Interview with Kevin Shaw - Part 2

Color Mentor

Player FM - Internet Radio Done Right

เพิ่มแล้วเมื่อ forty สัปดาห์ที่ผ่านมา

เนื้อหาจัดทำโดย Paul Hanrahan เนื้อหาพอดแคสต์ทั้งหมด รวมถึงตอน กราฟิก และคำอธิบายพอดแคสต์ได้รับการอัปโหลดและจัดหาให้โดยตรงจาก Paul Hanrahan หรือพันธมิตรแพลตฟอร์มพอดแคสต์ของพวกเขา หากคุณเชื่อว่ามีบุคคลอื่นใช้งานที่มีลิขสิทธิ์ของคุณโดยไม่ได้รับอนุญาต คุณสามารถปฏิบัติตามขั้นตอนที่แสดงไว้ที่นี่ https://th.player.fm/legal

State Secrets: Inside The Making Of The Electric State

1
The Secret To Getting Inspired: Millie Bobby Brown & Chris Pratt Go Behind The Scenes 21:04

7 weeksที่แล้ว21:04

ลิสต์เล่นในภายหลัง

ลิสต์

ถูกใจ

ที่ถูกใจแล้ว

21:04

Step into the mysterious and visually stunning world of The Electric State as host Francesca Amiker takes you behind the scenes with the creative masterminds who brought Simon Stålenhag’s dystopian vision to life. In this premiere episode, directors Joe and Anthony Russo, stars Millie Bobby Brown and Chris Pratt, writers Christopher Markus and Stephen McFeely, and producers Angela Russo-Otstot and Chris Castaldi reveal how they transformed a haunting graphic novel into an epic cinematic experience. Watch The Electric State coming to Netflix on March 14th. Check out more from Netflix Podcasts . State Secrets: Inside the Making of The Electric State is produced by Netflix and Treefort Media.…

ประมาณหนึ่งปีที่แล้ว 1:17:46

MP3•หน้าโฮมของตอน

Here is the IMDB petition if you would like to add your comment:

https://community-imdb.sprinklr.com/conversations/data-issues-policy-discussions/could-we-please-have-a-separate-colorist-department/5f4a7a328815453dba9d9d1a

We discuss:

(00:00) - Intro.
(00:48) - List of Issues.
(02:04) - Facing your competitors.
(02:37) - Members benefits.
(03:18) - Formal or informal?
(03:49) - Running Costs.
(04:41) - Local and Global.
(05:25) - Production Optimization.
(06:22) - Development and Training.
(07:11) - Mentorships.
(07:30) - Silos in Production.
(08:34) - Recognition and awards.
(08:57) - Industry Personalities.
(09:26) - Transparency and governance.
(09:44) - Efficiency and decision making.
(10:05) - Become a trade union?
(11:00) - Standardizing rates.
(13:28) - Organization process.
(13:53) - Film Funding.
(15:43) - Copyright.
(15:59) - Legal Assistance.
(16:18) - SAFAITS case study.
(17:46) - Interview starts.
(18:02) - The need to organize.
(19:10) - Educating clients.
(19:44) - Not represented, not recognized.
(20:29) - Colorists on panels.
(22:29) - Choosing a name.
(25:10) - Who do you call?
(26:35) - Film credits.
(28:39) - Colorist mixer.
(29:38) - Filmlight Awards.
(30:43) - Colorists and Cinematographers.
(32:41) - Organize yourself.
(34:27) - Needs of different markets.
(36:52) - Stabilizing prices.
(39:45) - Many challenges.
(42:32) - Proving a platform.
(43:50) - Making connections.
(45:22) - How far have we come?
(48:34) - Sustainability.
(50:48) - IMDB Petition.
(55:36) - Color Department.
(58:13) - The last touch.
(01:01:35) - Need for more awareness.
(01:06:27) - Accreditation.
(01:13:25) - Colorist test.
(01:17:18) - Outro.
(01:17:45) - End.

Check out www.patreon.com/ColorMentor/ for colorist training. ★ Support this podcast on Patreon ★

10 ตอน

#Fine Arts #Arts #Cinema #Paul Hanrahan #Color #Color Grading #Film #Photography #Colorist

Interview with Kevin Shaw - Part 2

Color Mentor

published ประมาณหนึ่งปีที่แล้ว

แบ่งปัน

MP3•หน้าโฮมของตอน

Here is the IMDB petition if you would like to add your comment:

https://community-imdb.sprinklr.com/conversations/data-issues-policy-discussions/could-we-please-have-a-separate-colorist-department/5f4a7a328815453dba9d9d1a

We discuss:

(00:00) - Intro.
(00:48) - List of Issues.
(02:04) - Facing your competitors.
(02:37) - Members benefits.
(03:18) - Formal or informal?
(03:49) - Running Costs.
(04:41) - Local and Global.
(05:25) - Production Optimization.
(06:22) - Development and Training.
(07:11) - Mentorships.
(07:30) - Silos in Production.
(08:34) - Recognition and awards.
(08:57) - Industry Personalities.
(09:26) - Transparency and governance.
(09:44) - Efficiency and decision making.
(10:05) - Become a trade union?
(11:00) - Standardizing rates.
(13:28) - Organization process.
(13:53) - Film Funding.
(15:43) - Copyright.
(15:59) - Legal Assistance.
(16:18) - SAFAITS case study.
(17:46) - Interview starts.
(18:02) - The need to organize.
(19:10) - Educating clients.
(19:44) - Not represented, not recognized.
(20:29) - Colorists on panels.
(22:29) - Choosing a name.
(25:10) - Who do you call?
(26:35) - Film credits.
(28:39) - Colorist mixer.
(29:38) - Filmlight Awards.
(30:43) - Colorists and Cinematographers.
(32:41) - Organize yourself.
(34:27) - Needs of different markets.
(36:52) - Stabilizing prices.
(39:45) - Many challenges.
(42:32) - Proving a platform.
(43:50) - Making connections.
(45:22) - How far have we come?
(48:34) - Sustainability.
(50:48) - IMDB Petition.
(55:36) - Color Department.
(58:13) - The last touch.
(01:01:35) - Need for more awareness.
(01:06:27) - Accreditation.
(01:13:25) - Colorist test.
(01:17:18) - Outro.
(01:17:45) - End.

Check out www.patreon.com/ColorMentor/ for colorist training. ★ Support this podcast on Patreon ★

10 ตอน

#Fine Arts #Arts #Cinema #Paul Hanrahan #Color #Color Grading #Film #Photography #Colorist

ทุกตอน

Color Mentor

1
Interview with Menno Dreischor 2:00:27

10 วันที่แล้ว2:00:27

2:00:27

In this episode I interview Menno Dreischor, a chemical engineer based in Amsterdam. His company TIPb offers engineering solutions for a wide range of industries. Menno’s interest in film led him to develop an algorithm to help with restoring the faded color on old film scans. It analyses the pixel distribution of a supplied source and target image and generates a matching LUT. It is currently in a beta testing phase and has many potential applications from restoration, shot matching and creative look design. He also has a second algorithm that tries to predict the aspects of an image that will induce visual cognition effects such as simultaneous contrast, assimilation and others effects. In the interview we discuss both projects and their potential applications. Menno’s Color matching examples: https://www.youtube.com/@colormatchinghub We discuss: (00:00) - Intro. (00:53) - Menno introduction. (02:51) - Interview starts. (04:08) - Background in chemistry. (05:29) - Connection to film. (06:09) - Unofficial Star Wars restoration. (08:46) - Matlab. (10:25) - Drug analyzer. (13:49) - Color Matching Project. (15:30) - The matching process. (16:45) - Histogram matching. (21:12) - Theoretical basis. (27:38) - Link to look design parameters. (31:15) - Does it use machine learning? (32:52) - Parameterization. (40:54) - Entropy. (48:26) - Open-source vs closed source. (56:29) - Integration into current workflows. (01:07:01) - Will this tool help or hinder creativity? (01:13:34) - Over emphasis on matching. (01:15:14) - Need for test footage. (01:19:51) - Matching examples. (01:31:39) - Visual cognition introduction. (01:32:25) - The significance of cognition. (01:33:47) - Does it affect the matching project? (01:37:10) - How was it implemented? (01:38:50) - Kernel based approach. (01:40:50) - Assimilation's relation to resolution. (01:42:21) - Visual cognition as a summary. (01:47:14) - Matching is always done in context. (01:48:46) - Uses of the cognition algorithm. (01:53:41) - Discussion about compression and noise. (01:55:41) - Screwball ideas on streaming. (01:57:29) - Wrap up. (01:59:58) - Outro. (02:00:25) - End. Check out www.patreon.com/ColorMentor/ for colorist training and mentoring. ★ Support this podcast on Patreon ★…

Color Mentor

1
Interview with Akiyoshi Kitaoka 1:12:46

8 weeksที่แล้ว1:12:46

1:12:46

In this episode I relate a written interview I had with Dr. Akiyoshi Kitaoka, a Professor of Psychology based in Japan. He does research on visual perception and makes visual illusions. His work embodies a fascinating combination of creative and technical aspects. I’d recommend viewing this episode on YouTube rather than as an audio podcast as there are many visual demonstrations. Color Mentor is on YouTube or your favorite podcast provider. Dr. Kitaoka’s website: https://www.ritsumei.ac.jp/~akitaoka/index-e.html We discuss: (00:00) - Intro. (00:53) - Introduction to Dr. Kitaoka. (03:45) - His teachers. (05:32) - His research. (07:37) - Color space visualizations. (10:33) - HCV Color model. (15:51) - Chromostereopsis. (16:59) - Reproducibility. (17:34) - Ostwald color model. (20:19) - Screen printing. (22:10) - Color mixing. (23:22) - Screen printing project. (29:08) - Color constancy. (30:55) - Monge. (33:45) - Reduced gamuts. (35:53) - Histogram manipulations. (37:25) - Image creation. (39:28) - Vection. (41:17) - Illusory colors. (44:31) - Translucency and transparency. (46:18) - Maxwell's spot. (48:17) - Additive and subtractive systems. (01:00:18) - Pixel grids. (01:04:39) - Faces. (01:09:26) - Plans for the future. (01:09:58) - Treasures on his website. (01:12:17) - Outro. (01:12:45) - End. Check out www.patreon.com/ColorMentor/ for colorist training and mentoring. ★ Support this podcast on Patreon ★…

Color Mentor

1
Interview with Kevin Shaw - Part 2 1:17:46

21 weeksที่แล้ว1:17:46

1:17:46

In this second part of the interview with Kevin Shaw I talk to him about the Colorist Society, and around the drive for our industry to organize itself in general. We talk about local and global issues, trade unions, recognition and awards, development and training and much more. I’m keen to hear your experiences with industry organization attempts in the past, let me know in the comments. Here is the IMDB petition if you would like to add your comment: https://community-imdb.sprinklr.com/conversations/data-issues-policy-discussions/could-we-please-have-a-separate-colorist-department/5f4a7a328815453dba9d9d1a We discuss: (00:00) - Intro. (00:48) - List of Issues. (02:04) - Facing your competitors. (02:37) - Members benefits. (03:18) - Formal or informal? (03:49) - Running Costs. (04:41) - Local and Global. (05:25) - Production Optimization. (06:22) - Development and Training. (07:11) - Mentorships. (07:30) - Silos in Production. (08:34) - Recognition and awards. (08:57) - Industry Personalities. (09:26) - Transparency and governance. (09:44) - Efficiency and decision making. (10:05) - Become a trade union? (11:00) - Standardizing rates. (13:28) - Organization process. (13:53) - Film Funding. (15:43) - Copyright. (15:59) - Legal Assistance. (16:18) - SAFAITS case study. (17:46) - Interview starts. (18:02) - The need to organize. (19:10) - Educating clients. (19:44) - Not represented, not recognized. (20:29) - Colorists on panels. (22:29) - Choosing a name. (25:10) - Who do you call? (26:35) - Film credits. (28:39) - Colorist mixer. (29:38) - Filmlight Awards. (30:43) - Colorists and Cinematographers. (32:41) - Organize yourself. (34:27) - Needs of different markets. (36:52) - Stabilizing prices. (39:45) - Many challenges. (42:32) - Proving a platform. (43:50) - Making connections. (45:22) - How far have we come? (48:34) - Sustainability. (50:48) - IMDB Petition. (55:36) - Color Department. (58:13) - The last touch. (01:01:35) - Need for more awareness. (01:06:27) - Accreditation. (01:13:25) - Colorist test. (01:17:18) - Outro. (01:17:45) - End. Check out www.patreon.com/ColorMentor/ for colorist training. ★ Support this podcast on Patreon ★…

Color Mentor

1
Interview with Kevin Shaw - Part 1 2:43:13

25 weeksที่แล้ว2:43:13

2:43:13

In this episode I chat to Kevin Shaw. He is a well know colorist and educator in our industry. He has also been a key figure in setting up and promoting the Colorist Society, which is the topic of our following episode. In this episode however we discuss telecines. Kevin started grading 10 years before I did, at a time when color grading was either telecine or film lab based. We discuss various stages that the industry has gone through since then, all the way up to the present. We discuss: (00:00) - Intro. (00:48) - Introduction to Kevin and telecines. (02:39) - Interview starts. (04:37) - Telecine engineers. (06:30) - Music videos. (07:34) - Study. (11:11) - Telecine Limited. (12:15) - Analog Davinci. (13:13) - One new feature per year. (13:43) - Davinci product demos. (14:08) - No freelancers. (14:53) - What is a telecine? (17:24) - Blue Moon. (17:45) - Tape playouts. (18:44) - Facility life. (21:00) - Abekus and frame store. (23:12) - Long hours. (24:21) - Tools. (27:55) - Picture encoding. (29:12) - God monitor. (33:21) - Titles and finishing. (35:01) - Low contrast prints. (36:45) - Telecine as loss leader. (42:55) - Show it on the wall. (44:02) - Quality vs convenience tradeoff. (48:21) - Taller gamut volumes. (52:12) - Film restoration. (57:07) - Software color correction systems. (01:01:02) - Film lab profiles. (01:05:01) - S curve and other tools. (01:06:08) - Introduction of log spaces. (01:10:38) - ACES archives. (01:17:01) - Rocket science. (01:20:45) - Art need limitations. (01:23:10) - Bezier envy. (01:23:38) - Tastes and trends. (01:32:06) - User manuals. (01:34:19) - Telecine calibration. (01:40:16) - Scopes and visualization. (01:45:21) - Technical vs creative transforms. (01:49:43) - Skin and tone curves. (01:51:24) - Hue vs Lum. (01:53:41) - Unorthodox telecine techniques. (02:00:45) - Psychology and resetting. (02:05:17) - Grading suite dynamics. (02:15:05) - Evolution of new tools. (02:16:39) - Linking pre and post. (02:20:06) - HDR monitors on set. (02:21:07) - Recent work. (02:26:00) - QD OLED and HDR. (02:29:34) - Future of HDR. (02:35:03) - HDR in cinema. (02:39:04) - Hole punches and punch tape. (02:42:45) - Outro. (02:43:12) - End. Check out www.patreon.com/ColorMentor/ for colorist training. ★ Support this podcast on Patreon ★…

Color Mentor

1
Interview with Troy Sobotka - Part 2 2:41:53

28 weeksที่แล้ว2:41:53

2:41:53

This episode is the second part of my conversation with Troy Sobotka who is a Vancouver based lighting, rendering and all-round image creation person. You may know him as the designer of the Agx render transform. We dive further into the mechanisms of visual cognition and picture formation. He shares a vast knowledge and collection of reference material on this topic. See download link below for additional material. In past years he has written an online blog called the Hitchhikers Guide to Digital Color. I would highly recommend people to read it. We discuss: (00:00) - Intro. (01:11) - Episode summary. (01:43) - Visual examples of phenomena. (01:59) - Light and shade. (03:57) - Gilchrest’s gamut compression. (05:51) - Simultaneous contrast. (06:21) - Shimmer / luster. (07:26) - Induced contrast. (08:06) - Glare halo. (08:31) - Hermann grid. (08:57) - Watercolor effect. (10:31) - “Chevreul Effect”. (10:57) - Crispening. (11:46) - Neon Color Spreading. (12:18) - Chromatic induction. (12:46) - Gamut Compression/Expansion. (13:18) - Chromostereopsis. (14:11) - Face vase, Rabbit duck, Necker Cube. (15:39) - Kanizsa triangle. (15:57) - Dr. Tse cognition examples. (17:54) - Not the pixel you thought you saw. (18:45) - Pictorial exposure. (20:37) - Gain and offset dimensions. (21:47) - Image examples. (24:47) - Decomposition framework. (26:54) - Newtonian physics metaphor. (29:20) - Interview starts, stimuli are not color. (34:43) - It’s all constructed. Dr. Hoffman interface. (36:56) - What is pictorial exposure? (42:12) - Correlated signals “luminance” and “chrominance”. (47:28) - Colorimetry’s limitations. (56:38) - The domain of Metrics. (01:05:22) - The domain of Stimuli. (01:07:21) - The domain of Cognition. (01:08:32) - Three broad Mechanisms of cognition. (01:09:28) - Current predicament of image makers. (01:18:31) - Increment and decrement signals. (01:23:48) - Gain regulation. (01:27:46) - SDR vs HDR. (01:32:19) - Field propagation. (01:34:47) - Can output transforms be dynamic? (01:37:36) - Three Cognitive processes. (01:38:53) - Form decomposition. (01:44:47) - Why is the canvas flat? (01:46:47) - Form computation. (01:48:26) - Form assignment. (01:52:59) - Towards practical examples. (01:57:12) - Gain and offset dimensions. (02:05:03) - Cognition limits. (02:07:43) - Leading the eye. (02:08:54) - Brand colors, vanta red. (02:10:41) - Example of gain and offset. (02:13:05) - Why not just desat to white? (02:15:25) - Some history of picture formation. (02:16:31) - Versioning. (02:22:17) - Look creation and display transforms. (02:27:48) - Ergonomics. (02:35:35) - Bigger, better, faster. (02:42:00) - Outro. (02:41:33) - End. Download link for additional images and pre interview discussions: https://www.dropbox.com/scl/fi/2o8hwqfyx9lc42dobysjg/EP0006_TROY-SOBOKTA_PART_2.zip?rlkey=jpi8ol0tnivqyugv3p6varx02&dl=0 Check out www.patreon.com/ColorMentor/ for colorist training. ★ Support this podcast on Patreon ★…

Color Mentor

1
Interview with Troy Sobotka - Part 1 1:57:26

30 weeksที่แล้ว1:57:26

1:57:26

In this episode, I chat to Troy Sobotka who is a Vancouver based lighting, rendering and all-round image creation person. You may know him as the designer of the Agx render transform. We discuss the topic of Visual Cognition as it relates to how we make pictures. He shares a vast knowledge and collection of reference material on this topic. In past years he has written an online blog called the Hitchhikers Guide to Digital Color. I would highly recommend people to read it. We discuss: Download link for additional images and pre interview discussions: https://www.dropbox.com/scl/fi/jaute657ixv9sfw9cyh3y/EP0005_TROY-SOBOKTA_PART_1.zip?rlkey=1q4v43fg59d1kbkfoj6vxr1pm&dl=0 Check out www.patreon.com/ColorMentor/ for colorist training. ★ Support this podcast on Patreon ★…

Color Mentor

1
Interview with Jason Iversen 2:12:20

32 weeksที่แล้ว2:12:20

2:12:20

On this episode I must apologize in advance for having way too much fun. My guest is Jason Iversen he is a Visual Effects Technical Supervisor who has worked at Digital Domain, Rythm and Hues and now is at Weta in New Zealand. We have known each other since high school and worked together many years ago in South Africa. He was the co-founder of the Odforce.net chat forum. And he has worked on more block buster films than I’ve had blocked noses. We talk about visual effects, color pipelines and rendering techniques through the ages and discuss where things are heading with the merging of Weta with Unity games. We discuss: (00:00) - Intro (01:32) - Interview starts (01:39) - Let's talk about the (03:06) - Lord of the Rings (03:48) - New (04:31) - Starting (05:23) - Early virtual reality (10:05) - Cybershark (12:24) - Odforce.net origins (17:23) - Digital Domain (19:16) - DD company culture (21:49) - Titanic water simulations (25:19) - Specialization (27:31) - Pipeline development (30:12) - What color management? (30:46) - Film outs (32:01) - Look mom, no LUT! (32:18) - sRGB / Linear mashup (33:20) - Compositors bearing the brunt (35:03) - Isn't it always just painting? (36:59) - WYSI not WYG (38:33) - Jackass landlord (40:13) - Rythm and Hues (40:51) - South African attractor (42:05) - Effects and Lighting supervisor (42:50) - Software development (43:45) - Developing into a product (46:13) - Color management arrives (50:00) - SDR to HDR rendering (50:18) - RGBE (51:34) - Open EXR (52:28) - OCIO (54:00) - Life of Pi bankruptcy (56:11) - Polishing the car (57:22) - Pressure to go international (57:41) - Production technology supervisor (01:00:01) - Moving to Weta (01:01:39) - Spectral rendering (01:02:51) - Less fictitious (01:05:21) - Spectral resolution (01:06:31) - Simulate everything (01:09:07) - Avatar 3 (01:10:25) - Planet of the Apes (01:12:58) - Optical effects (01:14:20) - Phosphorescence (01:15:19) - Uplifting textures (01:17:23) - Machine learning in Manuka (01:18:58) - Image based lighting (01:23:28) - Types of Renderers (01:27:08) - Manuka's render method (01:28:25) - Coherence (01:29:39) - Wave striding (01:31:30) - Spectral rendered emulates film? (01:32:02) - www.youtube.com/watch?v=YE9rEQAGpLw (01:32:33) - Light sources in Manuka (01:34:50) - Caustics (01:37:41) - Shade before hit (01:39:26) - Photogrammetry (01:40:38) - 2D vs 3D and deep rendering (01:43:51) - Merging of film and games (01:44:42) - Gausian Splatting (01:45:12) - gsplat.tech website (01:47:50) - Splat drawn flying points (01:50:03) - Immersion (01:50:59) - Splat funeral (01:51:55) - R&D lifecycle (01:53:28) - Gemini Man (01:55:46) - Pure research (01:58:00) - Heat haze (02:00:41) - Confluence of Games and Film (02:03:09) - Unreal as renderer (02:04:04) - Crossover content (02:07:32) - Boring detail (02:09:17) - Atlas and VR stages (02:11:50) - Outro (02:12:19) - End Check out www.patreon.com/ColorMentor/ for colorist training. ★ Support this podcast on Patreon ★…

Color Mentor

1
Interview with Steve Shaw 1:49:42

34 weeksที่แล้ว1:49:42

1:49:42

Today’s guest will probably be familiar to many of you. Steve Shaw and his company Light Illusion are well known in the world of calibration and color grading. I chatted to him about his work with Quantel and other companies in the past. Also, film emulation over the years and the current products and services that Light Illusion offers. We discuss: (00:00) - Intro (01:13) - Interview starts (01:36) - Starting at Quantel (06:08) - Quantel as pioneers (12:38) - Quantel IQ and Pablo (16:03) - DI and film emulation (20:46) - Film Lab Profiling Service (24:53) - Light Illusion's film profiles (27:21) - Origins of Lightspace (34:35) - Film emulation vs film looks (39:20) - Film meets HDR and HDR limitations (41:35) - Image vs reality. Marketing bollocks! (42:06) - Resolution (45:59) - Why we calibrate (48:04) - Compounding error (59:32) - Calibration interval (50:14) - Client education and support (53:39) - Calibration process (58:47) - Manufacturer auto-calibration (01:00:37) - Display linearity (01:01:50) - Probe calibration and probe matching (01:04:54) - Checking linearity (00:01) - 06:03 Heat stability (01:09:30) - Video and full levels (01:11:58) - System delay (01:15:43) - Signal path and system setup (01:19:55) - Custom patch sets (01:23:56) - Linear and log data compression (01:26:11) - Visualizations in Colorspace (01:28:31) - Zero-1 range and negative values (01:30:44) - Six Primary color systems (01:32:57) - Colorspace for color science (01:35:06) - Image sequence probe and virtual studios (01:36:21) - Broad spectrum white LED’s for virtual studios (01:38:23) - Multi language interface (01:39:53) - P-generator (01:42:08) - Third-party software development (01:43:37) - Manufacturer integrations (01:46:36) - Viewing angle (01:49:14) - Sign-off (01:49:35) - End logo Check out www.patreon.com/ColorMentor/ for colorist training. ★ Support this podcast on Patreon ★…

Color Mentor

1
Interview with Kaur Hendrikson 1:43:15

36 weeksที่แล้ว1:43:15

1:43:15

This episode I’ll be speaking to Kaur Hendrikson a colorist based in Tallinn Estonia. Any of you who use DCTL’s will be familiar with his name. In the last few years, he has setup up a successful DCTL store and is constantly developing new tools for freelancer and large facilities alike. He does DCTL and Python scripting training for Black Magic and platforms like Mixing Light. We spoke about this and a lot more. We discuss: (00:00) - Intro (01:18) - Interview starts (02:04) - Starting out (06:01) - Estonia (08:36) - Hockey Stick (13:13) - The DCTL store (15:49) - Vision mixing automation (21:41) - Coding to solve problems (22:58) - Black Magic teaching (25:22) - Resolve Certification (26:42) - Teaching (28:51) - Python Scripting (30:53) - Product Design (34:28) - Future of DCTL library (37:52) - Current limitations of DCTL (42:19) - Panel Mods (45:42) - Color management (51:16) - Issues with color management (52:45) - Maths in DCTLS (54:32) - Color models (56:03) - Functions and smoothness (59:13) - DCTL bad practices (01:03:25) - Problem solving (01:04:44) - Highlight Modes (01:11:29) - Recent grades (01:13:06) - The future (01:14:26) - Node tree (01:15:40) - What young colorists need (01:19:02) - Project Archives (01:20:41) - Open-Source vs for profit (01:26:32) - Interacting on forums (01:28:32) - Forum theatre (01:32:49) - Finding work (01:36:33) - Current interests (01:42:47) - End sign off (01:43:08) - END LOGO Check out www.patreon.com/ColorMentor/ for colorist training. ★ Support this podcast on Patreon ★…

Color Mentor

1
Interview with Thatcher Freeman 1:41:56

40 weeksที่แล้ว1:41:56

1:41:56

In this episode, I'll be talking to Thatcher Freeman. He's a California-based colorist and software engineer. For his day job, he's an actual AI specialist. He's made great contributions to the color grading and software coding communities. He's also a filmmaker, so I wanted to talk to him to find out what makes him tick. We discuss: - Thatcher's background in film making. - The difficulties on finding resources on color theory. - Current industry trends. - A colorist's value. - The combination of art and technology. - Freelance pressures. - Subtle vs Pushed graded. - Things that break the signal. - Personal taste in films and watching as a professional. - Thatcher's DCTL library. - Advice for DCTL coding. - Current Research. Check out www.patreon.com/ColorMentor/ for colorist training. ★ Support this podcast on Patreon ★…

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Color Mentor « » Interview with Kevin Shaw - Part 2

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Interview with Kevin Shaw - Part 2