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After the Deluge (painting)

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Manage episode 414840554 series 3047487
เนื้อหาจัดทำโดย Abulsme Productions เนื้อหาพอดแคสต์ทั้งหมด รวมถึงตอน กราฟิก และคำอธิบายพอดแคสต์ได้รับการอัปโหลดและจัดหาให้โดยตรงจาก Abulsme Productions หรือพันธมิตรแพลตฟอร์มพอดแคสต์ของพวกเขา หากคุณเชื่อว่ามีบุคคลอื่นใช้งานที่มีลิขสิทธิ์ของคุณโดยไม่ได้รับอนุญาต คุณสามารถปฏิบัติตามขั้นตอนที่แสดงไว้ที่นี่ https://th.player.fm/legal
fWotD Episode 2549: After the Deluge (painting)
Welcome to featured Wiki of the Day where we read the summary of the featured Wikipedia article every day.
The featured article for Saturday, 27 April 2024 is After the Deluge (painting).
After the Deluge, also known as The Forty-First Day, is a Symbolist oil painting by English artist George Frederic Watts, first exhibited as The Sun in an incomplete form in 1886 and completed in 1891. It shows a scene from the story of Noah's Flood, in which after 40 days of rain Noah opens the window of his Ark to see that the rain has stopped. Watts felt that modern society was in decline owing to a lack of moral values, and he often painted works on the topic of the Flood and its cleansing of the unworthy from the world. The painting takes the form of a stylised seascape, dominated by a bright sunburst breaking through clouds. Although this was a theme Watts had depicted previously in The Genius of Greek Poetry in 1878, After the Deluge took a radically different approach. With this painting he intended to evoke a monotheistic God in the act of creation, but avoid depicting the Creator directly.
The unfinished painting was exhibited at a church in Whitechapel in 1886, under the intentionally simplified title of The Sun. Watts worked on the painting for a further five years, and the completed version was exhibited for the first time at the New Gallery in 1891. Between 1902 and 1906 the painting was exhibited around the United Kingdom, and it is now in the collection of the Watts Gallery in Compton, Surrey. As Watts did not include After the Deluge in his gift to the nation of what he considered his most significant works, it is not among his better-known paintings. However, it was greatly admired by many of Watts's fellow artists, and has been cited as an influence on numerous other painters who worked in the two decades following its initial exhibition.
This recording reflects the Wikipedia text as of 00:54 UTC on Saturday, 27 April 2024.
For the full current version of the article, see After the Deluge (painting) on Wikipedia.
This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.
Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.
Follow us on Mastodon at @wikioftheday@masto.ai.
Also check out Curmudgeon's Corner, a current events podcast.
Until next time, I'm Amy Standard.
  continue reading

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Artwork

After the Deluge (painting)

featured Wiki of the Day

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iconแบ่งปัน
 
Manage episode 414840554 series 3047487
เนื้อหาจัดทำโดย Abulsme Productions เนื้อหาพอดแคสต์ทั้งหมด รวมถึงตอน กราฟิก และคำอธิบายพอดแคสต์ได้รับการอัปโหลดและจัดหาให้โดยตรงจาก Abulsme Productions หรือพันธมิตรแพลตฟอร์มพอดแคสต์ของพวกเขา หากคุณเชื่อว่ามีบุคคลอื่นใช้งานที่มีลิขสิทธิ์ของคุณโดยไม่ได้รับอนุญาต คุณสามารถปฏิบัติตามขั้นตอนที่แสดงไว้ที่นี่ https://th.player.fm/legal
fWotD Episode 2549: After the Deluge (painting)
Welcome to featured Wiki of the Day where we read the summary of the featured Wikipedia article every day.
The featured article for Saturday, 27 April 2024 is After the Deluge (painting).
After the Deluge, also known as The Forty-First Day, is a Symbolist oil painting by English artist George Frederic Watts, first exhibited as The Sun in an incomplete form in 1886 and completed in 1891. It shows a scene from the story of Noah's Flood, in which after 40 days of rain Noah opens the window of his Ark to see that the rain has stopped. Watts felt that modern society was in decline owing to a lack of moral values, and he often painted works on the topic of the Flood and its cleansing of the unworthy from the world. The painting takes the form of a stylised seascape, dominated by a bright sunburst breaking through clouds. Although this was a theme Watts had depicted previously in The Genius of Greek Poetry in 1878, After the Deluge took a radically different approach. With this painting he intended to evoke a monotheistic God in the act of creation, but avoid depicting the Creator directly.
The unfinished painting was exhibited at a church in Whitechapel in 1886, under the intentionally simplified title of The Sun. Watts worked on the painting for a further five years, and the completed version was exhibited for the first time at the New Gallery in 1891. Between 1902 and 1906 the painting was exhibited around the United Kingdom, and it is now in the collection of the Watts Gallery in Compton, Surrey. As Watts did not include After the Deluge in his gift to the nation of what he considered his most significant works, it is not among his better-known paintings. However, it was greatly admired by many of Watts's fellow artists, and has been cited as an influence on numerous other painters who worked in the two decades following its initial exhibition.
This recording reflects the Wikipedia text as of 00:54 UTC on Saturday, 27 April 2024.
For the full current version of the article, see After the Deluge (painting) on Wikipedia.
This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.
Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.
Follow us on Mastodon at @wikioftheday@masto.ai.
Also check out Curmudgeon's Corner, a current events podcast.
Until next time, I'm Amy Standard.
  continue reading

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