Michael Kurtz discusses the work of Delcy Morelos; Lauren Velvick on Roy Claire Potter’s ‘The Wastes’; Sarah E James considers exhibition formats that offer more complex models than those put forward in Claire Bishop’s book ‘Disordered Attention’.โดย Art Monthly

Vaishna Surjid discusses Soumya Sankar Bose’s exhibition ‘Braiding Dusk and Dawn’ at Deflina Foundation in London; Amna Malik reviews Permindar Kaur’s exhibition ‘Nothing is Fixed’ at John Hansard Gallery in Southampton; and Henry Broome reports on public art in relation to homelessness and sanitation.…

Mark Prince argues that digitalisation adds another dimension to debates about intention and production in a discussion that covers photography, painting and sculpture and covers artists ranging from Marcel Duchamp and Robert Ryman to Jon Rafman.โดย Art Monthly

Tom Hastings, Sam Keogh and Luisa Lorenzo Corna discuss the attempts to suppress political protest and artists’ voices in the light of the current war in Gaza.โดย Art Monthly

Bob Dickinson surveys the rise of authoritarian rule and charts feminist art practices that resist such forces.โดย Art Monthly

Laura Harris claims that the Levelling Up programme is a sham and Morgan Quaintance argues that Chris Ofili’s ‘Requiem’ for the victims of Grenfell Tower was compromised from the start.โดย Art Monthly

Sarah E James discusses her article on cultural censorship and exclusion of Palestinian and pro-Palestinian voices in the arts and beyond, with the artists Jumana Manna and Larissa Sansour.โดย Art Monthly

Michael Hampton argues that auto-destruction is the default condition of all visual art.โดย Art Monthly

Anna Dezeuze discusses whether it is possible for art to turn the tide on ‘alt-right’ conspiracy theories, and Maria Walsh explores the work of Lebanese artist filmmaker Ali Cherri.โดย Art Monthly

Matthew Bowman goes in search of lost experience in the commercially co-opted field of immersive art and Bob Dickinson argues that citizen artists can intervene to halt the seemingly inexorable process of gentrification.โดย Art Monthly

Sophie J Williamson assesses the turn towards art-food practices, particularly fermentation, and how these can be politicised to counter societal decay, and Bob Dickinson argues that it is time to repair the damage done by rampant individualism, the hallmark of both modernist and neoliberal cultures, which has undermined social cohesion in art and …

Susan Jones analyses the way funding models continue to exploit artists’ labour and Stephanie Bailey discusses the work of Beijing-based artist Wang Tuo. Presented by Chris McCormack.โดย Art Monthly

Colin Perry discusses the earth work of contemporary artists and its differences from Land Art of the past or eco art of the present.โดย Art Monthly

Larne Abse Gogarty critiques the return of figurative painting and Rebecca Jarman reports on the São Paulo art scene.โดย Art Monthly

Greg Thomas reports on the artists’ huts of Scotland’s Bothy Project and Sophie J Williamson discusses artists who target the excesses of extractive capitalism.โดย Art Monthly

Morgan Quaintance discusses the dichotomy between the art world’s competitive pitching of artists against each other and its proclamations of nurturing care.โดย Art Monthly

Martin Holman reports on a major Arte Povera survey exhibition in Paris and Mimi Howard discusses the issues around gallery presentation of video art in the age of the smartphone.โดย Art Monthly

Chris Fite-Wassilak on artists who make use of fungus as a pointed form of institutional critique; Chris Hayes argues that we need to re-engage with anticapitalist thinking about technology.โดย Art Monthly

Emily Rosamond discusses online reputation warfare, Juliet Jacques reports on Manifesta 14 in Prishtina and Lucia Farinati reviews a show by Italian feminist artist group Le Nemesiache.โดย Art Monthly

Ellen Mara De Wachter and Dave Beech discuss the ‘Carolee Schneemann: Body Politics’ exhibition at the Barbican and Maryam Jafri’s artist’s book ‘Independence Days’.โดย Art Monthly

Bob Dickinson on art and class; Francis Whorrall-Campbell on Lou Lou Sainsbury; Gwen Burlington on the Brent Biennale.โดย Art Monthly

Chris Hayes discusses the problems with Ireland’s proposed artist’s basic income scheme and Maria Walsh on the work of filmmaker Suki Chan.โดย Art Monthly

Chris Clarke discusses the 59th Venice Biennale ’The Milk of Dreams’ and Anne Massey considers some of the shortcomings of ‘Postwar Modern: New Art in Britain 1945—1965’ currently on show at the Barbican Gallery in London.โดย Art Monthly

Bob Dickinson discusses the ways in which artists have attempted to engage with the legacies of trauma.โดย Art Monthly

Michaële Cutaya on the importance of surface over depth, and Chloe Carroll on the role of the monument.โดย Art Monthly

Morgan Quaintance on the problems with Tate’s British-Caribbean exhibition ‘Life Between Islands’, Tom Hastings on performer SERAFINE1369, and Jack Smurthwaite on Danielle Brathwaite-Shirley’s solo show at Arebyte.โดย Art Monthly

Bob Dickinson discusses ‘Art and Dyschronia’, his essay where he warns that our concern for the future should not distract us from what is happening to the past at the hands of right-wing populist governments intent on rewriting history.โดย Art Monthly

Larne Abse Gogarty on the work of artist Adam Farah, whose work was on show at Camden Art Centre, and Benoit Louiseau on Gregg Bordowitz’s AIDS-related exhibition ‘I Wanna Be Well’.โดย Art Monthly

Maria Walsh & Chloe Carroll discuss the remote viewing of moving-image artworks during the pandemic and the work of Irish artist Sam Keogh.โดย Art Monthly

Matthew Bowman discusses the history of destruction both of and in art, and Jes Fernie’s Archive of Destruction.โดย Art Monthly

Artist John Smith discusses his pandemic-era video works ‘Citadel’ and ‘Covid Messages’ with writer Alexandra Hull.โดย Art Monthly

Tom Denman argues that further colonial and racial violences are at play in the institutional framing of so-called post-race and post-black discourses in the US and the UK.โดย Art Monthly

Welcome to the Latter-day Saint Perspectives Podcast. I’m your host Laura Harris Hales. I created this podcast over four and a half years ago. As I prepare to shutter the production, I am going to follow the example of fellow podcaster Nick Galieti and post an introductory episode explaining how this podcast got started, what I hoped to accomplish,…

Adam Heardman, Tess Charnley & Saim Demircan on the use of advertising space by artists, the ‘Framework for Resilience’ discussion at Fact and ART CLUB2000 at Artists Space.โดย Art Monthly

The Interview In this episode of Latter-day Saint Perspectives Podcast, Laura Harris Hales interviews R. Eric Smith and Matthew C. Godfrey about Know Brother Joseph: New Perspectives on Joseph Smith’s Life and Character, the new book that they coedited with Matthew J. Grow. The Joseph Smith Papers Project has published thousands of pages of transcr…

Chris Clarke on his interview with Phil Collins; Bob Dickinson asks can we free ourselves from capitalist pressures to keep working; Lauren Velvick on artist Jade Montserrat.โดย Art Monthly

Morgan Quaintance, Stephanie Schwartz and Conal McStravick on art-world manoeuvres over the past decade, photography books by David Levi Strauss and Jörg Colberg, and the work of Scottish artist Jamie Crewe.โดย Art Monthly

About the Interview: Celebrating the two hundredth anniversary of the Restoration has proven to be one of the few highlights of 2020 for the Church of Jesus Christ of Latter-day Saints. In commemoration, the First Presidency and Twelve Apostles issued a Bicentennial Proclamation that boldly affirmed beliefs in a restored church, restored priesthood…

The Interview: In this episode of the Latter-day Saint Perspectives Podcast, Laura Harris Hales interviews Mark Ashurst-McGee, co-author of a new in-depth study of the Kinderhook plates saga. It is well-known that Joseph Smith claimed to have translated the Book of Mormon by “the gift and power of God” from a set of golden plates that he found in a…