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เนื้อหาจัดทำโดย David Armstrong and Broadway Podcast Network เนื้อหาพอดแคสต์ทั้งหมด รวมถึงตอน กราฟิก และคำอธิบายพอดแคสต์ได้รับการอัปโหลดและจัดหาให้โดยตรงจาก David Armstrong and Broadway Podcast Network หรือพันธมิตรแพลตฟอร์มพอดแคสต์ของพวกเขา หากคุณเชื่อว่ามีบุคคลอื่นใช้งานที่มีลิขสิทธิ์ของคุณโดยไม่ได้รับอนุญาต คุณสามารถปฏิบัติตามขั้นตอนที่แสดงไว้ที่นี่ https://th.player.fm/legal
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Episode 158: Hammerstein Invents The Musical, part 3

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เนื้อหาจัดทำโดย David Armstrong and Broadway Podcast Network เนื้อหาพอดแคสต์ทั้งหมด รวมถึงตอน กราฟิก และคำอธิบายพอดแคสต์ได้รับการอัปโหลดและจัดหาให้โดยตรงจาก David Armstrong and Broadway Podcast Network หรือพันธมิตรแพลตฟอร์มพอดแคสต์ของพวกเขา หากคุณเชื่อว่ามีบุคคลอื่นใช้งานที่มีลิขสิทธิ์ของคุณโดยไม่ได้รับอนุญาต คุณสามารถปฏิบัติตามขั้นตอนที่แสดงไว้ที่นี่ https://th.player.fm/legal

This is the third and final segment of my recent conversation with author Laurie Winer regarding her book Oscar Hammerstein II and the Invention of The Musical, recently released in paperback.

Today our discussion centers on the second half of Hammerstein’s remarkable partnership with Richard Rodgers, including the creation of their musicals South Pacific, Me And Juliet, The King And I, Pipe Dream, and The Sound Of Music. If you missed the first two parts, you may want to catch up with those before listening to this one.

Laurie Winer has been a theater critic for the Wall Street Journal, the New York Times, and the Los Angeles Times, and was a founding editor of the Los Angeles Review of Books.

How to become a PATRON of Broadway Nation!

This podcast is made possible in part by the generous support of our Patron Club Members, including long-time patrons Gary Fuller and Randy Everett.

For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth discussions with my frequent co-host, Albert Evans, that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits.

If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link:

https://broadwaynationpodcast.supercast.tech/

Thank you in advance for your support!

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

201 ตอน

Artwork
iconแบ่งปัน
 
Manage episode 451215151 series 2662196
เนื้อหาจัดทำโดย David Armstrong and Broadway Podcast Network เนื้อหาพอดแคสต์ทั้งหมด รวมถึงตอน กราฟิก และคำอธิบายพอดแคสต์ได้รับการอัปโหลดและจัดหาให้โดยตรงจาก David Armstrong and Broadway Podcast Network หรือพันธมิตรแพลตฟอร์มพอดแคสต์ของพวกเขา หากคุณเชื่อว่ามีบุคคลอื่นใช้งานที่มีลิขสิทธิ์ของคุณโดยไม่ได้รับอนุญาต คุณสามารถปฏิบัติตามขั้นตอนที่แสดงไว้ที่นี่ https://th.player.fm/legal

This is the third and final segment of my recent conversation with author Laurie Winer regarding her book Oscar Hammerstein II and the Invention of The Musical, recently released in paperback.

Today our discussion centers on the second half of Hammerstein’s remarkable partnership with Richard Rodgers, including the creation of their musicals South Pacific, Me And Juliet, The King And I, Pipe Dream, and The Sound Of Music. If you missed the first two parts, you may want to catch up with those before listening to this one.

Laurie Winer has been a theater critic for the Wall Street Journal, the New York Times, and the Los Angeles Times, and was a founding editor of the Los Angeles Review of Books.

How to become a PATRON of Broadway Nation!

This podcast is made possible in part by the generous support of our Patron Club Members, including long-time patrons Gary Fuller and Randy Everett.

For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth discussions with my frequent co-host, Albert Evans, that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits.

If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link:

https://broadwaynationpodcast.supercast.tech/

Thank you in advance for your support!

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

201 ตอน

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