Player FM - Internet Radio Done Right
Checked 1d ago
Aggiunto due anni fa
เนื้อหาจัดทำโดย Bob Sham เนื้อหาพอดแคสต์ทั้งหมด รวมถึงตอน กราฟิก และคำอธิบายพอดแคสต์ได้รับการอัปโหลดและจัดหาให้โดยตรงจาก Bob Sham หรือพันธมิตรแพลตฟอร์มพอดแคสต์ของพวกเขา หากคุณเชื่อว่ามีบุคคลอื่นใช้งานที่มีลิขสิทธิ์ของคุณโดยไม่ได้รับอนุญาต คุณสามารถปฏิบัติตามขั้นตอนที่แสดงไว้ที่นี่ https://th.player.fm/legal
Player FM - แอป Podcast
ออฟไลน์ด้วยแอป Player FM !
ออฟไลน์ด้วยแอป Player FM !
The Projectors explicit
ทำเครื่องหมายทั้งหมดว่า (ยังไม่ได้)เล่น…
Manage series 3435525
เนื้อหาจัดทำโดย Bob Sham เนื้อหาพอดแคสต์ทั้งหมด รวมถึงตอน กราฟิก และคำอธิบายพอดแคสต์ได้รับการอัปโหลดและจัดหาให้โดยตรงจาก Bob Sham หรือพันธมิตรแพลตฟอร์มพอดแคสต์ของพวกเขา หากคุณเชื่อว่ามีบุคคลอื่นใช้งานที่มีลิขสิทธิ์ของคุณโดยไม่ได้รับอนุญาต คุณสามารถปฏิบัติตามขั้นตอนที่แสดงไว้ที่นี่ https://th.player.fm/legal
Bob Sham and Angela are film fans discussing a wide variety of films from throughout history and the world. Box office hits to historically significant deep cuts as well as monthly themes of creators, concepts and genres that help us expand understanding of film & find movies they may not otherwise come across. They are not experts but enthusiasts. Not too dumb. Not too smart. Just right. Let’s watch some movies. We love you.
…
continue reading
366 ตอน
ทำเครื่องหมายทั้งหมดว่า (ยังไม่ได้)เล่น…
Manage series 3435525
เนื้อหาจัดทำโดย Bob Sham เนื้อหาพอดแคสต์ทั้งหมด รวมถึงตอน กราฟิก และคำอธิบายพอดแคสต์ได้รับการอัปโหลดและจัดหาให้โดยตรงจาก Bob Sham หรือพันธมิตรแพลตฟอร์มพอดแคสต์ของพวกเขา หากคุณเชื่อว่ามีบุคคลอื่นใช้งานที่มีลิขสิทธิ์ของคุณโดยไม่ได้รับอนุญาต คุณสามารถปฏิบัติตามขั้นตอนที่แสดงไว้ที่นี่ https://th.player.fm/legal
Bob Sham and Angela are film fans discussing a wide variety of films from throughout history and the world. Box office hits to historically significant deep cuts as well as monthly themes of creators, concepts and genres that help us expand understanding of film & find movies they may not otherwise come across. They are not experts but enthusiasts. Not too dumb. Not too smart. Just right. Let’s watch some movies. We love you.
…
continue reading
366 ตอน
Alle afleveringen
×BODY & SOUL all February. Black directors with black leads and today’s discussion is of a dripping Neo noir that is sometimes insane and funny but always entertaining. Actor/Director Bill Duke dropped this crime drama in the wake of the success of films like “Boyz in the Hood”. While not as prolific as those, Duke’s 1992 film “DEEP COVER” starring Laurence Fishburne, Jeff Goldblum & Clarence Williams III has earned it’s place among film appreciators as a worthy Neo-noir full of style and all the hard boiled film tropes that still hit. Fishburne goes by “John” he’s a cop deep undercover trying to take down some drug kingpins and with the help of a flashy lawyer who seems very comfortable on the streets, “John” becomes quite successful at criminality. The lines blur on every level and the politics of the war on drugs makes doing the right thing practically impossible. Is he a cop pretending to be a drug dealer or a drug dealer pretending to be a cop? Some great lines in this one. We happened to find a link to this one: https://archive.org/details/deep-cover_202404 Video preview for this month’s theme: https://youtu.be/DpM2KXOl4hY Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://theprojectorspodcast.wordpress.com Hear us on podcast: https://open.spotify.com/show/5siQayjxclrq83jsNmWaO7?si=a0cf5063e58b43e4 Apple Podcasts: https://podcasts.apple.com/us/podcast/the-projectors/id1664326117 Twitch: https://www.twitch.tv/culturewrought…
Happy Valentines Day, folks! Hope you’re out there getting freaked now if not sooner. Today’s lovely selection is a silky smooth flick about generational flaws made easier by very attractive people getting together. Stella Meghie’s 2020 romance “THE PHOTOGRAPH” starring Issa Rae, Lakeith Stanfield & Chanté Adams has the feeling despite it being a story about emotional unavailability. But you know that emotional unavailability is gonna break right? It’s valentines Day! Sure, it would not be unusual if Bob picked some fucked up shit on the holiday but, nah, we want to feel the love. Also, this film is remarkably relaxing and, yes, people do get freaked in it. There’s also a conversation about Hip-Hop stars that seems as though it would be very different in today’s world. More on that inside. They not like us, I heard. Canadiens, I think. I believe we caught this on Freevee so put it on with your love buddy and feel the love on Love Day. Video preview for this month’s theme: https://youtu.be/DpM2KXOl4hY Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://theprojectorspodcast.wordpress.com Hear us on podcast: https://open.spotify.com/show/5siQayjxclrq83jsNmWaO7?si=a0cf5063e58b43e4 Apple Podcasts: https://podcasts.apple.com/us/podcast/the-projectors/id1664326117 Twitch: https://www.twitch.tv/culturewrought…
Today’s discussion for February’s theme, BODY & SOUL (black directors black leads), comes from France by way of Senegal and was available in the US in 2020 on Netflix until several very well known and high ranking pedophiles in government decided that this film belonged in the culture war sphere of nonsense. Maimouna Doucouré’s coming of age film “CUTIES (MIGNONNES)” is an obvious critique of the oversexualization of young people through online & social media in particular. It’s obvious if you’re not stupid or some ultracynical political ghoul. That’s not to say that Doucouré’s film doesn’t provoke. She wields discomfort throughout the movie unless you’re a creep, and this film acknowledge the existence of those creeps. Creeps such as those who criticized this movie and called for its banning. Creeps like alleged pedophile Senator Josh Hawley who likely is driven in this quest by dark feelings he may have deep down inside. First generation French Senegalese girl “Amy”, played by Fathia Youssouf, is desperate for some friends outside of her traditional upbringing. She ingrains herself into a dance obsessed clique in her school and secretly navigates the online world (on a phone she stole from her cousin who never turned it off) to find ways to fit in with her boy obsessed peers. This movie has been taken down on US Netflix (company choice) so it is rather difficult to find. Good luck. Maybe you saw it five years ago? Watch out for pedophiles in your government. There are A LOT. They often complain about art. That’s a sign to watch for. Video preview for this month’s theme: https://youtu.be/DpM2KXOl4hY Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://theprojectorspodcast.wordpress.com Hear us on podcast: https://open.spotify.com/show/5siQayjxclrq83jsNmWaO7?si=a0cf5063e58b43e4 Apple Podcasts: https://podcasts.apple.com/us/podcast/the-projectors/id1664326117 Twitch: https://www.twitch.tv/culturewrought…
Black Directors & Black Leads for February’s theme we call “BODY & SOUL” and today we hit up a movie that has the distinction of being the highest budgeted movie by a black female director. While the movie did break even, it didn’t give Disney the sign to drain this property of all life ad nauseam. Ava DuVernay, director of “Selma” and the documentary “13th” has her praise out there but her 2018 adaptation of the Madeline L’Engle kids novel “A WRINKLE IN TIME” is a bizarre and stumbling feature film. We don’t mean bizarre in the way you might expect from this particular story. It stars Storm Reid, Oprah Winfrey, Reese Witherspoon, Mindy Kaling and Levi Miller. The young lead does well and the kids are innocent in this but everybody else doesn’t have any excuse. This movie might have one of the most annoying characters we’ve ever discussed for the show. Oprah sucks (more on that inside), Witherspoon sucks in this and incessant cuts and half assed displays of imagination overwhelmed what fleeting moments of quality we see pass quickly by. Seriously, who ever selected and wrote those quotes for Mindy Kaling, that entire concept, you should absolutely be embarrassed. Admittedly this would be a challenge to adapt well and it’s already a red flag to see it under the Disney banner. It takes a village for all things great and terrible. We’re lucky enough to find a lot of quality when we explore movie themes. We’ve got some solid quality this month already but sometimes a movie comes along and demands that you be underwhelmed. Hear us talk all about it. Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://theprojectorspodcast.wordpress.com Hear us on podcast: https://open.spotify.com/show/5siQayjxclrq83jsNmWaO7?si=a0cf5063e58b43e4 Apple Podcasts: https://podcasts.apple.com/us/podcast/the-projectors/id1664326117 Twitch: https://www.twitch.tv/culturewrought…
BODY & SOUL. Black Directors & Black Leads and today’s discussion is among the early works for full length feature films directed by a black woman or at least the first in a while. There is a lot of Black Hollywood history lost to time as we discuss in this conversation about Kathleen Collins true life inspired independent film about the dissolving of a relationship. What the 1982 film “LOSING GROUND” lacks in budget it makes up for in great characterization and some nice experimentation. A convincing look at the personalities & lives in the orbit of arts and academia. Sadly, Kathleen Collins passed away less than a decade after the film was released. She was just in her late 40s. The movie stars Seret Scott, Bill Gunn and Duane Jones wearing a bowler hat and a cloak. Yeah, the guy from “Night of the Living Dead” is rocking a cloak, totally unironic, and actually pulling tail with it. Fucking legend. This really seems like what middle aged black men should do. Wear cloaks and spit game. I think they could get away with it. Bill Gunn’s performance as a himbo painter feels very real. We’ve all known some Victors. Maybe you were a Victor once? Painting your abstract landscapes and wiggling your hips at Puerto Rican women. Leila, though. Shit…I get it. I’d be dancing like a fool too but I would also be wearing a cloak so I definitely would have sealed the deal way faster than Victor. We found “LOSING GROUND” on KANOPY and I think it’s on Criterion Channel as well. Seek it out for a cornerstone in independent cinema history. Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://theprojectorspodcast.wordpress.com Hear us on podcast: https://open.spotify.com/show/5siQayjxclrq83jsNmWaO7?si=a0cf5063e58b43e4 Apple Podcasts: https://podcasts.apple.com/us/podcast/the-projectors/id1664326117 Twitch: https://www.twitch.tv/culturewrought…
February is BODY & SOUL. That means Black Directors and Black Leads and we’re anxious to get back into it after last week’s “white Jamaican” debacle with an influential independent comedy featuring the beginnings of certain writers, directors and actors in prominent black comedies over the years. After maxing out credits cards and timing out film equipment rentals just right over the span of two and a half years, Robert Townsend hit independent success upon the release of his 1987 directorial debut “HOLLYWOOD SHUFFLE”. A comedy that examines the pitfalls of trying to be a working black actor in Hollywood. There’s the core story of Bobby (Townsend) who must figure out how to live between his desire to be an actor and his personal belief in what he wants to be as a black actor. This underlines several skits involving rotating players such as Keenan Ivory Wayans, Anne-Marie Johnson, John Witherspoon, Damon Wayans and many more. Hollywood Shuffle is considered a significant cult hit with broad influence. It’s worth checking out for the “Black Acting School” bit alone. Find it, watch it and let’s talk about it. Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://theprojectorspodcast.wordpress.com Hear us on podcast: https://open.spotify.com/show/5siQayjxclrq83jsNmWaO7?si=a0cf5063e58b43e4 Apple Podcasts: https://podcasts.apple.com/us/podcast/the-projectors/id1664326117 Twitch: https://www.twitch.tv/culturewrought…
NOTE: yeah we forgot to cut out the clip between deciding our rating and and adding it to our list. So you hear some "click clack" and the sound of Angela blowing her nose. It's about a minute long of extra RAW material. We're leaving it in. Fuck it. We were a mess on this one. But that's not the only mistake... OK we fucked up. When picking films for February’s theme, BODY AND SOUL, we aimed for Black Directors and Black Leads. We actually don’t have too much blacksploitation era movies on the docket as many of them had white directors. Today’s discussion slipped through our fingers but can you blame us? When you hear about a Jamaican movie made by a Jamaican director, if you had to assume you wouldn’t think that Jamaican director would be white. This iconic musical Neo-noir by is made by the late Perry Henzell, a native Jamaican who is white. But it’s not too hard a pill to swallow as this classic film starring reggae legend Jimmy Cliff was a smash hit in Jamaica in its day and an essential cultural artifact for important musical movements. It’s a lot of movies this month that earned their place in cultural history, well know or otherwise, and the 1972 film “THE HARDER THEY COME” is as essential to film art as it gets. Musically, all killer no filler. Heavy with crime elements as well as tranquil scenes of family and fantasy. This flick hits a lot of emotional layers and explains certain aspects of Jamaican society of the time in an insightful way. There’s a lot of links online. We’ll throw you this one: https://www.youtube.com/watch?v=uuGQ6gUe04A Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://theprojectorspodcast.wordpress.com Hear us on podcast: https://open.spotify.com/show/5siQayjxclrq83jsNmWaO7?si=a0cf5063e58b43e4 Apple Podcasts: https://podcasts.apple.com/us/podcast/the-projectors/id1664326117 Twitch: https://www.twitch.tv/culturewrought…
BODY & SOUL this month. That means Black Directors and Black Leads and we follow up our kickoff with another actor/director movie. We couldn’t get through this month without puffing a Spike Lee joint so it’s time to discuss one of his most essential works and Spike Lee’s most significant lead performance in one of his own films is, of course, 1989’s “DO THE RIGHT THING”. This rich ensemble includes Ossie Davis, Danny Aiello, Ruby Dee, Giancarlo Esposito, Rosie Perez, Bill Nunn and John Turturro. Bed-Stuy, Brooklyn might have some tension but it’s represented here with a genuine warmth and sincerity that makes you want to be there. Maybe get out before the cops start killing and your favorite pizza joint burns down. All of Spike’s new wave influences laid bare, at least a hundred dutch angles and more than enough Public Enemy. Bob complains about Radio Raheem only playing the single of “Fight the Power” but the album featuring the song, “Fear of a Black Planet”, followed up the single which was originally released for this film. The LP version is extended. Wasn’t that a fun fact? Here’s a link to the flick we found (note: these links often die): https://archive.org/details/do.-the.-right.-thing.-1989.1080p.-blu-ray.x-264-yts.-am Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://theprojectorspodcast.wordpress.com Hear us on podcast: https://open.spotify.com/show/5siQayjxclrq83jsNmWaO7?si=a0cf5063e58b43e4 Apple Podcasts: https://podcasts.apple.com/us/podcast/the-projectors/id1664326117 Twitch: https://www.twitch.tv/culturewrought…
It’s a fresh month and we’re coming at you with the freshest theme that we’re calling “BODY & SOUL”. All month long is Black Directors and Black Leads and we’re gonna kick it off with the directorial debut of classic Black Hollywood royalty. When Sidney Poitier took over the director reigns for the 1972 western “BUCK AND THE PREACHER” he got bit by the director bug. Eighteen years later he directed “Ghost Dad” so it was definitely worth it. Buck (Poitier) is a wagon master helping some former slaves move out West to avoid some Bounty Hunters looking to scare the Exodusters back to the south for a shitty life of indentured servitude. Along the way he meets Preacher (Harry Belafonte) and it’s hard to say if he can be trusted. I mean, he’s got bad teeth. Red flag #1. But Buck and the Preacher might have to work together to survive the promise of the journey. Also starring Ruby Dee who looks great on a horse. Also, what is the lore of the Ghost Dad v. Harlem Nights softball game? What’s the word on the game swag? Find out more right here, folks. Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://theprojectorspodcast.wordpress.com Hear us on podcast: https://open.spotify.com/show/5siQayjxclrq83jsNmWaO7?si=a0cf5063e58b43e4 Apple Podcasts: https://podcasts.apple.com/us/podcast/the-projectors/id1664326117 Twitch: https://www.twitch.tv/culturewrought…
New year, new overarching director theme! Last year we discussed every Lars von Trier feature film (that wasn’t a documentary). The process had its ups and downs. We may not have come out of that as better people. Wiser? Maybe. More traumatized? Sure. This year we’re hitting up another director whose filmography we will tackle over the course of 2025 and he might even be more controversial than von Trier but definitely more lucrative. 2025 is the year of “GETTING IT TWISTED WITH M. NIGHT SHYAMALAN” and we’re kicking it off with the movie that put him on the map, became one of the biggest horror movies of all time and set him up as a studio darling indefinitely. Of course we’re talking about “THE SIXTH SENSE” starring Bruce Willis, Haley Joel Osmet & Toni Collette. This movie pulled in well over a half a billion dollars in 1999. The twist ending lead it to becoming a phenomena and now M. Night can’t brush his teeth without turning it into a twist. You know the boy who sees dead people? His dead psychiatrist companion? The hot single mom who does her own nails? (The TRUE twist of this film) It seems appropriate to start off the Shyamalan year with the movie that put him into the stratosphere. Lord knows that there’s some cinematic suffering around the corner but we’re trying to keep an open mind. We promise. We found a link here: https://archive.org/details/TheSixthSense Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://theprojectorspodcast.wordpress.com Hear us on podcast: https://open.spotify.com/show/5siQayjxclrq83jsNmWaO7?si=a0cf5063e58b43e4 Apple Podcasts: https://podcasts.apple.com/us/podcast/the-projectors/id1664326117 Twitch: https://www.twitch.tv/culturewrought…
We’ve arrived at the end of January with an episode we actually recorded not long after the movie was released in theaters. This marks the end of a month of 5 DIRECTORS and the last of SIR RIDLEY SCOTT’S LAST FOUR and it stays historical with a sequel to his Oscar winning smash hit from over 20 years ago. Hanno, like anyone who isn’t Roman, hates Rome. They killed his wife and, as a child, pretty much abandoned him but just like a certain predecessor this natural leader finds himself on the slave end of a gladiator cage where he must bite the baboon and fight to the death towards his freedom and perhaps more. We’re talking about none other than “GLADIATOR II” starring Paul Mescal, Pedro Pascal and Denzel Washington. It has it’s flaws, maybe a few unintentional laughs, but it’s also a good time at the movies so hear us out as we break it down. How does it compare with Ridley’s other recent fare? At the point of this recording, the hosts didn’t know but now? Now we all know. Actually, as this is written, they don’t know but as you read it it will be known. The future knows and what fun it will be when the future becomes the now. Now being as you’re reading it right now. Remember the past? This recording was the past. We looked to the future. That future is now right now. What future are we looking to right now? Are you not entertained? Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/5siQayjxclrq83jsNmWaO7?si=a0cf5063e58b43e4 Apple Podcasts: https://podcasts.apple.com/us/podcast/the-projectors/id1664326117 Twitch: https://www.twitch.tv/culturewrought…
We’re nearing the end of week 5 of our director theme for January and it’s time for the third of “SIR RIDLEY SCOTT’S LAST FOUR” and this historical biographical epic certainly seemed, on the surface, like a lay up for award bait. It made money but didn’t do much inspiring. Sure it’s weird as hell having English accents pretending to be French but we know how this Hollywood shit does. We didn’t dismiss Ridley Scott’s 2023 film “NAPOLEON” starring Joaquin Phoenix and Vanessa Kirby as much as many because we found it to be a fun time at the movies that, at the very least, made us more curious as to how the history actually was. Angela (who sounds like RFK Jr. in this recording) likes that freaky deaky Josephine stuff. You can’t go under a three point five when you got Joaquin as “Big Dawg Bonaparte” yipping like a puppy for some puss. Then there’s all the war. The dad boner special. Some massacred Austrians just for the boys. Personally, I think we need classic metal to be utilized in future war movies. Iron Maiden, Black Sabbath, 70s Scorpions. Sails of Charon, brother. Who wouldn’t want to listen to “In Trance” while watching Napoleon is eat pussy, an activity the French invented. Or was it India? We’re all over the place, honestly. Let’s hope the sicko sessions end soon. There’s actually a scene in this movie where a man complains of having his succulent meal interrupted just like the video of that guy who got arrested outside of the Chinese restaurant. That guy passed away. RIP to that guy, my personal emperor. Put the crown atop your head, succulent Chinese meal guy. We love you. Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://theprojectorspodcast.wordpress.com Hear us on podcast: https://open.spotify.com/show/5siQayjxclrq83jsNmWaO7?si=a0cf5063e58b43e4 Apple Podcasts: https://podcasts.apple.com/us/podcast/the-projectors/id1664326117 Twitch: https://www.twitch.tv/culturewrought…
NOTE: this was published previously with most of it missing for some reason. Here is the full preview. This February we discuss films made by Black Directors with Black Actors as leads. The theme is called "BODY & SOUL" (bed music for this recording by Robert Glasper for the film "THE PHOTOGRAPH") Here's a link to a much more visual and entertaining version of this preview: https://youtu.be/DpM2KXOl4hY the schedule: 2/3 - Buck and the Preacher (1972) 2/5 - Do the Right Thing (1989) 2/7 - The Harder They Come (1972) 2/10 - Hollywood Shuffle (1987) 2/11 - Losing Ground (1982) 2/12 - A Wrinkle in Time (2018) 2/13 - Cuties (Mignonnes) (2020) 2/14 - The Photograph (2020) 2/17 - Deep Cover (1992) 2/19 - Belly (1998) 2/21 - Widows (2018) 2/24 - Black Panther (2018) 2/26 - Out of Time (2003) 2/28 - After Earth (2013) - for "Getting It Twisted w/ M. Night Shyamalan"…
We’re closing down January’s 5th week of it’s directors event with “SIR RIDLEY SCOTT’S LAST FOUR” and it’s a lot of historical but we go more into the more recent fashion history / true crime territory. The kids love their fashion. Gucci is practically an institution with how successfully it has sold its version of class and wealth to the middle classes and under. Maybe some over the top character cartoonery can be expected. It both hinders and boosts it depending on the scene but Ridley Scott’s 2021 film “HOUSE OF GUCCI” did do well enough. It stars Lady Gaga, Adam Driver, Jared Leto as a messy Jeffrey Tambor as well as Al Pacino and Jeremy Irons. Maybe we should pay more attention to these fashion lords because they keep getting shot out there. Sometimes by their wives. They didn’t “Galooley” it completely but they did get caught. You probably know if you like this. Gaga was pretty dime and there’s plenty to revel in and also groan about but that Selma Hayek doesn’t age. God bless. Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://theprojectorspodcast.wordpress.com Hear us on podcast: https://open.spotify.com/show/5siQayjxclrq83jsNmWaO7?si=a0cf5063e58b43e4 Apple Podcasts: https://podcasts.apple.com/us/podcast/the-projectors/id1664326117 Twitch: https://www.twitch.tv/culturewrought…
What a fun month it’s been exploring some directors so for the final week we’re hitting up someone who is easily our most prolific, is very well known and has some beloved works under his belt. We’re talking about Tony Scott’s brother, Sir Ridley for week 5’s sub-theme “SIR RIDLEY SCOTT’S LAST FOUR”. The first of Ridley’s last four did not light up the box office and he was pretty sore about it. He blamed an entire generation and, yeah, it would be nice if millennials would move away from the franchise shlock a little more but Sir Ridley might have been suffering of a bit of a sore booty hole about it. Not enough people went to go see his historical account of a duel in medieval France following a fairly rare occurrence of a noblewoman’s claims of rape. Told in three perspectives and the men seem to tell on themselves a bit. Did the braggart fuckboy, Jacque le Gris, sexually assault Marguerite, the daughter of a traitor and wife to the terminally unlikable Jean de Carrouges? Truth or no, it all comes down to violence in Ridley’s 2021 film “THE LAST DUEL” starring Jodie Comer, Matt Damon, Adam Driver and Ben Affleck. Looking back, 2021 was kind of a fucked year for most anybody alive right now so maybe Ridley should calm down a little bit? His next one did much better and it came out the same year. People love that fashion stuff. Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://theprojectorspodcast.wordpress.com Hear us on podcast: https://open.spotify.com/show/5siQayjxclrq83jsNmWaO7?si=a0cf5063e58b43e4 Apple Podcasts: https://podcasts.apple.com/us/podcast/the-projectors/id1664326117 Twitch: https://www.twitch.tv/culturewrought…
ขอต้อนรับสู่ Player FM!
Player FM กำลังหาเว็บ