TRIBECA: Tim Blake Nelson, Andrew Liner and Vincent Grashaw for "BANG BANG"

Mentors on the Mic: Your guide to pursuing a career in the Entertainment industry

TIM BLAKE NELSON - Actor, writer, director, and producer Tim Blake Nelson has appeared in over ninety feature films, including Steven Spielberg’s Lincoln, Ang Lee’s Billy Lynne’s Long Halftime Walk, Louis Letterier’s The Incredible Hulk, Jay Roach’s Meet the Fockers, Steven Gaghan’s Syriana, Miguel Arteta’s The Good Girl, Steven Spielberg’s Minority Report, Terrence Malick’s The Thin Red Line, Andrew Davis’ Holes, and the Coen Brothers’ O Brother Where Art Thou? Nelson also starred as the title character in Netflix’s The Ballad of Buster Scruggs, written and directed by the Coen Brothers. He next appears in Marvel’s Captain America: New World Order, reprising his role as “Samuel Sterns” from The Incredible Hulk.

Andrew Liner - Andrew Liner can most recently be seen starring in Peacock’s VAMPIRE ACADEMY from Executive Producer Julie Plec and can currently be seen in HBO Max’s original film, GRAY MATTER. Next up, he will be shooting a lead role in Destry Spielberg’s directorial debut, PLEASE DON’T FEED THE CHILDREN opposite Michelle Dockery.

Vincent Grashaw - Director/Editor And Then I Go with Melanie Lynskey, Justin Long, and newcomers Arman Darbo and Sawyer Barth. Also, What Josaiah Saw and Coldwater. Synopsis: Retired pugilist Bernard “Bang Bang” Rozyski (Tim Blake Nelson) is inspired to try his hand at training once he reconnects with his estranged grandson. While their training brings Bang Bang out of the hole he’s been living in, everyone questions his motivations, including an ex-girlfriend from decades ago, who was privy to Bang Bang’s meteoric rise in the sport in the 80s as well as the rivalry with his former opponent, her cousin and Detroit's Mayoral candidate Darnell Washington. Is Bang Bang merely passing down inherited rage, or is there true altruism behind his tutelage? Questions: Vincent Grashaw: How did he come across this script from Will Janowitz? Why he chose to edit the entire film and taking a month? How did editing inform your directing? How did his background inform what he wanted to say about boxing? Tim Blake Nelson: How did this script come to you? What went into the preparation for this film? Andrew Liner: What was the audition like? How did you guys do his signature droopy eye and why was that important to include?

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For more like this, try TRIBECA: Lisa Edelstein and Gina Torres discuss "THE EVERYTHING POT"

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