดแคสต์ของพวกเขา หากคุณเชื่อว่ามีบุคคลอื่นใช้งานที่มีลิขสิทธิ์ของคุณโดยไม่ได้รับอนุญาต คุณสามารถปฏิบัติตามขั้นตอนที่แสดงไว้ที่นี่ https://th.player.fm/legal
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Vicki Bennett: Opening Doors
MP3•หน้าโฮมของตอน
Manage episode 313307333 series 2097721
เนื้อหาจัดทำโดย Audioboom and Somerset House เนื้อหาพอดแคสต์ทั้งหมด รวมถึงตอน กราฟิก และคำอธิบายพอดแคสต์ได้รับการอัปโหลดและจัดหาให้โดยตรงจาก Audioboom and Somerset House หรือพันธมิตรแพลตฟอร์มพอดแคสต์ของพวกเขา หากคุณเชื่อว่ามีบุคคลอื่นใช้งานที่มีลิขสิทธิ์ของคุณโดยไม่ได้รับอนุญาต คุณสามารถปฏิบัติตามขั้นตอนที่แสดงไว้ที่นี่ https://th.player.fm/legal
Vicki Bennett explores the processes of making audiovisual content, working with archives and found footage.
Using collage as a compositional tool opens up endless opportunities to create and experience results that are more than the sum of their parts, opening doors (and windows) to let light in and move beyond limited and repetitive ways of creative thinking.
In this Somerset House Studios podcast, we revisit Vicki Bennett’s talk as part of The Wire magazine’s Music By Any Means series, which was part of Grounding Practice, a rolling programme shaped by and for creative practitioners and critical thinkers.
About Vicky Bennett
Under the name People Like Us, Vicki Bennett has been making work available via CD, DVD and vinyl releases, radio broadcasts, concert appearances, gallery exhibits and online streaming and distribution since 1992.
In this Somerset House Studios podcast, we revisit Vicki Bennett’s talk as part of The Wire magazine’s Music By Any Means series, which was part of Grounding Practice, a rolling programme shaped by and for creative practitioners and critical thinkers.
About Vicky Bennett
Under the name People Like Us, Vicki Bennett has been making work available via CD, DVD and vinyl releases, radio broadcasts, concert appearances, gallery exhibits and online streaming and distribution since 1992.
Bennett has developed an immediately recognisable aesthetic repurposing pre-existing footage to craft audio and video collages with an equally dark and witty take on popular culture. She sees sampling and collage as folk art sourced from the palette of contemporary media and technology, with all of the sharing and cross-referencing incumbent to a populist form.
Embedded in her work is the premise that all is interconnected and that claiming ownership of an ‘original’ or isolated concept is both preposterous and redundant. Most of the People Like Us back catalogue has been available for free online since 2002. For many artists, profit and publicity is more likely through free distribution (the gift economy) than independent publishers and distributors, which often struggle with limited resources. Online self-distribution allows an artist to keep their work available, resolving a tension between label production costs and the desire of an artist for work to be available.
Part of The Wire: Music By Any Means.
Grounding Practice / Somerset House Studios
Audio produced by Weyland Mckenzie-Witter as part of The Creator in Residence Programme at Somerset House, supported by The Rothschild Foundation.
Part of The Wire: Music By Any Means.
Grounding Practice / Somerset House Studios
Audio produced by Weyland Mckenzie-Witter as part of The Creator in Residence Programme at Somerset House, supported by The Rothschild Foundation.
55 ตอน
MP3•หน้าโฮมของตอน
Manage episode 313307333 series 2097721
เนื้อหาจัดทำโดย Audioboom and Somerset House เนื้อหาพอดแคสต์ทั้งหมด รวมถึงตอน กราฟิก และคำอธิบายพอดแคสต์ได้รับการอัปโหลดและจัดหาให้โดยตรงจาก Audioboom and Somerset House หรือพันธมิตรแพลตฟอร์มพอดแคสต์ของพวกเขา หากคุณเชื่อว่ามีบุคคลอื่นใช้งานที่มีลิขสิทธิ์ของคุณโดยไม่ได้รับอนุญาต คุณสามารถปฏิบัติตามขั้นตอนที่แสดงไว้ที่นี่ https://th.player.fm/legal
Vicki Bennett explores the processes of making audiovisual content, working with archives and found footage.
Using collage as a compositional tool opens up endless opportunities to create and experience results that are more than the sum of their parts, opening doors (and windows) to let light in and move beyond limited and repetitive ways of creative thinking.
In this Somerset House Studios podcast, we revisit Vicki Bennett’s talk as part of The Wire magazine’s Music By Any Means series, which was part of Grounding Practice, a rolling programme shaped by and for creative practitioners and critical thinkers.
About Vicky Bennett
Under the name People Like Us, Vicki Bennett has been making work available via CD, DVD and vinyl releases, radio broadcasts, concert appearances, gallery exhibits and online streaming and distribution since 1992.
In this Somerset House Studios podcast, we revisit Vicki Bennett’s talk as part of The Wire magazine’s Music By Any Means series, which was part of Grounding Practice, a rolling programme shaped by and for creative practitioners and critical thinkers.
About Vicky Bennett
Under the name People Like Us, Vicki Bennett has been making work available via CD, DVD and vinyl releases, radio broadcasts, concert appearances, gallery exhibits and online streaming and distribution since 1992.
Bennett has developed an immediately recognisable aesthetic repurposing pre-existing footage to craft audio and video collages with an equally dark and witty take on popular culture. She sees sampling and collage as folk art sourced from the palette of contemporary media and technology, with all of the sharing and cross-referencing incumbent to a populist form.
Embedded in her work is the premise that all is interconnected and that claiming ownership of an ‘original’ or isolated concept is both preposterous and redundant. Most of the People Like Us back catalogue has been available for free online since 2002. For many artists, profit and publicity is more likely through free distribution (the gift economy) than independent publishers and distributors, which often struggle with limited resources. Online self-distribution allows an artist to keep their work available, resolving a tension between label production costs and the desire of an artist for work to be available.
Part of The Wire: Music By Any Means.
Grounding Practice / Somerset House Studios
Audio produced by Weyland Mckenzie-Witter as part of The Creator in Residence Programme at Somerset House, supported by The Rothschild Foundation.
Part of The Wire: Music By Any Means.
Grounding Practice / Somerset House Studios
Audio produced by Weyland Mckenzie-Witter as part of The Creator in Residence Programme at Somerset House, supported by The Rothschild Foundation.
55 ตอน
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