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Welcome to the Sangam podcast, where amazing things happen. Cover art photo provided by Andrew Ridley on Unsplash: https://unsplash.com/@aridley88
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Sangat Vaani

Guruji's Bangalore Sangat

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Amidst the global pandemic, when we are confined to our homes and left craving Guruji’s divine Satsangs, Sangat Vaani is an initiative to bring His global parivaar together on a virtual platform. In this audio series, the magic of satsangs is brought to you in the form of curated Podcasts published on the web. Each hourly episode includes soulful shabads, new satsangs, and insightful conversations.
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RSD Sanga

Ravindra Svarupa Dasa

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Ravindra Svarupa Dasa (William H. Deadwyler, III) is an initiated disciple of His Divine Grace A.C. Bhaktivedanta Swami Srila Prabhupada who is the Founder-Acarya of the International Society for Krishna Consciousness (ISKCON). Ravindra Svarupa Dasa received a B.A. in Philosophy from the University of Pennsylvania in 1966 and a Ph.D. in Religion from Temple University in 1980. In 1971 he became an initiated disciple of Srila Prabhupada. In his decades of service to ISKCON, he has served as t ...
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In this episode, we perceive a poignant question and its resounding response, as depicted in Sangam Literary work, Kalithogai 31, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and presents a dual portrait of anxiety and consolation. ‘கடும் புனல் கால் பட்டுக் கலுழ் தேறிக் கவின் பெ…
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Grammynominerad artisten Eva Hillered har alltid skrivit låtar. Nu lär hon andra att skriva egna låtar och håller kurser både här hemma i Sverige och på sitt älskade Kreta. Hon har skrivit boken Sångskolan som snart kommer ut i sin andra upplaga. Aktuell med ny platta - lyssna!โดย Chris Bendz
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In this episode, we perceive the support rendered by a bard, as depicted in Sangam Literary work, Kalithogai 30, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and sketches the prior acts of the man. ‘அருந்தவம் ஆற்றியார் நுகர்ச்சி போல், அணி கொள விரிந்து ஆனாச் சினை தொறூஉம், வேண்டும…
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In this episode, we perceive a message of good tidings, as portrayed in Sangam Literary work, Kalithogai 29, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and talks about the many elements that bring anxiety to the lady in the man’s absence. ‘தொல் எழில் வரைத்து அன்றி வயவு நோய் நல…
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In this episode, we listen to a lady’s lament and a confidante’s consolation, as portrayed in Sangam Literary work, Kalithogai 28, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and narrates the seasonal changes in spring. ‘பாடல் சால் சிறப்பின் சினையவும், சுனையவும் நாடினர் கொயல் வ…
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In this episode, we perceive pertinent similes to describe a person’s state of mind, as portrayed in Sangam Literary work, Kalithogai 27, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and reveals the thoughtfulness of the man. ‘ஈதலில் குறை காட்டாது, அறன் அறிந்து ஒழுகிய தீதிலான் ச…
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In this episode, we listen to the questions in the mind of a lady, as depicted in Sangam Literary work, Kalithogai 26, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and concludes with a reassuring message. ‘ஒரு குழை ஒருவன் போல், இணர் சேர்ந்த மராஅமும், பருதி அம் செல்வன் போல், நனை …
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In this episode, we perceive striking similes on human nature, as depicted in Sangam Literary work, Kalithogai 25, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and talks about the state of the lady in the event of the man’s parting away. வயக்குறு மண்டிலம் வடமொழிப் பெயர் பெற்ற மு…
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Bṛhad-bhāgavatāmṛta Part 1 Chapter 7 Text 106 aho bhāmini jānīhi tat tan mama mahā-sukham mahimāpi sa māṁ hitvā tasthau tatrocitāspade TRANSLATION Ah, willful woman, please understand. All that I relished in Vraja gave Me the highest pleasure. And though the glory of those times has now abandoned Me, it still resides in that most worthy place.…
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In this episode, we perceive the lady’s inferences about the man’s course of action, as portrayed in Sangam Literary work, Kalithogai 24, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and sketches a dream study. ‘நெஞ்சு நடுக்குறக் கேட்டும், கடுத்தும், தாம் அஞ்சியது ஆங்கே அணங்காகு…
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Chris Bendz pratar sång, låtar och artistliv med fantastiska Anders von Hofsten, mannen som älskar sväng. Intensiv, energisk och hängiven musiken kastar han sig ut i olika projekt. Se honom live och du glömmer det inte. Lyssna!โดย Chris Bendz
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In this episode, we listen to the lady’s feelings of despair, as depicted in Sangam Literary work, Kalithogai 23, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and vividly sketches the shades of abandonment. இலங்கு ஒளி மருப்பின் கைம்மா உளம்புநர், புலம் கடி கவணையின், பூஞ் சினை உதி…
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In this episode, we observe a unique technique of persuasion, as portrayed in Sangam Literary work, Kalithogai 22, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and depicts the changing stance of the man. உண் கடன் வழிமொழிந்து இரக்குங்கால் முகனும், தாம் கொண்டது கொடுக்குங்கால் முகன…
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Bṛhad-bhāgavatāmṛta Part 1 Chapter 7 Text 106 aho bhāmini jānīhi tat tan mama mahā-sukham mahimāpi sa māṁ hitvā tasthau tatrocitāspade TRANSLATION Ah, willful woman, please understand. All that I relished in Vraja gave Me the highest pleasure. And though the glory of those times has now abandoned Me, it still resides in that most worthy place.…
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In this episode, we perceive the changing stance of the man, as portrayed in Sangam Literary work, Kalithogai 21, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and depicts the nature of wealth.โดย Nandini Karky
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In this episode, we perceive the lady's persuasive words, as portrayed in Sangam Literary work, Kalithogai 20, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and etches the value of togetherness.โดย Nandini Karky
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In this episode, we perceive the confidante's disappointment in the man's decision, as depicted in Sangam Literary work, Kalithogai 19, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and depicts the consequences of the man's parting.…
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Bṛhad-bhāgavatāmṛta Part 1 Chapter 7 Text 99 ata eva mayā svasya sthitim apy asthiteḥ samām dṛṣṭvā na gamyate tatra śṛṇv arthaṁ yuṣmad-udvahe TRANSLATION Therefore My staying with them would be equal to My absence. Realizing this, I have not returned there. Now hear the real reason I married you.
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In this episode, we listen to the confidante's plea to the man, as depicted in Sangam Literary work, Kalithogai 18, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and portrays the irreplaceable importance of togetherness.โดย Nandini Karky
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In this episode, we perceive picturesque similes employed to persuade a person, as depicted in Sangam Literary work, Kalithogai 17, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and presents the power of the right words at the right time.…
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In this episode, we perceive the deep love in the lady for the man who has parted away, as portrayed in Sangam Literary work, Kalithogai 16, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and reveals nuanced perspectives about seeking the help of gods.…
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Bṛhad-bhāgavatāmṛta Part 1 Chapter 7 Text 97 adṛśyamāne ca mayi pradīpta- viyoga-vahner vikalāḥ kadācit mṛtā ivonmāda-hatāḥ kadācid vicitra-bhāvaṁ madhuraṁ bhajante TRANSLATION And when they cannot see Me they become so torn that the fire of separation leaves them sometimes as though dead and sometimes as though insane. Thus they partake of the nec…
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In this episode, we listen to strong arguments against parting away, as portrayed in Sangam Literary work, Kalithogai 15, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and sketches a vivid portrait of the drylands' denizens.โดย Nandini Karky
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In this episode, we listen to the confidante's admonition about parting away, as portrayed in Sangam Literary work, Kalithogai 14, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and reveals the man's stance then and now.โดย Nandini Karky
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In this episode, we perceive a detailed account on the drylands, as depicted in Sangam Literary work, Kalithogai 13, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and presents a glimpse of the lady's protected life.โดย Nandini Karky
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Bṛhad-bhāgavatāmṛta Part 1 Chapter 7 Text 94 yadi ca prītaye teṣāṁ tatra yāmi vasāmi ca tathāpi kim api svāsthyaṁ bhāvyaṁ nālocayāmy aham TRANSLATION But even if for their pleasure I were to return to live with them, I don’t see how that would help.
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In this episode, we perceive the battle between seeking wealth and being with a beloved, as depicted in Sangam Literary work, Kalithogai 12, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and stresses on the importance of love during youth.…
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In this episode, we perceive scenes of kindness in the wild, as depicted in Sangam Literary work, Kalithogai 11, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and presents insights about the purpose of seeking wealth.โดย Nandini Karky
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In this episode, we listen to arguments against parting away, as depicted in Sangam Literary work, Kalithogai 10, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and portrays a place using human qualities.โดย Nandini Karky
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Bṛhad-bhāgavatāmṛta Part 1 Chapter 7 Text 85 tato ’nyābhiś ca devībhir etad evānumoditam sātrājitī paraṁ māna- gehaṁ tad-asahāviśat TRANSLATION [Uddhava said:] The other queens all agreed. Only Satya­bhāmā, Sātrājitī, unable to tolerate those words, entered her chamber of anger.
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In this episode, we perceive a profound philosophy, as portrayed in Sangam Literary work, Kalithogai 9, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and presents the consoling words said to an anxious heart.โดย Nandini Karky
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In this episode, we listen to reflections on the nature of wealth, as portrayed in Sangam Literary work, Kalithogai 8, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and ponders on the question of what is lasting wealth.โดย Nandini Karky
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In this episode, we listen to a piercing question put forth, as portrayed in Sangam Literary work, Kalithogai 7, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and narrates the consequences of the man's preparations to part away.โดย Nandini Karky
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Bṛhad-bhāgavatāmṛta Part 1 Chapter 7 Text 85 tato ’nyābhiś ca devībhir etad evānumoditam sātrājitī paraṁ māna- gehaṁ tad-asahāviśat TRANSLATION [Uddhava said:] The other queens all agreed. Only Satya­bhāmā, Sātrājitī, unable to tolerate those words, entered her chamber of anger.
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In this episode, we perceive the immense love in a lady, as depicted in Sangam Literary work, Kalithogai 6, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and reveals the determination in the mind of a young woman.โดย Nandini Karky
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In this episode, we perceive an effort of persuasion, as portrayed in Sangam Literary work, Kalithogai 5, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the 'Paalai' or 'Drylands landscape' and narrates the state of the lady if the man were to part away.โดย Nandini Karky
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In this episode, we observe the intricate interactions between the man and the lady, as portrayed in Sangam Literary work, Kalithogai 4, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the 'Paalai' or 'Drylands landscape' and depicts the dangers in a journey to seek wealth.…
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In this episode, we listen to a conversation about the man's parting, as portrayed in Sangam Literary work, Kalithogai 3, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the 'Paalai' or 'Drylands landscape' and reveals the impact of nature on human emotions.โดย Nandini Karky
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In this episode, we hear the jubilant voice of the lady's confidante, as depicted in Sangam Literary work, Kalithogai 2, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the 'Paalai' or 'Drylands landscape' and ponders on the question of what is true wealth.โดย Nandini Karky
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In this episode, we perceive the roles of a god and his consort, as depicted in Sangam Literary work, Kalithogai 1, penned by an anonymous poet. Kalithogai is a collection of musical verses in the 'Aham' or 'Inner life' classification of Sangam Literature. This first verse is a prayer song, believed to be added to this collection at a later period.…
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Bṛhad-bhāgavatāmṛta Part 1 Chapter 7 Text 71 stambhādy-antaritāḥ satyo devyo ’tiṣṭhan prabhu-priyāḥ satyabhāmā na tatrāgāt tāṁ kṛṣṇo ’pṛcchad uddhavam TRANSLATION The beloved queens of the Lord stayed hidden behind objects such as columns, not approaching Him. But Satya­bhāmā had not come there with the others, so Kṛṣṇa asked about her from Uddhava…
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Chris Bendz pratar sång med den prisade folkmusikern och vissångerskan Malin Foxdal. Vi hann med ett härligt samtal mitt under kursen Blekinge jazz and world music och pratade om tradition versus nytänkande, hur man får till ett sväng och vad ÄR egentligen världsmusik? Lyssna!โดย Chris Bendz
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In this episode, we perceive the celebration in the man's return home, as portrayed in Sangam Literary work, Ainkurunooru 491-500, situated in the ‘Mullai’ or ‘Forest landscape’ and penned by the poet Peyanaar.โดย Nandini Karky
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In this episode, we perceive the urgency in the man's command to his charioteer, as portrayed in Sangam Literary work, Ainkurunooru 481-490, situated in the ‘Mullai’ or ‘Forest landscape’ and penned by the poet Peyanaar.โดย Nandini Karky
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Bṛhad-bhāgavatāmṛta Part 1 Chapter 7 Text 64 prāsādābhyantare suptaṁ sasmārātha kare sthitām vaṁśīṁ svasyāgrajasyāpi vanya-veśaṁ ca dṛṣṭavān TRANSLATION He remembered He had been sleeping inside the palace. Then He saw the flute in His hand, and Himself and His older brother dressed like forest dwellers.…
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In this episode, we perceive the role of bard as a messenger of love, as depicted in Sangam Literary work, Ainkurunooru 471-480, situated in the ‘Mullai’ or ‘Forest landscape’ and penned by the poet Peyanaar.โดย Nandini Karky
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In this episode, we listen to hopeful words rendered to an anxious heart, as portrayed in Sangam Literary work, Ainkurunooru 461-470, situated in the ‘Mullai’ or ‘Forest landscape’ and penned by the poet Peyanaar.โดย Nandini Karky
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In this episode, we perceive the yearning of the lady, as depicted in Sangam Literary work, Ainkurunooru 451-460, situated in the ‘Mullai’ or ‘Forest landscape’ and penned by the poet Peyanaar.โดย Nandini Karky
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