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เนื้อหาจัดทำโดย HEAVY Magazine เนื้อหาพอดแคสต์ทั้งหมด รวมถึงตอน กราฟิก และคำอธิบายพอดแคสต์ได้รับการอัปโหลดและจัดหาให้โดยตรงจาก HEAVY Magazine หรือพันธมิตรแพลตฟอร์มพอดแคสต์ของพวกเขา หากคุณเชื่อว่ามีบุคคลอื่นใช้งานที่มีลิขสิทธิ์ของคุณโดยไม่ได้รับอนุญาต คุณสามารถปฏิบัติตามขั้นตอนที่แสดงไว้ที่นี่ https://th.player.fm/legal
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Curated Questions: Conversations Celebrating the Power of Questions!
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Episode Notes [03:47] Seth's Early Understanding of Questions [04:33] The Power of Questions [05:25] Building Relationships Through Questions [06:41] This is Strategy: Focus on Questions [10:21] Gamifying Questions [11:34] Conversations as Infinite Games [15:32] Creating Tension with Questions [20:46] Effective Questioning Techniques [23:21] Empathy and Engagement [34:33] Strategy and Culture [35:22] Microsoft's Transformation [36:00] Global Perspectives on Questions [39:39] Caring in a Challenging World Resources Mentioned The Dip by Seth Godin Linchpin by Seth Godin Purple Cow by Seth Godin Tribes by Seth Godin This Is Marketing by Seth Godin The Carbon Almanac This is Strategy by Seth Godin Seth's Blog What Does it Sound Like When You Change Your Mind? by Seth Godin Value Creation Masterclass by Seth Godin on Udemy The Strategy Deck by Seth Godin Taylor Swift Jimmy Smith Jimmy Smith Curated Questions Episode Supercuts Priya Parker Techstars Satya Nadella Microsoft Steve Ballmer Acumen Jerry Colonna Unleashing the Idea Virus by Seth Godin Tim Ferriss podcast with Seth Godin Seth Godin website Beauty Pill Producer Ben Ford Questions Asked When did you first understand the power of questions? What do you do to get under the layer to really get down to those lower levels? Is it just follow-up questions, mindset, worldview, and how that works for you? How'd you get this job anyway? What are things like around here? What did your boss do before they were your boss? Wow did you end up with this job? Why are questions such a big part of This is Strategy? If you had to charge ten times as much as you charge now, what would you do differently? If it had to be free, what would you do differently? Who's it for, and what's it for? What is the change we seek to make? How did you choose the questions for The Strategy Deck? How big is our circle of us? How many people do I care about? Is the change we're making contagious? Are there other ways to gamify the use of questions? Any other thoughts on how questions might be gamified? How do we play games with other people where we're aware of what it would be for them to win and for us to win? What is it that you're challenged by? What is it that you want to share? What is it that you're afraid of? If there isn't a change, then why are we wasting our time? Can you define tension? What kind of haircut do you want? How long has it been since your last haircut? How might one think about intentionally creating that question? What factors should someone think about as they use questions to create tension? How was school today? What is the kind of interaction I'm hoping for over time? How do I ask a different sort of question that over time will be answered with how was school today? Were there any easy questions on your math homework? Did anything good happen at school today? What tension am I here to create? What wrong questions continue to be asked? What temperature is it outside? When the person you could have been meets the person you are becoming, is it going to be a cause for celebration or heartbreak? What are the questions we're going to ask each other? What was life like at the dinner table when you were growing up? What are we really trying to accomplish? How do you have this cogent two sentence explanation of what you do? How many clicks can we get per visit? What would happen if there was a webpage that was designed to get you to leave? What were the questions that were being asked by people in authority at Yahoo in 1999? How did the stock do today? Is anything broken? What can you do today that will make the stock go up tomorrow? What are risks worth taking? What are we doing that might not work but that supports our mission? What was the last thing you did that didn't work, and what did we learn from it? What have we done to so delight our core customers that they're telling other people? How has your international circle informed your life of questions? What do I believe that other people don't believe? What do I see that other people don't see? What do I take for granted that other people don't take for granted? What would blank do? What would Bob do? What would Jill do? What would Susan do? What happened to them? What system are they in that made them decide that that was the right thing to do? And then how do we change the system? How given the state of the world, do you manage to continue to care as much as you do? Do you walk to school or take your lunch? If you all can only care if things are going well, then what does that mean about caring? Should I have spent the last 50 years curled up in a ball? How do we go to the foundation and create community action?…
To The Moon And back With BJORN STRID From NIGHT FLIGHT ORCHESTRA
Manage episode 463732747 series 2442388
เนื้อหาจัดทำโดย HEAVY Magazine เนื้อหาพอดแคสต์ทั้งหมด รวมถึงตอน กราฟิก และคำอธิบายพอดแคสต์ได้รับการอัปโหลดและจัดหาให้โดยตรงจาก HEAVY Magazine หรือพันธมิตรแพลตฟอร์มพอดแคสต์ของพวกเขา หากคุณเชื่อว่ามีบุคคลอื่นใช้งานที่มีลิขสิทธิ์ของคุณโดยไม่ได้รับอนุญาต คุณสามารถปฏิบัติตามขั้นตอนที่แสดงไว้ที่นี่ https://th.player.fm/legal
Interview by Kris Peters
The seventh studio album for Night Flight Orchestra was always going to be difficult given the passing of original member David Andersson between releases.
Music is an emotional form of expression naturally, but when having to negotiate loss and sorrow, any new music could quite easily be skewered too far in that direction and become almost self-indulgent.
Not that that is a bad thing, but talking with frontman Bjorn Strid you get the feeling that he and the rest of NFO wanted to pay honour and respect to David's legacy and music by capturing themselves at optimal strength and unity on both a sonic and personal plane.
The resulting body of work, Give Us The Moon - which is released on Friday, January 31 - takes the listener on an exciting sonic journey, balancing between uplifting escapism and captivating stories inspired by real life events. The album's themes span the likes of heroines and temptresses to liberation and romantic nostalgia, set to backdrops of abandoned cities and cosmic tides.
The album is free from the limitations of one genre or style, although many of the soundscapes of the album draw inspiration from the 80s, making the album a varied, exciting adventure. Give Us The Moon is produced by THE NIGHT FLIGHT ORCHESTRA and Sebastian Forslund, who also mixed the album, and is mastered by Plec Johansson at award-winning The Panic Room Studios. To celebrate the release of the new full-length, THE NIGHT FLIGHT ORCHESTRA will embark on a full European tour in late January, 2025. Boarding is completed - fasten your seatbelts and enjoy the flight!
HEAVY sat down recently with Strid to discuss the new album and delve into its cinematic nature.
"It's a real special album," he began. "It's the first one without David Andersson, who sadly passed away two years ago, and it's been a special journey putting this album together. We wanted to create something really uplifting and empowering, and make it even more cinematic and dreamy than before. But the general guiding star was to make something really positive… but still multi-layered. What we have here is an explosion of emotions running through the album. It's very diverse, but it all sits together in the end. You just need to listen to the album to really get into it and get what we're saying. It's gonna be a beautiful ride."
In the full interview we ask Bjorn if he still gets the same rush as an album release approaches or if that fades over time, he explains the terms cinematic and soundscape and how they relate to NFO's music, the musical direction of the album, bettering yourself musically, the early days of Night Flight Orchestra and where they fit in, the musical expansion of the band over each album, upcoming shows and more.
Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.
…
continue reading
The seventh studio album for Night Flight Orchestra was always going to be difficult given the passing of original member David Andersson between releases.
Music is an emotional form of expression naturally, but when having to negotiate loss and sorrow, any new music could quite easily be skewered too far in that direction and become almost self-indulgent.
Not that that is a bad thing, but talking with frontman Bjorn Strid you get the feeling that he and the rest of NFO wanted to pay honour and respect to David's legacy and music by capturing themselves at optimal strength and unity on both a sonic and personal plane.
The resulting body of work, Give Us The Moon - which is released on Friday, January 31 - takes the listener on an exciting sonic journey, balancing between uplifting escapism and captivating stories inspired by real life events. The album's themes span the likes of heroines and temptresses to liberation and romantic nostalgia, set to backdrops of abandoned cities and cosmic tides.
The album is free from the limitations of one genre or style, although many of the soundscapes of the album draw inspiration from the 80s, making the album a varied, exciting adventure. Give Us The Moon is produced by THE NIGHT FLIGHT ORCHESTRA and Sebastian Forslund, who also mixed the album, and is mastered by Plec Johansson at award-winning The Panic Room Studios. To celebrate the release of the new full-length, THE NIGHT FLIGHT ORCHESTRA will embark on a full European tour in late January, 2025. Boarding is completed - fasten your seatbelts and enjoy the flight!
HEAVY sat down recently with Strid to discuss the new album and delve into its cinematic nature.
"It's a real special album," he began. "It's the first one without David Andersson, who sadly passed away two years ago, and it's been a special journey putting this album together. We wanted to create something really uplifting and empowering, and make it even more cinematic and dreamy than before. But the general guiding star was to make something really positive… but still multi-layered. What we have here is an explosion of emotions running through the album. It's very diverse, but it all sits together in the end. You just need to listen to the album to really get into it and get what we're saying. It's gonna be a beautiful ride."
In the full interview we ask Bjorn if he still gets the same rush as an album release approaches or if that fades over time, he explains the terms cinematic and soundscape and how they relate to NFO's music, the musical direction of the album, bettering yourself musically, the early days of Night Flight Orchestra and where they fit in, the musical expansion of the band over each album, upcoming shows and more.
Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.
1003 ตอน
Manage episode 463732747 series 2442388
เนื้อหาจัดทำโดย HEAVY Magazine เนื้อหาพอดแคสต์ทั้งหมด รวมถึงตอน กราฟิก และคำอธิบายพอดแคสต์ได้รับการอัปโหลดและจัดหาให้โดยตรงจาก HEAVY Magazine หรือพันธมิตรแพลตฟอร์มพอดแคสต์ของพวกเขา หากคุณเชื่อว่ามีบุคคลอื่นใช้งานที่มีลิขสิทธิ์ของคุณโดยไม่ได้รับอนุญาต คุณสามารถปฏิบัติตามขั้นตอนที่แสดงไว้ที่นี่ https://th.player.fm/legal
Interview by Kris Peters
The seventh studio album for Night Flight Orchestra was always going to be difficult given the passing of original member David Andersson between releases.
Music is an emotional form of expression naturally, but when having to negotiate loss and sorrow, any new music could quite easily be skewered too far in that direction and become almost self-indulgent.
Not that that is a bad thing, but talking with frontman Bjorn Strid you get the feeling that he and the rest of NFO wanted to pay honour and respect to David's legacy and music by capturing themselves at optimal strength and unity on both a sonic and personal plane.
The resulting body of work, Give Us The Moon - which is released on Friday, January 31 - takes the listener on an exciting sonic journey, balancing between uplifting escapism and captivating stories inspired by real life events. The album's themes span the likes of heroines and temptresses to liberation and romantic nostalgia, set to backdrops of abandoned cities and cosmic tides.
The album is free from the limitations of one genre or style, although many of the soundscapes of the album draw inspiration from the 80s, making the album a varied, exciting adventure. Give Us The Moon is produced by THE NIGHT FLIGHT ORCHESTRA and Sebastian Forslund, who also mixed the album, and is mastered by Plec Johansson at award-winning The Panic Room Studios. To celebrate the release of the new full-length, THE NIGHT FLIGHT ORCHESTRA will embark on a full European tour in late January, 2025. Boarding is completed - fasten your seatbelts and enjoy the flight!
HEAVY sat down recently with Strid to discuss the new album and delve into its cinematic nature.
"It's a real special album," he began. "It's the first one without David Andersson, who sadly passed away two years ago, and it's been a special journey putting this album together. We wanted to create something really uplifting and empowering, and make it even more cinematic and dreamy than before. But the general guiding star was to make something really positive… but still multi-layered. What we have here is an explosion of emotions running through the album. It's very diverse, but it all sits together in the end. You just need to listen to the album to really get into it and get what we're saying. It's gonna be a beautiful ride."
In the full interview we ask Bjorn if he still gets the same rush as an album release approaches or if that fades over time, he explains the terms cinematic and soundscape and how they relate to NFO's music, the musical direction of the album, bettering yourself musically, the early days of Night Flight Orchestra and where they fit in, the musical expansion of the band over each album, upcoming shows and more.
Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.
…
continue reading
The seventh studio album for Night Flight Orchestra was always going to be difficult given the passing of original member David Andersson between releases.
Music is an emotional form of expression naturally, but when having to negotiate loss and sorrow, any new music could quite easily be skewered too far in that direction and become almost self-indulgent.
Not that that is a bad thing, but talking with frontman Bjorn Strid you get the feeling that he and the rest of NFO wanted to pay honour and respect to David's legacy and music by capturing themselves at optimal strength and unity on both a sonic and personal plane.
The resulting body of work, Give Us The Moon - which is released on Friday, January 31 - takes the listener on an exciting sonic journey, balancing between uplifting escapism and captivating stories inspired by real life events. The album's themes span the likes of heroines and temptresses to liberation and romantic nostalgia, set to backdrops of abandoned cities and cosmic tides.
The album is free from the limitations of one genre or style, although many of the soundscapes of the album draw inspiration from the 80s, making the album a varied, exciting adventure. Give Us The Moon is produced by THE NIGHT FLIGHT ORCHESTRA and Sebastian Forslund, who also mixed the album, and is mastered by Plec Johansson at award-winning The Panic Room Studios. To celebrate the release of the new full-length, THE NIGHT FLIGHT ORCHESTRA will embark on a full European tour in late January, 2025. Boarding is completed - fasten your seatbelts and enjoy the flight!
HEAVY sat down recently with Strid to discuss the new album and delve into its cinematic nature.
"It's a real special album," he began. "It's the first one without David Andersson, who sadly passed away two years ago, and it's been a special journey putting this album together. We wanted to create something really uplifting and empowering, and make it even more cinematic and dreamy than before. But the general guiding star was to make something really positive… but still multi-layered. What we have here is an explosion of emotions running through the album. It's very diverse, but it all sits together in the end. You just need to listen to the album to really get into it and get what we're saying. It's gonna be a beautiful ride."
In the full interview we ask Bjorn if he still gets the same rush as an album release approaches or if that fades over time, he explains the terms cinematic and soundscape and how they relate to NFO's music, the musical direction of the album, bettering yourself musically, the early days of Night Flight Orchestra and where they fit in, the musical expansion of the band over each album, upcoming shows and more.
Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.
1003 ตอน
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×Interview by Kris Peters Canadian metal outfit Kittie returned with a vengeance recently after a 13-year hiatus. Crashing onto the scene in 1999 with their debut album Spit, Kittie evolved far beyond their nu-metal origins, developing a crushing, full-fledged metal sound across six albums. They were a mainstay on the scene until taking a layoff which was to last over a decade. After their prolonged absence, Kittie came storming back this year with new album, Fire, a record that fuses every element of their past work into something even more volatile, proving they've lost none of their venom. Having not toured Australia since 2012, Kittie’s return is nothing short of a metal revival. Expect a crash course in their discography that goes far beyond their nu-metal beginnings. From the venomous angst of Spit and the moshpit slam of Brackish to the progressive groove of What I Always Wanted and the hypnotic swagger of In Winter through to powerfully catchy new tracks like Vultures and One Foot in the Grave, Kittie’s set will be an intense journey through their evolution, one that old fans will savour, and new fans won’t forget. For over a quarter of a century, Kittie have defied stereotypes and broken barriers for women in metal, inspiring legions of fans and artists across the globe. Their comeback to Australian shores will be a hero's welcome for long time fans and an initiation for those just discovering their ferocity. HEAVY sat down for a chat with vocalist/guitarist Morgan Lander, starting with what we can expect from their live show. "Oh gosh," she smiled. "Well… we've always prided ourselves in being just kind of like a straight-up metal band. I know a lot of bands use a lot of different things these days - technologies and things like that - but we've always been a band that just gets up there, four girls having a great time, just rocking out. A lot of fan interaction. A lot of screaming, and it's gonna be real loud (laughs). We just love what we do and have a great time. It's a fun show. It's a little bit angry, but that's metal, right?" In the full interview, Morgan tells us what has changed with the band since they were last out here, touring with Jinjer, three songs to get to know Kittie better, their return album Fire and how it was received, the pressures associated with their first album in 13 years, the early days of Kittie and where they fit in and more. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…
Interview by Angela Croudace One of the architects of The Gothenburg Sound, Dark Tranquillity are about to storm Australian shores for the first time in over a decade, delivering three exclusive shows in Melbourne, Sydney and Brisbane. The masters of melodic death metal emerged from Sweden’s west coast in the early '90s, alongside titans like In Flames, At The Gates, and Soilwork. Known for their genre-defining mix of razor-sharp riffs, icy keyboards, and Mikael Stanne's haunting vocals, the band melds death metal intensity with gothic and progressive experimentation. Through 13 albums, including iconic releases The Gallery, Character, and their latest, 2024’s Endgame Signals, Dark Tranquillity has forged a sound that is as melancholic and thought provoking as it is ferocious. Joining Dark Tranquillity for their momentous return are Melbourne’s own melodic metal heavyweights, Eye of the Enemy. Renowned for their crushing riffs and soaring melodies, Eye of the Enemy has earned accolades including a Global Metal Apocalypse Award and numerous Album of the Year mentions. With a history of international tours and supporting the who’s who of metal’s elite, they’re the perfect complement to Dark Tranquillity's atmospheric mastery. Dark Tranquillity will dig deep from their rich catalogue to deliver a sonic journey through the past, present, and future of melodic death metal, but just to make sure, HEAVY caught up with vocalist Mikael Stanne just days out from the first show of the tour. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…
Interview by Kris Peters Burton C Bell is a name synonymous with metal. Fresh off his induction into the prestigious Metal Hall of Fame, Burton continues to solidify his legacy as a trailblazer of industrial metal. Renowned for his groundbreaking role in Fear Factory, the extreme music pioneer, multimedia talent, and iconoclastic provocateur resurrects his legacy and forward-thinking destiny, remade in a career-spanning incarnation as a singular solo artist. Bell’s discography includes multiple live and recorded collaborations with Black Sabbath icon Geezer Butler and Journey’s Deen Castronovo (as GZR); industrial maverick Al Jourgensen and Ministry; and guest vocal appearances with Pitchshifter, Conflict, Soil, Static-X, Soulfly, and Delain, among others. He’s the vocalist of Ascension Of The Watchers and City Of Fire and, of course, the co-creator of Fear Factory and the only musician to appear on every Fear Factory release from 1992 through 2024. And now Bell has set his sights on Australia for his solo project, which has already spawned two singles in Anti - Droid and Technical Exorcism, with two more promised before June. His Australian shows promise to be an unmissable experience, featuring heavy, groovy, dark, and moody tracks, alongside rare live renditions of deep cuts from his vast discography, but to find out just what to expect, HEAVY spent some time with Bell to get down and dirty. "I had a great response," he smiled when we asked about how his first two solo singles were received. "Live, the fans love them. They translate well. The band that I have gathered - or should I say curated, because it took me a couple of years to grab these guys together. I've known them for a few years, but finally I got this band together and the music that we play is really translating… a new groove that is translating in songs in a heavy, groovy, dark and moody way. It's amazing. What you hear is going to be heavier live." In the full interview, Burton talks more about what to expect from the shows, what has changed with him and his music since his last visit in 2021, how the shows will be intimate, what songs he will be drawing from in the set list, future music and if the singles released are an indication of what the album will sound like, how he keeps music fresh and exciting for himself, the songwriting process and if it becomes easier or harder over time, being inducted into the Metal Hall Of Fame and more. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…
Interview by Kris Peters Ripper Owens has returned to Australia, but this time he is on his own. Not literally, of course, but for the first time in recent memory, Ripper comes Down Under with a clean slate and no pre-existing musical obligations by way of bands and/or collaborations. As such he is free to pull songs from a vast and varied network spent fronting iconic acts including Judas Priest, Iced Earth, Yngwie Malmsteen, Dio's Disciples, The Three Tremors, KK's PRIEST and the incredibly ferocious RIPPER - a collaborative project spearheaded by Hatebreed's Jamey Jasta. Joined by the Metallic luminary of brothers Joel & Jordan McDonald, Andrew Hudson and Voya Mulitinovic, Ripper’s live assault will be molten as hell… And if you crave anything less - You've Got Another Thing Coming… Ripper's unique skills tore open a fairytale career, across the biggest stages in the world. This run of shows will showcase the absolute, toughest cuts from Ripper's world of Heavy Metal. Expect huge hits, deep dives, virtuosic shred, and a heap of fists in the air, full cavalry style, head-banging glory. HEAVY caught up with Ripper during some rare downtime on the road. We bring up the fact that with so much material to draw from, choosing a set list to appease the masses must seem like an impossible and thankless task. "It is," he nodded. "It is just as it is with anybody. It's the same with KK's Priest, isn't it? We do a lot of KK stuff… probably half and half, but a thing we don't do is a lot of my era of Judas Priest. We do one song, so people complain a lot about that. But it's the same with every band and every artist out there. It's always a pain in the butt and a challenge to make a set list. You will not make everybody happy, and to be honest, in this day and age it's impossible. They're gonna complain. Just by reading comments on posts of mine on social media, people know everything. They know exactly how I should look, sound, what clothes I should wear, what set lists I should have, so you're not gonna make everybody happy. It's really hard to do, and you nailed it. People wanna hear Winters Bane, my first band I released something with, so it is tough, but you've gotta do it. I've toured doing these songs. I know for my South America tour I have coming up I have added Bloodstained in the set list and we might do Jugulator, but it's tough to do it." In the full interview, Ripper tells us what to expect from his shows, his backing band and why he chose them, his recent collaborations with aspiring musicians, musical freedom, what he gets out of playing in so many bands, challenging yourself musically and more. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…
Interview by Kris Peters Photo credit ALI NASSERI December 2023 saw the end of an era of live music that reinvigorated the entire Sydney music scene and spread that love throughout the rest of the country. For 10 years, Frankies Pizza was the cornerstone of the Sydney live music hub, bringing a swag of international bands through its doors as well as giving Australian acts of all genres and career trajectories a home where they could be heard. And, more importantly, understood. While the entire staff of Frankies was involved in bringing the club to life, one man would always be in the thick of things playing, performing, or moshing in the pit. That man - Jordan McDonald - became a legend amongst many, always smiling, always approachable and never judgemental. So, when Frankies closed its doors for the final time, the local music scene lost not only a great venue but also an icon of the industry. While being vocal that he did not want Frankies to continue in any shape or form in another venue - believing the legacy should end where it started - McDonald never turned his back on the music scene, continuing his drumming passion with local and touring acts as well as branching out into other areas of hospitality, but being an active and contributing part of the Australian music scene in a capacity where he could give back to the industry was never far from his mind. Initially launching his own business Nite Rite, aimed at helping businesses and individuals set up and run live music venues amongst other things, McDonald soon found opportunities knocking to start up something more based on his personal choices and experiences. This came in the form of a new live music venue situated in the heart of the Sydney CBD that was screaming out for live music. After getting his head back into the booking and promoting side of music, McDonald is now ready to launch a monthly live music night called Dingbats Party Pit at a venue underneath the Arcade Bar on O'Connell Street on March 7. But of course, as anyone who visited Frankies or knows Jordan McDonald would lovingly point out, the man has more on his mind than a once-monthly event. HEAVY sat down with Jordan for an interesting chat to flesh things out. "I'm glad other people remember it, because I don't remember much," he laughed when we first bring up Frankies. "That was ten years of my life, and it was ten years well spent. It was fantastic. And it was one of these classic examples of the whole fake it 'til ya make it thing. I had this brilliant business partner who pulled me into the mix when I was selling him beers - because I used to tour with bands around the United States and I would come back to Australia and the closest thing to a craft beer would be your Little Creatures or Coopers or whatever. But there wasn't too much in the way of funky options out there, so I started distributing all these interesting beers into the country, and there was this dude who had a great little venue called Shady Pines Saloon and I would sell him a bunch of American beers. One night he pulled me aside, and he said, 'hey man, I've got this idea. I wanna do a rock n roll club. I have a space in the Sydney CBD that is a totally untried and untested area for this kind of thing.' "At that point of time everyone would go to the CBD to go to work, finish work, then go home. You just wouldn't hang out there. And he had this concept to throw a gig every night of the week, seven days a week until 4am, and he thought I was the solution to it. I didn't know what the hell I was doing, but I said yes, let's do this thing, and fast forward ten years and Frankies Pizza had built its name as a trusted force in the rock n roll world." In the full interview, Jordan talks more about Frankies and the legacy it left behind, what he has been doing since it closed down, his new company Nite Rite and how it aims to help the music industry, his new venture Dingbats Party Club and what to expect, the venue itself, the launch party of March 7, future plans to open it up for local, national and international acts and more. The March 7 launch event features 5 bands, each overflowing with Party Rock attitude. Drawing heavy inspiration from the Rock Clubs of Hollywood’s Hair Metal heyday, Dingbats thought it best to come out swinging Sunset Strip style. If Big Red Fire Truck, Bloody Legend and The Hush don’t leave you wondering who bought the time machine to 1989, Planet Earth’s #1 Poison tribute act, Poizon’Us, will have you flying in the Flux Capacitor by the first four bars. In case anyone gets too comfortable, Dingbats are dropping a wildcard set from one of the world’s most exciting up and coming alternative acts, MANNEQUIN DEATH SQUAD. A 2 piece DIY tour de force taking the world by storm. DJs NITECALL, AXL BROS & JORDAN ADAM will be reducing a Heavy Metal jús before, between and after all featured acts. And that's not all. Thraxxy Kilmister's Horrendously Bad Tattoo Competition calls upon all cretins present to bare their most regrettable ink for a chance at mega merch packs, tattoo credit and a generous portion of champion's glory. This is a fully accessible event with seamless wheelchair access and disabled facilities. Tickets are on sale now, bit.ly/dingbatsmar25 https://www.nite-rite.com Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…
Interview by Kris Peters Right before the turn of the century, casual jam sessions between a group of friends unassumingly lit the fuse for an insane 25-year ride to follow… Hailing from Western Massachusetts (where the only thing icier than the freeway in winter is the blunt sense of humour shared by the locals), Killswitch Engage — Adam Dutkiewicz [guitar], Joel Stroetzel [guitar], Mike D’Antonio [bass], Justin Foley [drums], and Jesse Leach [vocals] — always stood apart. For as deadly serious as their airtight technical riffing is, they also knew how to have a good time, riling up crowds with uncontainable energy and unpredictable performances. They could bludgeon with the best of them, or serve up the kind of sing-along banger you could blast with the windows down. From day one, they naturally appealed to the headbangers, hardcore kids, and heartbroken alike. With eight successful albums under their belt, Killswitch Engage haveharnessed all of their strengths on their ninth full-length LP, This Consequence. They’ve distilled the hallmarks of their signature sound into a bruising, often brutal, and at times brilliantly bright body of work. This time around, the group emphasized working together face-to-face in a Massachusetts rehearsal spot. The process enabled them to apply the pressure on every element. At the collective urging of his bandmates, Jesse poured over his words like never before. Now, This Consequence might just set the stage for another 25 years of Killswitch Engage. HEAVY caught up with frontman Jesse Leach to find out more. "Excited," he smiled when we ask how he is feeling about the impending release of This Consequence. "It's been a long time coming for many reasons. There's a bit of excited anxiety, like let's just get it out there. Let's just get it out there and start playing for the people." We ask if, after eight previous albums, the excitement levels during the lead into an album release are still the same. "It's a little different now," he measured. "It's still very exciting, but there's a certain amount of… I don't wanna use the word ease, but just comfort in the fact that we've done this enough. I think with this record, especially, we all feel like this feels like taking it to the next level. Even the decision to change the logo up… it just feels like a shift into a different era of the band. So there's an added excitement, but also a calm feeling that this feels right." In the full interview, Jesse outlines the musical side of This Consequence, the first single Forever Aligned and why it was chosen to represent the album, the title and its significance, how this album is more of a collaboration than recent efforts, the bands blending of harmonies with brutality and how it works in the creative process, the early days of Killswitch Engage and where they fit in, how their music has changed over the years and more. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…
Interview by Angela Croudace Photo Credit: Erik Ohlsson, Magnus Larnhed Two of the all-time punk greats will be returning to Australia with pioneering California dynamos PENNYWISE and beloved Swedish trailblazers MILLENCOLIN set to co-headline a huge run down under. For over 30 years, Swedish icons MILLENCOLIN have vividly put punk on the map. With their original line up still intact since forming back in 1992, MILLENCOLIN's debut album, 1994's Tiny Tunes, opened the floodgates that would shape the quartet's staggering career to come. Skyrocketing their popularity courtesy of the 2000 full-length Pennybridge Pioneers, the rock-infused dive beyond the band's earlier skate punk and ska leanings would ultimately spawn iconic tracks like No Cigar and Penguins & Polarbears, achieving infamy with No Cigar's addition to the soundtrack for Tony Hawk's Pro Skater 2, and ultimately finding the overall album scoring an ARIA Platinum certification. One of punk rock's most famed and favourite acts to emerge out of Europe, MILLENCOLIN have played thousands of shows around the world, including as part of Warped Tour, Soundwave Festival and Big Day Out, multiple sold-out headline performances, tours with the likes of Bad Religion and The Offspring, and, most recently for Australians, at Good Things Festival in 2022. And never ones to rest on their laurels, MILLENCOLIN also continue to finesse their sonic creations, seen vividly via their 2019 album SOS, exploring political and darker themes without sacrificing their explosive energy and gripping melodic. HEAVY caught up with Millencolin guitarist Mathias Färm to find out more. MILLENCOLIN & PENNYWISE tix from destroyalllines.com Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…
Interview by Angela Croudace After spending years as a fan, Chris Cresswell now finds himself on stage with Hot Water Music. "Being able to join one of your favourite bands is not something that happens every day," he says. The vocalist and guitarist of both Hot Water Music and The Flatliners knows what it's like to respect the music and the artists behind it. His journey into Hot Water Music, a band with a 30-year legacy, is a reminder of how passion and perseverance go hand in hand. As the band celebrates its milestone, Cresswell reflects on how its longevity is rooted in trust and communication. "The line up has always been the same… the nucleus of the bands… it's all about trusting each other," he explains. That trust is key to their success both on stage and in their personal lives, especially when life throws curveballs. A significant highlight of their 30th anniversary is the release of VOWS, which Cresswell believes resonates with old and new fans alike. "We worked our asses off on those songs… and I think we're just fired up because the band still plays for the people that love our music." One track, Menace, has already been a hit on the road, with Cresswell describing it as a "set turning point." When asked about transitioning into Hot Water Music, Cresswell shared that while there may have been some scepticism from the original fans, the reception has been overwhelmingly positive. "I was just coming from a place of such respect for this band," he notes. "I had to do it justice." For Cresswell, the journey is about more than just performing; it's about connecting with the people who made the band what it is. With VOWS marking a new chapter in Hot Water Music's history, Cresswell's story proves that music is a bridge between fans and musicians, old and new. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…
Interview by Kris Peters With their new album A Sonication, Germany-based metal band OBSCURA launch the second of their trilogy concept. The group’s second (seventh overall) album for Nuclear Blast pivots on many fronts. Advanced, elegant yet refreshing, A Sonication sums up past endeavors effortlessly as it gazes with purpose and conviction into the future. OBSCURA are fan-renowned and critically acclaimed for challenging and then expanding upon norms. From Retribution (2004) through A Valediction (2021), the band flourished and made significant progress in a musical genre unprepared for a creative shot of German invention. A Sonication spearheads OBSCURA into a new era of extreme metal. Guitarist/vocalist Steffen Kummerer founded Obscura in 2002. Early on, he set out to improve, redefine, and push forward. Under his self-label creation, the Bavarian released debut album Retribution (2004), followed by heavy touring throughout Europe. Word quickly spread that a brand-new band from the south of Germany was on the rise. Buzz lead to a deal with U.S.-based Relapse Records. The first record out was Cosmogenesis. In Europe, Metal Hammer Germany awarded the album 6/7 while in the U.S. Cosmogenesis hit the Billboard charts at #71. The cross-continental praise and fevered momentum landed OBSCURA on high-profile tours in Europe, North America, and Japan. When follow-up Omnivium arrived in 2011, they upped their chart success, received more accolades from publications like Terrorizer, Rock Hard, and Decibel and had another massive round-world tour cycle, while enhancing and making progress on their clever brutality. OBSCURA further developed their sound on Akróasis (2016). Moored by jaw-dropping tracks like Sermon of the Seven Suns, Ode to the Sun, and the title track, Akróasis elevated OBSCURA to the highest levels of international renown. OBSCURA’s most significant accomplishment was, however, just around the corner. The final part of a tetralogy, Diluvium (2018), fiercely pursued OBSCURA’s multi-album transformation into musical innovators and metal powerhouses. Music videos for the title track, Emergent Evolution and Mortification of the Vulgar Sun, in concert with a substantial interest in virtuosic, forward-thinking metal, posited OBSCURA in the good graces (yet again) of the worldwide press in addition to rocketing up, for the very first time, the official album charts in Germany. The Germans also topped out at #3 on the Billboard Heatseekers chart with Diluvium. A turning point in the career of the Germans manifested with the first release for the biggest independent metal label on the planet, Nuclear Blast Records. A Valediction granted the band worldwide success, topping their previous albums in a heartbeat, and saw the band climbing higher chart positions worldwide. With epic opening track Forsaken, technical-through the roof Solaris and the catchy, melodic and yet accessible title track, A Valediction established the group as an outstanding and energetic live act, to be proved by their first tour to cover South- and Central America, aside from touring relentlessly throughout Europe, North America and Asia. With the February 7 release date of A Sonication looming, HEAVY sat down with Steffen Kummerer to find out more. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…
Interview by Kris Peters Black Rheno seem to be on a bit of a tear at the moment. Last year, they toured the country with their own headline shows, packing out venues and even supported the mighty Pantera. Then, in November, they dropped their first single in a couple of years, Snake Will Rattle. Now, just a few months on, the guys are back with a stack of fresh tour dates, more new music, and video clips—and you know they’ll be raising hell on the road. Chopping Heads Wearing Fancy Threads is yet another slab of musical adrenaline from the Sydney trio, mixing sludge, punk and metal with enough attitude to appease even the harshest critic. Put basically, it's what Black Rheno do best, given voice by music. After a couple of years away from the daily grind that accompanies any new music, Black Rheno returned with force late last year with Snake Will Rattle. The track proved Black Rheno had lost none of their edge or quirkiness, returning them to the hearts and ears of an anxious fan base who were starting to count down the days. Now, with the release of Chopping Heads Wearing Fancy Threads, Black Rheno are about to head back out on the road to do what they do best, kicking off on March 2 in Perth and winding its way back to their hometown of Sydney. But if there's one thing surer than the Bombers losing a final, it's that once they start, Black Rheno find it hard to stop. HEAVY caught up with frontman Ryan Miller for all the goss. "We've just been really busy and getting busier," he replied when we asked how things have been in the Black Rheno camp, "and loving it. We've got an album we recorded over in the States about a year ago, which we're sort of sitting on at the moment and waiting for the right time to release it. We just wanted to keep putting out music in the meantime and building the band and playing shows and giving ourselves excuses to go do stuff. I've got a studio, so we do a bunch of recordings ourselves. This single and the next couple and the last one we put out are all self produced by us, so we're just getting out and playing shows. Doing what we love." In the full interview, Ryan talks more about the new track Chopping Heads Wearing Fancy Threads which is being premiered via HEAVY on February 17, the musical side of the song and what to expect, keeping a sense of humour and respect within music, the album already recorded in the US and what is happening with it, new music coming out down the track, their upcoming single launch tour, getting back out on the road and more. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…
Interview by Kris Peters Rising Brisbane metal outfit Engraved have awoken from their slumber and come out snarling with the release of their new single The Fallen. Described as a song that "amplifies everything Engraved fans love", The Fallen takes aim at toxic people in the music industry and their questionable motives. With a stable line-up finally in place, Engraved are looking to cement their place amongst the next generation of Australian metal acts, a goal started with last year's signing to XMusic and subsequent single NCB. The track emphatically announced Engraved as a band with a mission, ushering in new vocalist Panda with a devastating show of brutality that hinted at a fresh direction for the five-piece band. Now, Engraved further those claims with The Fallen, the second track lifted from the band's as yet untitled debut album which is slated for release in the back half of this year. And to celebrate, Engraved hit the road for an East Coast tour, starting at Ric's in Brisbane on February 14. Bass player Phillip Capewell sat down with HEAVY to tell us more. "It's basically about toxicity within different scenes, especially the music scene," he explained. "You'll have something good going, but then you get a rat, basically, eating away at the scene and making it toxic." Musically, The Fallen is a step further into heavier territory for Engraved, with Capewell acknowledging the shift in momentum. "The song was actually sitting in our demo folder," he began, "and just before Panda and Thiago joined the band, Dan said we need to go through the demo folder and get rid of… just archive it basically. That song came on and the start of it, I was just like, oh, 30/30/150 by Stone Sour straight up. I said let's do this one." In the full interview, Phil talks more about The Fallen and its musical direction, the soon-to-be-released music video, how The Fallen differs to previous single NCB, what part the songs play in a future album, how the sound of that will differ to their debut EP Unleashed, the benefits of finally having a stable line-up, upcoming shows and more. Pre-save/ check out The Fallen here: https://lnk.to/G8M6LQ Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…
Interview by Kris Peters Wowsers! Behold human pirates of the southern lands, ALESTORM have set their compass this way for their next expedition to the other side of the world to regale us all with their super infectious blend of modern folk and power metal. With their well-renowned A game PARTY prepped and packed, they’ll be stuffing the galley full of inflatable ducks, kilts, a hurdy-gurdy player, maybe even a shark, but most importantly, drums upon drums of beer and rum! Bring your mateys, bring your best drinking hat, bring your lungs and let’s fire up the biggest shindigs of 2025!! Joining them will be Nekrogoblikon, the self-proclaimed Goblin Metal warlords who are also getting their first taste of Australia. On paper, it seems a mismatch of epic proportions, but when the curtains draw open and the lights go down the only true victor will be music lovers in the crowd. HEAVY spent some time with Alestorm vocalist Chris Bowes to get more of a gauge on what to expect. "It's absolute chaos," he smiled when asked what we can expect from Alestorm live. "It's a party. Everyone's gonna be drunk. Watch your head, there's gonna be a lot of crowd surfers - there always is. Oh my God, last night we were playing in France and there was a dude crowd-surfing with just a kilt. And I mean, just a kilt. He was otherwise totally naked. So of course he started crowd-surfing and the kilt was riding up, and he's got ass and balls tea bagging the entire audience as he goes (laughs). You would be sitting there watching the show then all of a sudden you feel these wet balls on your head, and you look up, and you get a face full of ass… And that was the whole show. I just kept watching these people get tea bagged. Hopefully that sort of behaviour won't happen, but anything's possible." In the full interview, Chris runs us through what has changed with Alestorm since they were last out here, explains the stage production and scale of the live set and what delights we will be getting, their reputation as a party band and living up to expectation, the response to last year's EP Voyage Of The Dead Mariner and more. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…
Interview by Kris Peters California based party starters Drain have had a love affair with Australia ever since making their debut visit as support to Comeback Kid in early 2023. So much so that the band has been here once a year since then, and is set to continue that trend when they hit our shores as part of New Bloom Festival with Balance & Composure from March 8. Not only that, the good time hardcore outfit have also announced a string of sideshows with One Step Closer, kicking off a couple of days earlier on the Sunshine Coast on March 6. Drain have quickly built a reputation based around their fun-tinged live performances, throwing the world of hardcore on its head by treating the music as an outlet for good times and frivolity rather than the pure state of aggression for which it has become known. With a recent album Living Proof to promote, plus a yearly obligation to fulfil, frontman Sammy Ciaramitaro joined HEAVY to fill in the blanks. "It wasn't at first, it was just for fun," Sammy replied when we ask if Drain first started having fun with the crowds to combat the seriousness and aggression of hardcore music. "We lived by the beach and I said hey, I'll bring a boogie board to the show, it will be kinda sick. Eventually, at a certain point, we stopped, but other people would bring them in (laughs). It's still fun. But at a certain point with the pool noodles people actually hit the guitar strings so we can't play. I still have fun with it but now we just turn up. We're gonna bring the energy. We bring what we bring, you bring what you bring, and we're gonna collectively rock it out. Whatever that looks like. It might be a little different every day. It was just to have a good time. We did it for fun, but now what we like more than anything is stage dives and when people sing along. That's my favourite part." In the full interview Sammy talks more about what fans can expect from their shows, the importance of enjoying your music, One Step Closer and why they were chosen as supports, what he loves most about Australia, the early days of Drain, new music and more. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…
Interview by Kris Peters The D4 are storming the East Coast — louder, wilder, and more combustible than ever! With the FIRST EVER VINYL pressing of sophomore album Out Of My Head dropping February 7, 2025, NZ’s finest punk n’ rollers will be hitting Brisbane, Sydney, and Melbourne in the company of some of Australia’s most beloved rockin’ outfits early 2025. The D4 are running hot from a riotous, untamed tour across their spiritual stomping ground of Japan, and are now primed to explode back onto the Australian stage. Rock'n'roll fans will be treated to their notorious and incendiary live show, replete with a reputation for amplifiers catching on fire and sweat dripping from the ceiling. Expect the powerhouse show to include the classics Rock'n'Roll Motherfucker, Sake Bomb, What I Want, Party, Come On!, Get Loose and Ladies Man amongst a high-octane set that will also include a slew of NEVER BEFORE HEARD MATERIAL! HEAVY caught up with vocalist/guitarist Jimmy Christmas to find out more. "There's a lot of memory and effort and energy that went into that record," he recalled of Out Of My Head, "so it's nice to be able to revisit it. I think… we had a lot of people clamouring for it to be on vinyl over the years and there just hadn't been a time when the stars aligned, but now it seems to make a lot of sense. I was pleased to pick up the records just today." In the full interview, Jimmy expressed the band's excitement to come back to Australia for the first time in 20 years, what to expect from the shows, what has changed with The D4 in that period, the 20th anniversary of the album Out Of My Head, memories of making the album, if the songs have stood the test of time and more. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…
Interview by Kris Peters Many artists have written about their struggles with mental health, but how many have written songs that actually sound like a mental crisis? That notion was exactly what Martin Jackson from Confyde set out to do when writing the songs for his latest three-track EP A Cowards Stitches, which was released today. Written in the aftermath of a relationship break-up, Jackson found himself in unchartered waters, facing reality head-on after professional advice forced him to confront his inner demons and quantify them by bringing them screaming out of the shadows of his mind and into the harsh reality of light. It was a process which had the potential to be crippling, but given his love for and aptitude of music, Jackson elected to relay his thoughts and feelings through verse in an attempt to best deal with them. The result is a schizophrenic trio of songs, ranging from the twisted and sonically challenging title track to the brutally honest Once Broken and the reflective Hxppy Nxw Yxxr, three songs that delve into the mindset of a person whose personal struggles are slowly manifesting into a tangible entity that can be defeated. Jackson sat down with HEAVY to take us deeper. "The writing process was about the same," he measured when asked if it was easier or harder to write songs that are deeply personal as opposed to general views. "At the end of the day, it still comes from a place of emotion, and things that I feel very strongly about. It's just this time it happens to affect me and my personal life. I think the process of recording and writing was easier. I was certainly a lot more freeform this time, even though Confyde's music is a bit more all over the place anyway, I always like to think there's strong hooks and it's still quite accessible when it needs to be. This time I kind of threw the rule book out a little bit." In the full interview, Martin takes us behind the reasons he decided to take a more personal route on this release, dealing with his struggles, writing them into songs and music and how that process has helped, whether it was easier or harder to write such personal songs and release them for public consumption, offers an in-depth analysis into each of the three songs individually, what he hopes others might take out of the EP and more. Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support .…
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