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Welcome to the Sangam podcast, where amazing things happen. Cover art photo provided by Andrew Ridley on Unsplash: https://unsplash.com/@aridley88
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Sangat Vaani

Guruji's Bangalore Sangat

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Amidst the global pandemic, when we are confined to our homes and left craving Guruji’s divine Satsangs, Sangat Vaani is an initiative to bring His global parivaar together on a virtual platform. In this audio series, the magic of satsangs is brought to you in the form of curated Podcasts published on the web. Each hourly episode includes soulful shabads, new satsangs, and insightful conversations.
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RSD Sanga

Ravindra Svarupa Dasa

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Ravindra Svarupa Dasa (William H. Deadwyler, III) is an initiated disciple of His Divine Grace A.C. Bhaktivedanta Swami Srila Prabhupada who is the Founder-Acarya of the International Society for Krishna Consciousness (ISKCON). Ravindra Svarupa Dasa received a B.A. in Philosophy from the University of Pennsylvania in 1966 and a Ph.D. in Religion from Temple University in 1980. In 1971 he became an initiated disciple of Srila Prabhupada. In his decades of service to ISKCON, he has served as t ...
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In this episode, we listen to a striking interaction between the man and the lady, as depicted in Sangam Literary work, Kalithogai 81, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and reveals the man’s attempts at allaying the lady’s ire. புதல்வனை நோக்கித் தலைவி கூறுதல் மை அற விளங்கிய மணி மருள் அ…
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In this episode, we perceive the lady’s affection for her son, as portrayed in Sangam Literary work, Kalithogai 80, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and conveys a hidden message. நயம் தலை மாறுவார் மாறுக; மாறா, கயந் தலை மின்னும் கதிர் விடு முக் காழ், பயந்த எம் கண் ஆர யாம் காண நல்கி திக…
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In this episode, we listen to a lady’s words of rebuke to her man, as depicted in Sangam Literary work, Kalithogai 79, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and spotlights moments of affection. புள் இமிழ் அகல் வயல் ஒலி செந்நெல் இடைப் பூத்த முள் அரைத் தாமரை முழு முதல் சாய்த்து, அதன் வள் இதழ…
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Bṛhad-bhāgavatāmṛta Part 2 Chapter 1 Text 1 śrī-janamejaya uvāca satyaṁ sac-chāstra-vargārtha- sāraḥ saṅgṛhya durlabhaḥ gūḍhaḥ sva-mātre pitrā me kṛṣṇa-premṇā prakāśitaḥ TRANSLATION Śrī Janamejaya said: Truly, my father gleaned the essential meaning of all eternal scriptures, and with great love for Kṛṣṇa he revealed to his mother that rare confide…
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In this episode, we listen to the lady’s perspective on the man’s thoughts, as portrayed in Sangam Literary work, Kalithogai 78, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and reflects the lady’s clarity and perception. பல் மலர்ப் பழனத்த பாசடைத் தாமரை இன்மலர் இமிர்பு ஊதும் துணை புணர் இருந்தும்ப…
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In this episode, we perceive the lady’s loss owing to the man’s actions, as portrayed in Sangam Literary work, Kalithogai 77, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and sketches the lady’s state of despair. இணை இரண்டு இயைந்து ஒத்த முகை நாப்பண், பிறிது யாதும் துணை இன்றித் தளை விட்ட தாமரை தனி…
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In this episode, we perceive elements of a different landscape appearing in the farmlands domain, as portrayed in Sangam Literary work, Kalithogai 76, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and sketches the lady’s way of revealing her relationship with the man to her friend. புனை இழை நோக்கி…
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In this episode, we perceive the reasons for the lady’s restraint, as depicted in Sangam Literary work, Kalithogai 75, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and highlights the man’s crafty nature. நீர் ஆர் செறுவில் நெய்தலொடு நீடிய நேர் இதழ் ஆம்பல் நிரை இதழ் கொண்மார் சீர் ஆர் சேயிழை ஒலிப்ப,…
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In this episode, we listen to the sharp censure of the lady, as portrayed in Sangam Literary work, Kalithogai 74, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and vividly sketches the man’s infidelity. பொய்கைப் பூ புதிது உண்ட வரி வண்டு கழி பூத்த நெய்தல் தாது அமர்ந்து ஆடிப், பாசடைச் சேப்பினுள் செய…
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In this episode, we observe the perceptive eyes of the lady, as depicted in Sangam Literary work, Kalithogai 73, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and talks about the deceptive actions of the man. அகன் துறை அணி பெற, புதலொடு தாழ்ந்த பகன்றைப் பூ உற நீண்ட பாசடைத் தாமரை, கண் பொர ஒளி விட்ட …
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In this episode, we listen to an anguished question, as depicted in Sangam Literary work, Kalithogai 72, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and provides insight about the prominent workers in a town setting. இணைபட நிவந்த நீல மென் சேக்கையுள், துணை புணர் அன்னத்தின் தூவி மெல் அணை அசைஇ, சேட…
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In this episode, we perceive a lady's fury at her man, as depicted in Sangam Literary work, Kalithogai 71, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and sketches the lady's disappointment in the words of the man's supporters.โดย Nandini Karky
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In this episode, we listen to many sounds that arise in a town, as depicted in Sangam Literary work, Kalithogai 70, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and portrays the formidable foes of sleep.โดย Nandini Karky
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In this episode, we listen to the sharp words of a lady, as depicted in Sangam Literary work, Kalithogai 69, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and sketches the man's activities with courtesans.โดย Nandini Karky
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In this episode, we perceive the anguished questions in the mind of the lady, as portrayed in Sangam Literary work, Kalithogai 68, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and sketches the illusory nature of the man's relationship.โดย Nandini Karky
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In this episode, we listen to a lady's lament, as depicted in Sangam Literary work, Kalithogai 67, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and echoes a feeling of betrayal in the lady.โดย Nandini Karky
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Bṛhad-bhāgavatāmṛta Part 1 Chapter 7 Text 151 svayaṁ yad-bhakti-māhātmyam anubhūtam itas tataḥ sānandaṁ vīṇayā gāyan sa yayau bhakti-lampaṭaḥ TRANSLATION Thus Nārada started on his journey to Prayāga, intoxicated with eagerness for pure devotion. Wherever he passed he vibrated his vīṇā and blissfully sang the glories of the kṛṣṇa-bhakti he had seen…
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In this episode, we perceive the ire of a lady towards her man, as portrayed in Sangam Literary work, Kalithogai 66, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and sketches the escapades of the man with courtesans.โดย Nandini Karky
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In this episode, we listen to a curious incident that unfolded one night, as portrayed in Sangam Literary work, Kalithogai 65, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and attempts to convey the gravity of the situation in an indirect manner.โดย Nandini Karky
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In this episode, we listen to a playful conversation between a man and lady in love, as depicted in Sangam Literary work, Kalithogai 64, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and etches an attempt to reconcile a disgruntled person.โดย Nandini Karky
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In this episode, we perceive an exchange of words to unearth the truth, as depicted in Sangam Literary work, Kalithogai 63, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and sketches the confidante's attempts at bringing together the man and the lady.โดย Nandini Karky
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In this episode, we perceive the transformation in a lady's heart, as portrayed in Sangam Literary work, Kalithogai 62, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and sketches the manner in which the man wins over the lady's reservations against him.โดย Nandini Karky
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In this episode, we listen to an interesting conversation between three people, as depicted in Sangam Literary work, Kalithogai 61, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and reveals the man's situation and the confidante's support.โดย Nandini Karky
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Bṛhad-bhāgavatāmṛta Part 1 Chapter 7 Text 150 atha prayāge gatvā tān mad-apekṣā-vilambitān munīn kṛtārthayānīti samanujñāpya mādhavam TRANSLATION Nārada then took leave of Mādhava, Lord Kṛṣṇa, and went to Prayāga, thinking, “Let me bestow perfection on the sages who have waited so long for me to return.”…
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Irma Neumüller släppte sitt debutalbum 2024 där hon introducerade sin egenkomponerade musik. Varierade, härliga låtar i en ganska traditionell jazzstil. Delar av det här avsnittet handlar om allvarliga röstproblem och hur Irma till slut tog tag i dem. Lärdomar för alla sångare alltså. Chris Bendz och Irma har riktigt kul när de pratar om musik och …
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In this episode, we listen to an animated conversation between two women, as portrayed in Sangam Literary work, Kalithogai 60, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and presents a situation where the confidante pleads the man's case in the court of the lady's mind!…
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In this episode, we listen to a man's attempt to convince a maiden, as depicted in Sangam Literary work, Kalithogai 59, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and informs us about certain customs of penances undertaken by Sangam women.โดย Nandini Karky
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In this episode, we listen to a man's angst, as depicted in Sangam Literary work, Kalithogai 58, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and depicts an ancient strategy employed to win love.โดย Nandini Karky
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Bṛhad-bhāgavatāmṛta Part 1 Chapter 7 Text 145 śrī-parīkṣid uvāca tataḥ śrī-hasta-kamalaṁ prasārya paramādarāt evam astv iti sānandaṁ gopī-nāthena bhāṣitam TRANSLATION Śrī Parīkṣit said: Lord Gopīnātha then extended His divine lotus hand and with great respect for Nārada blissfully said, “So be it.”
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In this episode, we listen to a long list of praises, as depicted in Sangam Literary work, Kalithogai 57, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and reveals both the glory of a king and the power of a maiden.โดย Nandini Karky
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In this episode, we listen to the words of a man in love, as depicted in Sangam Literary work, Kalithogai 56, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and expresses admiration for a lady.โดย Nandini Karky
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In this episode, we listen to an account of a lady's first meeting with a man, as portrayed in Sangam Literary work, Kalithogai 55, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and reveals an incident to the confidante.โดย Nandini Karky
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Bṛhad-bhāgavatāmṛta Part 1 Chapter 7 Text 139 tathāpi teṣām eko ’pi na tṛpyati kathañcana tad gṛhāṇa varān anyān matto ’bhīṣṭa-tarān varān TRANSLATION Yet none of these devotees is ever satiated. Please, therefore, ask from Me some other, more satisfying benedictions.
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In this episode, we hear the lady speaking her truth, as depicted in Sangam Literary work, Kalithogai 54, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and seeks the help of a friend.โดย Nandini Karky
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In this episode, we perceive the lady's state in the man's absence, as depicted in Sangam Literary work, Kalithogai 53, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and appeals to the man's kindness to remedy a distressing situation.โดย Nandini Karky
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In this episode, we listen to an argument for seeking an alternative path, as depicted in Sangam Literary work, Kalithogai 52, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and sketches the danger of discovery to a man intent on trysting by night.โดย Nandini Karky
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Bṛhad-bhāgavatāmṛta Part 1 Chapter 7 Text 131 ity evam upakāro ’dya bhavatākāri me mahān tat te ’smi parama-prīto nijābhīṣṭān varān vṛṇu TRANSLATION So today you have favored Me greatly, and therefore I am delighted with you. Please choose whatever benedictions you would like.
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In this episode, we listen to a fascinating incident in the life of the lady, as portrayed in Sangam Literary work, Kalithogai 51, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and sketches a delightful moment of love's blooming.โดย Nandini Karky
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In this episode, we listen to the confidante's counsel, as portrayed in Sangam Literary work, Kalithogai 50, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and argues for a protective attitude towards the lady.โดย Nandini Karky
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In this episode, we perceive clear arguments mentioned to persuade a person, as portrayed in Sangam Literary work, Kalithogai 49, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and reveals the dangers in a tryst by night.โดย Nandini Karky
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Bṛhad-bhāgavatāmṛta Part 1 Chapter 7 Text 130 na sambhaved asmaraṇaṁ kadāpi sva-jīvanānāṁ yad api priyāṇām tathāpi kenāpi viśeṣaṇena smṛtiḥ praharṣāya yathā su-jīvitam TRANSLATION Those dear as life one can never forget, but when reminded of them in a special way one feels happy, like one who has lived a life of good fortune.…
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In this episode, we perceive the lady's state of angst, as depicted in Sangam Literary work, Kalithogai 48, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and seeks a resolution for the lady's suffering.โดย Nandini Karky
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In this episode, we perceive the confusions in the mind of the confidante, as depicted in Sangam Literary work, Kalithogai 47, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and presents the confidante's attempts to resolve the man's quandary.โดย Nandini Karky
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In this episode, we perceive the lady's angst, as portrayed in Sangam Literary work, Kalithogai 46, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and narrates the thoughts revolving around a missed rendezvous.โดย Nandini Karky
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