Reflections on 2000 Year Old Tamil Poetry
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Krishna Katha with Srila Dhanurdhara Swami
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Sångarpodden för alla som gillar sång.
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Welcome to the Sangam podcast, where amazing things happen. Cover art photo provided by Andrew Ridley on Unsplash: https://unsplash.com/@aridley88
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Lecture by H. H. Bhakti Dhira Damodar Goswami Maharaj on Vasudeva Kutumbakam given on 09/02/2013 (Google Hangout Class)
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Amidst the global pandemic, when we are confined to our homes and left craving Guruji’s divine Satsangs, Sangat Vaani is an initiative to bring His global parivaar together on a virtual platform. In this audio series, the magic of satsangs is brought to you in the form of curated Podcasts published on the web. Each hourly episode includes soulful shabads, new satsangs, and insightful conversations.
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Ravindra Svarupa Dasa (William H. Deadwyler, III) is an initiated disciple of His Divine Grace A.C. Bhaktivedanta Swami Srila Prabhupada who is the Founder-Acarya of the International Society for Krishna Consciousness (ISKCON). Ravindra Svarupa Dasa received a B.A. in Philosophy from the University of Pennsylvania in 1966 and a Ph.D. in Religion from Temple University in 1980. In 1971 he became an initiated disciple of Srila Prabhupada. In his decades of service to ISKCON, he has served as t ...
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Weekly Sanga – January 15, 2025
28:06
28:06
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28:06
In today’s sanga, Śrīla Dhanurdhara Swami shares his realizations from his recent studies.
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In this episode, we observe the transformation in a person, as depicted in Sangam Literary work, Kalithogai 130, penned by Nallanthuvanaar. The verse is situated in the ‘Neythal’ or ‘Coastal Landscape’ and sketches the effect of an evening on a maiden. ‘நயனும், வாய்மையும், நன்னர் நடுவும், இவனின் தோன்றிய, இவை’ என இரங்க, புரை தவ நாடி, பொய் தபுத்து, இ…
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In this episode, we perceive the arrival of the evening with striking similes, as portrayed in Sangam Literary work, Kalithogai 129, penned by Nallanthuvanaar. The verse is situated in the ‘Neythal’ or ‘Coastal Landscape’ and sketches heartrending conversations with elements in the environment. தொல் ஊழி தடுமாறி, தொகல் வேண்டும் பருவத்தால், பல் வயின்…
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In this episode, we listen to the events that unfolded in a dream, as depicted in Sangam Literary work, Kalithogai 128, penned by Nallanthuvanaar. The verse is situated in the ‘Neythal’ or ‘Coastal Landscape’ and reveals the subtle reasons for a transformation. ‘தோள் துறந்து அருளாதவர் போல் நின்று, வாடை தூக்க வணங்கிய தாழை ஆடு கோட்டு இருந்த அசை நடை ந…
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In this episode, we hear piercing words rendered to persuade a person, as portrayed in Sangam Literary work, Kalithogai 127, penned by Nallanthuvanaar. The verse is situated in the ‘Neythal’ or ‘Coastal Landscape’ and attempts to change the man’s heart. தெரி இணர் ஞாழலும், தேம் கமழ் புன்னையும், புரி அவிழ் பூவின கைதையும், செருந்தியும், வரி ஞிமிறு இமி…
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In this episode, we perceive picturesque images from the sea, as depicted in Sangam Literary work, Kalithogai 126, penned by Nallanthuvanaar. The verse is situated in the ‘Neythal’ or ‘Coastal Landscape’ and presents the assumptions and revelations in the mind of a parted maiden. பொன் மலை சுடர் சேர, புலம்பிய இடன் நோக்கி, தன் மலைந்து உலகு ஏத்த, தகை …
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In this episode, we listen to a philosophical thought about the heart, as portrayed in Sangam Literary work, Kalithogai 125, penned by Nallanthuvanaar. The verse is situated in the ‘Neythal’ or ‘Coastal Landscape’ and puts forth a heartfelt plea. ‘கண்டவர் இல்’ என, உலகத்துள் உணராதார், தங்காது தகைவு இன்றித் தாம் செய்யும் வினைகளுள், நெஞ்சு அறிந்த கொடி…
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In this episode, we listen to the confidante’s thoughtful request, as depicted in Sangam Literary work, Kalithogai 124, penned by Nallanthuvanaar. The verse is situated in the ‘Neythal’ or ‘Coastal Landscape’ and relates the consequences of a man’s parting. ஞாலம் மூன்று அடித் தாய முதல்வற்கு முது முறைப் பால் அன்ன மேனியான் அணி பெறத் தைஇய நீல நீர் உடை…
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Bṛhad-bhāgavatāmṛta Part 2 Chapter 1 Text 30 – January 12, 2025
57:59
57:59
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57:59
Bṛhad-bhāgavatāmṛta Part 2 Chapter 1 Text 30 tac-chiṣya-rūpeṇa ca mat-priyaṁ taṁ saṁśrāvya śāpaṁ nilayāndha-kūpāt śrī-vāsudevena vikṛṣya nītaḥ prāyopaveśāya matiṁ dyu-nadyām TRANSLATION When I heard of that curse, I took it as most welcome. Śrī Vāsudeva, in the form of a brāhmaṇa’s disciple, was dragging me out of the blind well of family life and …
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In this episode, we perceive the actions of a troubled heart, as portrayed in Sangam Literary work, Kalithogai 123, penned by Nallanthuvanaar. The verse is situated in the ‘Neythal’ or ‘Coastal Landscape’ and presents a portrait of a maiden, parted from her beloved. கருங் கோட்டு நறும் புன்னை மலர் சினை மிசைதொறும் சுரும்பு ஆர்க்கும் குரலினோடு, இருந் …
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In this episode, we perceive the confused heart of a lady, as depicted in Sangam Literary work, Kalithogai 122, penned by Nallanthuvanaar. The verse is situated in the ‘Neythal’ or ‘Coastal Landscape’ and reveals an impossible situation in a person’s life. ‘கோதை ஆயமும் அன்னையும் அறிவுற, போது எழில் உண்கண் புகழ் நலன் இழப்ப, காதல் செய்து அருளாது துறந்…
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In this episode, we hear a passionate plea on behalf of a friend, as portrayed in Sangam Literary work, Kalithogai 121, penned by Nallanthuvanaar. The verse is situated in the ‘Neythal’ or ‘Coastal Landscape’ and depicts the state of a maiden with elements of nature. ஒண் சுடர் கல் சேர, உலகு ஊரும் தகையது, தெண் கடல் அழுவத்துத் திரை நீக்கா எழுதரூஉம், …
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Weekly Sanga – January 8, 2025
47:38
47:38
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47:38
In today’s sanga, Śrīla Dhanurdhara Swami shares his realizations from his recent studies.
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In this episode, we infer emotions from intricate similes about human nature, as depicted in Sangam Literary work, Kalithogai 120, penned by Nallanthuvanaar. The verse is situated in the 'Neythal' or 'Coastal Landscape' and brings forth the transformation at the cusp of an event.โดย Nandini Karky
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Bṛhad-bhāgavatāmṛta Part 2 Chapter 1 Text 25 – January 5, 2025
47:46
47:46
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47:46
Bṛhad-bhāgavatāmṛta Part 2 Chapter 1 Text 25 śrī-jaiminir uvāca mātur evaṁ mahā-ramya- praśnenānanditaḥ sutaḥ tāṁ natvā sāśru-romāñcam ārebhe pratibhāṣitum TRANSLATION Śrī Jaimini said: Delighted by this most pleasing inquiry from Mother Uttarā, her son, Parīkṣit, bowed down to her and began his reply. Tears poured from his eyes, and his bodily hai…
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In this episode, we perceive a lady's pain, as portrayed in Sangam Literary work, Kalithogai 119, penned by Nallanthuvanaar. The verse is situated in the 'Neythal' or 'Coastal Landscape' and highlights the happenings of an evening.โดย Nandini Karky
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In this episode, we listen to a lady's lament, as depicted in Sangam Literary work, Kalithogai 118, penned by Nallanthuvanaar. The verse is situated in the 'Neythal' or 'Coastal Landscape' and sketches the words rendered to an evening.โดย Nandini Karky
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Weekly Sanga – January 1, 2025
51:35
51:35
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51:35
In today’s sanga, Śrīla Dhanurdhara Swami shares his realizations from his recent studies.
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Bṛhad-bhāgavatāmṛta Part 2 Chapter 1 Text 20 – December 29, 2024
50:48
50:48
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50:48
Bṛhad-bhāgavatāmṛta Part 2 Chapter 1 Text 20 parāṁ kāṣṭhāṁ gataṁ tat-tad- rasa-jātīyatocitam athāpi rāsa-kṛt-tādṛg- bhaktānām astu kā gatiḥ TRANSLATION They have all attained the ultimate limit of happiness, each in his own kind of ecstatic reciprocation with the Lord. But what place is destined for the exceptional devotees of the performer of the …
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Weekly Sanga – December 25, 2024
42:38
42:38
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42:38
In today’s sanga, Śrīla Dhanurdhara Swami shares his realizations from his recent studies.
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In this episode, we listen to the words of a lovelorn man, as portrayed in Sangam Literary work, Kalithogai 117, penned by Chozhan Nalluruthiran. The verse is situated in the 'Mullai' or 'Forest Landscape' and portrays an expression of interest in a conversation between a couple.โดย Nandini Karky
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In this episode, we perceive a conflict between a lady and a man, as depicted in Sangam Literary work, Kalithogai 116, penned by Chozhan Nalluruthiran. The verse is situated in the 'Mullai' or 'Forest Landscape' and portrays the relentlessness of a man's pursuit.โดย Nandini Karky
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In this episode, we perceive the fearful stance of the lady, as portrayed in Sangam Literary work, Kalithogai 115, penned by Chozhan Nalluruthiran. The verse is situated in the 'Mullai' or 'Forest Landscape' and sketches a domestic scene and its consequences in the life of the lady.โดย Nandini Karky
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In this episode, we perceive a lady's anxious state, portrayed in Sangam Literary work, Kalithogai 114, penned by Chozhan Nalluruthiran. The verse is situated in the 'Mullai' or 'Forest Landscape' and sketches the agony of a lady as momentous events unfold before her.โดย Nandini Karky
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Weekly Sanga – December 18, 2024
50:48
50:48
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50:48
In today’s sanga, Śrīla Dhanurdhara Swami shares his realizations from his recent studies.
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In this episode, we listen to a intriguing conversation, as depicted in Sangam Literary work, Kalithogai 113, penned by Chozhan Nalluruthiran. The verse is situated in the 'Mullai' or 'Forest Landscape' and presents hidden layers in the relationship of a man and his lady.โดย Nandini Karky
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In this episode, we perceive a lady's change of stance, portrayed in Sangam Literary work, Kalithogai 112, penned by Chozhan Nalluruthiran. The verse is situated in the 'Mullai' or 'Forest Landscape' and etches the determined pursuit of a man.โดย Nandini Karky
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In this episode, we listen to a lady's plea to a friend, as depicted in Sangam Literary work, Kalithogai 111, penned by Chozhan Nalluruthiran. The verse is situated in the 'Mullai' or 'Forest Landscape' and sketches the petition and dismissal of a man's requests.โดย Nandini Karky
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Bṛhad-bhāgavatāmṛta Part 2 Chapter 1 Text 20 – December 15, 2024
57:17
57:17
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57:17
Bṛhad-bhāgavatāmṛta Part 2 Chapter 1 Text 20 parāṁ kāṣṭhāṁ gataṁ tat-tad- rasa-jātīyatocitam athāpi rāsa-kṛt-tādṛg- bhaktānām astu kā gatiḥ TRANSLATION They have all attained the ultimate limit of happiness, each in his own kind of ecstatic reciprocation with the Lord. But what place is destined for the exceptional devotees of the performer of the …
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In this episode, we perceive a conversation between a lovelorn man and his beloved, as portrayed in Sangam Literary work, Kalithogai 110, penned by Chozhan Nalluruthiran. The verse is situated in the 'Mullai' or 'Forest Landscape' and presents elements that echo the soul of this land.โดย Nandini Karky
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In this episode, we listen to a heart's outpouring, as portrayed in Sangam Literary work, Kalithogai 109, penned by Chozhan Nalluruthiran. The verse is situated in the 'Mullai' or 'Forest Landscape' and etches the mesmerising beauty of a maiden.โดย Nandini Karky
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Kalithogai 108 – A war of words
13:30
13:30
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In this episode, we see sparks fly in a couple's conversation, as conveyed in Sangam Literary work, Kalithogai 108, penned by Chozhan Nalluruthiran. The verse is situated in the 'Mullai' or 'Forest Landscape' and reveals interesting perspectives about work in ancient times.โดย Nandini Karky
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In this episode, we listen to an amusing conversation, as portrayed in Sangam Literary work, Kalithogai 107, penned by Chozhan Nalluruthiran. The verse is situated in the 'Mullai' or 'Forest Landscape' and paints both the confusion and the relief in the mind of a lady.โดย Nandini Karky
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Weekly Sanga – December 11, 2024
44:25
44:25
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44:25
In today’s sanga, Śrīla Dhanurdhara Swami shares his realizations from his recent studies.
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Kalithogai 106 – Courage in the everyday
10:57
10:57
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10:57
In this episode, we perceive the practical aspects of bull taming, as portrayed in Sangam Literary work, Kalithogai 106, penned by Chozhan Nalluruthiran. The verse is situated in the 'Mullai' or 'Forest Landscape' and reveals the value of courage in a man as seen from the eyes of their beloved maiden.…
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Kalithogai 105 – Victory in an arena
12:59
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12:59
In this episode, we perceive conflict and triumph in a bull taming arena, as depicted in Sangam Literary work, Kalithogai 105, penned by Chozhan Nalluruthiran. The verse is situated in the 'Mullai' or 'Forest Landscape' and reveals happy tidings in the lady's life.โดย Nandini Karky
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Kalithogai 104 – Soaring above slander
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14:43
In this episode, we listen to a detailed account of bull taming events, as portrayed in Sangam Literary work, Kalithogai 104, penned by Chozhan Nalluruthiran. The verse is situated in the 'Mullai' or 'Forest Landscape' and echoes a lady's pride in her beloved's conquest in the arena.โดย Nandini Karky
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79 Sara Aldén - Jazzens egna rum
1:14:53
1:14:53
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1:14:53
Chris Bendz pratar med Sara Aldén, jazzsångerska, kompositör, ordförande för organisationen IMPRA och engagerad inom gender-frågor. Kul och intressant samtal bl.a. om förväntningar som förhindrar nyskapande och regler som man kan bryta mot. Lyssna!โดย Chris Bendz
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Bṛhad-bhāgavatāmṛta Part 2 Chapter 1 Text 14 – December 8, 2024
50:11
50:11
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50:11
Bṛhad-bhāgavatāmṛta Part 2 Chapter 1 Text 14 vaikuṇṭhaṁ durlabhaṁ muktaiḥ sāndrānanda-cid-ātmakam niṣkāmā ye tu tad-bhaktā labhante sadya eva tat TRANSLATION That abode, Vaikuṇṭha, is made of concentrated ecstasy and pure consciousness. Even for liberated souls it is difficult to attain. But the Lord’s devotees who are free from selfish desires rea…
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Kalithogai 103 – A field of love and war
15:29
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15:29
In this episode, we perceive dynamic scenes from a bull taming arena, as portrayed in Sangam Literary work, Kalithogai 103, penned by Chozhan Nalluruthiran. The verse is situated in the 'Mullai' or 'Forest Landscape' and relays the importance accorded to courage and determination in an ancient culture.…
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In this episode, we listen to an account of a jubilant bull taming, as depicted in Sangam Literary work, Kalithogai 102, penned by Chozhan Nalluruthiran. The verse is situated in the 'Mullai' or 'Forest Landscape' and sketches the determination of a young man to win the one he loves.โดย Nandini Karky
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Kalithogai 101 – A fight for love
12:26
12:26
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12:26
In this episode, we perceive the ancient Tamil custom of taming a bull, as portrayed in Sangam Literary work, Kalithogai 101, penned by Chozhan Nalluruthiran. The verse is situated in the 'Mullai' or 'Forest Landscape' and conveys the connection of this ancient custom to the lady's life.โดย Nandini Karky
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In this episode, we perceive the intersection of different aspects of life, as portrayed in Sangam Literary work, Kalithogai 100, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and pleads for a king's kindness.โดย Nandini Karky
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Weekly Sanga – December 4, 2024
54:08
54:08
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54:08
In today’s sanga, Śrīla Dhanurdhara Swami shares his realizations from his recent studies.
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In this episode, we hear a passionate speech in support of another, as depicted in Sangam Literary work, Kalithogai 99, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and puts forth a plea to a king.โดย Nandini Karky
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In this episode, we perceive the practice of bathing in the fresh waters of a river, as portrayed in Sangam Literary work, Kalithogai 98, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and portrays an element of the land in a new light.โดย Nandini Karky
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In this episode, we perceive a scoffing retort, as depicted in Sangam Literary work, Kalithogai 97, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and connects the characteristics of a woman and an elephant.โดย Nandini Karky
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Bṛhad-bhāgavatāmṛta Part 2 Chapter 1 Text 14 – December 1, 2024
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59:36
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59:36
Bṛhad-bhāgavatāmṛta Part 2 Chapter 1 Text 14 vaikuṇṭhaṁ durlabhaṁ muktaiḥ sāndrānanda-cid-ātmakam niṣkāmā ye tu tad-bhaktā labhante sadya eva tat TRANSLATION That abode, Vaikuṇṭha, is made of concentrated ecstasy and pure consciousness. Even for liberated souls it is difficult to attain. But the Lord’s devotees who are free from selfish desires rea…
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In this episode, we listen to an imaginative response to a dishonest explanation, as portrayed in Sangam Literary work, Kalithogai 96, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and renders a comparative study of women and horses.โดย Nandini Karky
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In this episode, we perceive fighting over the truth, as depicted in Sangam Literary work, Kalithogai 95, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and renders details about quail fights in ancient times.โดย Nandini Karky
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