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Streaming services have peaked as 2025 ad take set to surge to $200m; Amazon Prime, Kayo, Binge lead local market with ‘sophisticated’ human sales teams but too many streamers to support with ads - Omnicom, Telsyte

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เนื้อหาจัดทำโดย LiSTNR Support เนื้อหาพอดแคสต์ทั้งหมด รวมถึงตอน กราฟิก และคำอธิบายพอดแคสต์ได้รับการอัปโหลดและจัดหาให้โดยตรงจาก LiSTNR Support หรือพันธมิตรแพลตฟอร์มพอดแคสต์ของพวกเขา หากคุณเชื่อว่ามีบุคคลอื่นใช้งานที่มีลิขสิทธิ์ของคุณโดยไม่ได้รับอนุญาต คุณสามารถปฏิบัติตามขั้นตอนที่แสดงไว้ที่นี่ https://th.player.fm/legal

The latest analysis of SVOD growth rates from tech and telco analyst Telsyte proves one thing: fear of streaming services losing subscribers by pivoting to ads is overblown: They’re growing – though some more than others. MD Foad Fadaghi says ads, plus AI personalisation, integration and format innovation, will power the next growth cycle but streaming growth has peaked.

Omnicom investment chief Kristiaan Kroon suggests Stan, Nine’s ad-free SVOD holdout, should heed that lesson because Nine has something globals like Netflix and others do not: “A really sophisticated, at scale, sales infrastructure, which means they could make really good money from an ad tier.” There’s more competition incoming from HBO and Disney. But Kroon reiterates that the best sales wins because unlike the US and UK, Australia’s premium end of town doesn’t operate on fully automated systems and open exchanges. “They are still very much handheld markets.”

Who’s winning right now? “Amazon Prime and then Binge and Kayo. Why? They have come to market with scale, both have sales teams, both have sophisticated data infrastructure,” per Kroon. He thinks streamer ad tiers will eclipse his earlier predictions of $75-$100m take in 2024 with Amazon, Kayo and Binge taking most of the pie. Next year, he thinks SVOD ad tiers could beat $200m, but there’s debate about how big ad-streamers like Amazon and Netflix actually are. Fadaghi suggests 80 per cent Telstye’s estimated 4.8m Amazon Prime subscribers could technically receive ads. Kroon puts the active Prime user base around 2-2.5m, broadly on a par with Nine and Seven. There’s also an effectiveness debate, with data from Adgile suggesting streamers can’t yet match TV’s results. Kroon says the MMM-effectiveness-ROI debate has become “very finger pointy in recent months”, but agrees there’s a gap to close.

Ultimately, he thinks local content integration could prove decisive in determining winners and losers – and for some of the globals, Australia may prove too small.

“I don't see how we can support that many BVOD, SVOD [players] – and we haven't really even talked about YouTube and the amount of ads that are served on CTV now,” says Kroon. “There's only going to be a certain number that can be supported.”

Fadaghi predicts the streamers will triple in size to 10m subscribers in the next four years, “with more than a third on ad tiers.”

See omnystudio.com/listener for privacy information.

  continue reading

364 ตอน

Artwork
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Manage episode 438918472 series 2501526
เนื้อหาจัดทำโดย LiSTNR Support เนื้อหาพอดแคสต์ทั้งหมด รวมถึงตอน กราฟิก และคำอธิบายพอดแคสต์ได้รับการอัปโหลดและจัดหาให้โดยตรงจาก LiSTNR Support หรือพันธมิตรแพลตฟอร์มพอดแคสต์ของพวกเขา หากคุณเชื่อว่ามีบุคคลอื่นใช้งานที่มีลิขสิทธิ์ของคุณโดยไม่ได้รับอนุญาต คุณสามารถปฏิบัติตามขั้นตอนที่แสดงไว้ที่นี่ https://th.player.fm/legal

The latest analysis of SVOD growth rates from tech and telco analyst Telsyte proves one thing: fear of streaming services losing subscribers by pivoting to ads is overblown: They’re growing – though some more than others. MD Foad Fadaghi says ads, plus AI personalisation, integration and format innovation, will power the next growth cycle but streaming growth has peaked.

Omnicom investment chief Kristiaan Kroon suggests Stan, Nine’s ad-free SVOD holdout, should heed that lesson because Nine has something globals like Netflix and others do not: “A really sophisticated, at scale, sales infrastructure, which means they could make really good money from an ad tier.” There’s more competition incoming from HBO and Disney. But Kroon reiterates that the best sales wins because unlike the US and UK, Australia’s premium end of town doesn’t operate on fully automated systems and open exchanges. “They are still very much handheld markets.”

Who’s winning right now? “Amazon Prime and then Binge and Kayo. Why? They have come to market with scale, both have sales teams, both have sophisticated data infrastructure,” per Kroon. He thinks streamer ad tiers will eclipse his earlier predictions of $75-$100m take in 2024 with Amazon, Kayo and Binge taking most of the pie. Next year, he thinks SVOD ad tiers could beat $200m, but there’s debate about how big ad-streamers like Amazon and Netflix actually are. Fadaghi suggests 80 per cent Telstye’s estimated 4.8m Amazon Prime subscribers could technically receive ads. Kroon puts the active Prime user base around 2-2.5m, broadly on a par with Nine and Seven. There’s also an effectiveness debate, with data from Adgile suggesting streamers can’t yet match TV’s results. Kroon says the MMM-effectiveness-ROI debate has become “very finger pointy in recent months”, but agrees there’s a gap to close.

Ultimately, he thinks local content integration could prove decisive in determining winners and losers – and for some of the globals, Australia may prove too small.

“I don't see how we can support that many BVOD, SVOD [players] – and we haven't really even talked about YouTube and the amount of ads that are served on CTV now,” says Kroon. “There's only going to be a certain number that can be supported.”

Fadaghi predicts the streamers will triple in size to 10m subscribers in the next four years, “with more than a third on ad tiers.”

See omnystudio.com/listener for privacy information.

  continue reading

364 ตอน

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