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เนื้อหาจัดทำโดย cxdr3filespod เนื้อหาพอดแคสต์ทั้งหมด รวมถึงตอน กราฟิก และคำอธิบายพอดแคสต์ได้รับการอัปโหลดและจัดหาให้โดยตรงจาก cxdr3filespod หรือพันธมิตรแพลตฟอร์มพอดแคสต์ของพวกเขา หากคุณเชื่อว่ามีบุคคลอื่นใช้งานที่มีลิขสิทธิ์ของคุณโดยไม่ได้รับอนุญาต คุณสามารถปฏิบัติตามขั้นตอนที่แสดงไว้ที่นี่ https://th.player.fm/legal
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The Dark Void of Social Isolation and Loneliness ― Illusions from the Death Star

42:19
 
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ซีรีส์ที่ถูกเก็บถาวร ("ฟีดที่ไม่ได้ใช้งาน" status)

When? This feed was archived on May 04, 2024 02:19 (16d ago). Last successful fetch was on October 19, 2023 05:42 (7M ago)

Why? ฟีดที่ไม่ได้ใช้งาน status. เซิร์ฟเวอร์ของเราไม่สามารถดึงฟีดพอดคาสท์ที่ใช้งานได้สักระยะหนึ่ง

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 364778536 series 3459744
เนื้อหาจัดทำโดย cxdr3filespod เนื้อหาพอดแคสต์ทั้งหมด รวมถึงตอน กราฟิก และคำอธิบายพอดแคสต์ได้รับการอัปโหลดและจัดหาให้โดยตรงจาก cxdr3filespod หรือพันธมิตรแพลตฟอร์มพอดแคสต์ของพวกเขา หากคุณเชื่อว่ามีบุคคลอื่นใช้งานที่มีลิขสิทธิ์ของคุณโดยไม่ได้รับอนุญาต คุณสามารถปฏิบัติตามขั้นตอนที่แสดงไว้ที่นี่ https://th.player.fm/legal

In the final installment of this episode on social isolation, the focus of my discussion will be on analyzing some of the deep issues raised by Hikikomori and the complex matter of dying alone. My analysis begins with the concept of Kodokushi or lonely deaths. In addition to the emotional distress of discovering loved-ones that died alone, another deeply harrowing aspect of Kodokushi is the harsh practical elements associated with death. This includes, the stench of rotting flesh and the stained imprint where the body lay, silhouetted against the floor.
From a global perspective this raises important questions on society’s approach to issues such as the dignity (or lack thereof) linked to those people who die in isolated circumstances such as the elderly. Also, the conflicting viewpoints on what society’s position should be on dying alone. Is there a preferred option? and can we categorize between a ‘good death’ and a’ bad death?’ Furthermore, does dying alone in loneliness represent a failure of modern urbanization? Hence is a good death, one where individuals and their families retain an element of control? Or is a good death, one which offers the ability to consciously let go and accept what is unfolding?

I examine the concept of connection points between life and death by steering the discussion towards an in-depth analysis of Hikikomori. I begin by first examining the concept of shame and dishonour which are highly sensitive issues within Japanese society. In particular, how shame is then projected onto the minds of people experiencing social withdrawal, therefore becoming an obstacle to addressing their unique problems. To illustrate this, I explain how suicide in traditional Japanese society was seen as a way of preserving family honour by atoning for disgrace. Interestingly, this mode of thinking still endures today because suicide does not carry overt negative overtones within Japanese society and is therefore not considered to be a disadvantage. Seen from this perspective, is it possible to argue that the practice of Hikikomori represents a form of latent suicide? These broad arguments lead us to an enduring question of our time; Has the role of technology exacerbated social isolation? and to what extent does social media cause isolation?

In the final analysis, socially isolated people are a mixed group. There are those with too many connections, such that, their social space automatically generates feelings of loneliness due to the presence of fake connections. Alternatively, Hikikomori are people without any connections but they are constantly trying to reach out in search of real connections. Ultimately both attempts to connect, carry little or no meaning and this is represents the true dark void of contemporary social isolation.

CONTACT Information:

Email: r3filespodcast@gmail.com

  continue reading

31 ตอน

Artwork
iconแบ่งปัน
 

ซีรีส์ที่ถูกเก็บถาวร ("ฟีดที่ไม่ได้ใช้งาน" status)

When? This feed was archived on May 04, 2024 02:19 (16d ago). Last successful fetch was on October 19, 2023 05:42 (7M ago)

Why? ฟีดที่ไม่ได้ใช้งาน status. เซิร์ฟเวอร์ของเราไม่สามารถดึงฟีดพอดคาสท์ที่ใช้งานได้สักระยะหนึ่ง

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 364778536 series 3459744
เนื้อหาจัดทำโดย cxdr3filespod เนื้อหาพอดแคสต์ทั้งหมด รวมถึงตอน กราฟิก และคำอธิบายพอดแคสต์ได้รับการอัปโหลดและจัดหาให้โดยตรงจาก cxdr3filespod หรือพันธมิตรแพลตฟอร์มพอดแคสต์ของพวกเขา หากคุณเชื่อว่ามีบุคคลอื่นใช้งานที่มีลิขสิทธิ์ของคุณโดยไม่ได้รับอนุญาต คุณสามารถปฏิบัติตามขั้นตอนที่แสดงไว้ที่นี่ https://th.player.fm/legal

In the final installment of this episode on social isolation, the focus of my discussion will be on analyzing some of the deep issues raised by Hikikomori and the complex matter of dying alone. My analysis begins with the concept of Kodokushi or lonely deaths. In addition to the emotional distress of discovering loved-ones that died alone, another deeply harrowing aspect of Kodokushi is the harsh practical elements associated with death. This includes, the stench of rotting flesh and the stained imprint where the body lay, silhouetted against the floor.
From a global perspective this raises important questions on society’s approach to issues such as the dignity (or lack thereof) linked to those people who die in isolated circumstances such as the elderly. Also, the conflicting viewpoints on what society’s position should be on dying alone. Is there a preferred option? and can we categorize between a ‘good death’ and a’ bad death?’ Furthermore, does dying alone in loneliness represent a failure of modern urbanization? Hence is a good death, one where individuals and their families retain an element of control? Or is a good death, one which offers the ability to consciously let go and accept what is unfolding?

I examine the concept of connection points between life and death by steering the discussion towards an in-depth analysis of Hikikomori. I begin by first examining the concept of shame and dishonour which are highly sensitive issues within Japanese society. In particular, how shame is then projected onto the minds of people experiencing social withdrawal, therefore becoming an obstacle to addressing their unique problems. To illustrate this, I explain how suicide in traditional Japanese society was seen as a way of preserving family honour by atoning for disgrace. Interestingly, this mode of thinking still endures today because suicide does not carry overt negative overtones within Japanese society and is therefore not considered to be a disadvantage. Seen from this perspective, is it possible to argue that the practice of Hikikomori represents a form of latent suicide? These broad arguments lead us to an enduring question of our time; Has the role of technology exacerbated social isolation? and to what extent does social media cause isolation?

In the final analysis, socially isolated people are a mixed group. There are those with too many connections, such that, their social space automatically generates feelings of loneliness due to the presence of fake connections. Alternatively, Hikikomori are people without any connections but they are constantly trying to reach out in search of real connections. Ultimately both attempts to connect, carry little or no meaning and this is represents the true dark void of contemporary social isolation.

CONTACT Information:

Email: r3filespodcast@gmail.com

  continue reading

31 ตอน

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