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Agitator

J David Osborne & Kelby Losack

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Agitator began as the real-time documentation of street-bred novelists fighting to get it out the mud while cutting up about anime and developing a craft manifesto along the way. Having established an independent multimedia company that is taking off, the show is now where these two mystic juggalo weebs freestyle stories live each episode and bring behind-the-scenes perks to their paid subscribers. Jump in.
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Keeping film brain out of literature. Anti-adaptation. Not all content is art. How to stop the Joker. ODDITY. PULSE. Books about cultivation and dragons. Update/teaser on publishing Adam Lehrer's next novel. What makes great art. Shop talk. Fences and parking lots. Who will save you from drowning? Support the show and get access to the full archive…
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The whitest Agitators you know (JDO and Eddy Rathke) bring you this episode in Kelby's absence. Talking: the pros and cons of ****, Tsutomu Nihei's Tower Dungeon, the Chinese genres Wuxia and Xianxia, Wuxiaworld, a reminder to leave the writing community, book clubs with HVAC techs, cultivation novels, what non-writers are looking for from writing,…
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patreon.com/agitator -> Where Blue Collar Working-Class Writers Who Love Miike, Anime, and Their Families, and Gangsta Rap Share the Sauce While Whipping It Up. Subscription options from free to $10/month. Kelby and JDO discuss Takashi Miike's Lumberjack the Monster, Jeremy Saulnier's Rebel Ridge, and Tim Burton's Beetlejuice Beetlejuice + the retu…
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Troy James Weaver is the author of Witchita Stories, Temporal, Visions, Marigold, and Selected Stories. He lives in Wichita, Kansas with his wife and dogs. More at troyjamesweaver.comโดย J David Osborne & Kelby Losack
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Support this show and find more at patreon.com/agitator Follow Art of Darkness: artofdarkpod.com Kevin Kautzman is a playwright living in St. Paul, Minnesota. His award-winning plays have appeared around the UK and US and are available in print at Broadway Play Publishing. His dark social media comedy MODERATION was adapted for an online release an…
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patreon.com/agitator Fella - host of The Third Place and everyone's favorite Hard R Gamer - returns after way too long to discuss with Kelby the ways in which stories can be told through video games, how video games are like books, Metal Gear Solid (primarily 4), Hideo Kojima and his body curiosity, JRPGs, Red Dead Redemption 2 as the ultimate love…
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DC (Darius Csiky) of 8pl8s is back again! Last time we discussed the work of Sean Baker in a MAS/8pl8s double podcast crossover. This time we're doing ANOTHER MAS/8pl8s double podcast crossover on the films of Yorgos Lanthimos. In part one we go through the Lanthimos canon from 1995-2015 on MAS. When you're done listening to this episode, head over…
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MAS has returned! On this episode, I have back on DC (Darius Csiky) of 8pl8s to discuss the work of Sean Baker in a MAS/8pl8s double podcast crossover. This is part two of our Sean Baker discussion. To listen to us discuss the first half of Baker's filmography listen to part one over at 8pl8s right now.…
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MAS is back like it never left. Fred Barrett returns to the podcast to discuss the film Revoluiton+1 and the revolutionary underground cinema of Masao Adachi. You can follow Fred on twitter @ https://twitter.com/fred_beretta and read/submit to his Substack https://fredbarrett.substack.com/ here.
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Writer and Baltimore native David Simmons is back to talk about When Evil Lurks. The Argentine horror film from the director of Terrified that's now on Shudder. Toward the end of the episode, we also get into a discussion of B.R. Yeager's novel Negative Space.
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MAS is back! I'm kicking off season 4 with some special guests. Matt and Jon of the Sick on Cinema podcast join me to talk about Curse of the Dog God, a 1977 film from the director of Lady Snowblood and the Female Prisoner Scorpion series (Shunya Ito).
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On this week's MAS I talk about the super obscure V-Cinema home invasion movie Female Teacher: Under a Wet Piano. This movie was never released outside Japan so I watched it without subtitles in Japanese. Honestly, it didn't really bother me because it's the kind of movie that you could watch with no sound at all and still follow.…
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Today's MAS is about G.I. Samurai. A film about modern-day soldiers who get transported back in time and decide to conquer feudal Japan. They battle Samurai clans using machine guns, grenades, a tank, and a helicopter. It's as awesome as it sounds. Watch G.I. Samurai for free on YouTube here.
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Today's episode is about Noboru Tanaka's Village of Doom. A movie based on The Tsuyama Massacre of 1938, when a 21-year-old man from Japan killed 30 people and injured 3 using a Browning shotgun, a katana sword, and an axe. After all the murders, he killed himself with two bullets in his chest.
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On today's MAS I talk about the underseen gem MAMBA, an Italian-made thriller from 1988. And you're in luck because it's free to stream on Tubi. So check out of the movie then listen to the episode. Or listen first if you don't care to know about it going in.
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Today's episode of MAS is a double bill in cassette-style format. Side A: I discuss the 1981 crime thriller Nighthawks starring Sylvester Stallone. Side B: I discuss the 2002 concept album Nighthawks by rappers Cage and Camu Tao which was inspired by the 1981 film.
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Luke Perez is back on MAS to talk about Kei Fujiwara's amazing debut film ORGAN. We discuss Fujiwara as a filmmaker and artist. We also attempt to break down ORGAN's plot (which was kind of hard). A banger episode about a banger film.
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Debated doing this as an episode of AKIRA Pilled but decided it's MAS material.Do you like John Carpenter's The Thing? Do you like Alien? Do you like anime? Lily C.A.T. is where all three of those things converge. Plus it's free to watch on YouTube.
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MAS has dropped every week for an entire year. 52 weeks. 54 episodes. I guess this is a milestone for the podcast. But it's business as usual over here. In this week's episode, I talk about the controversial exploitation film Calamity Of Snakes. Fair warning, if animal cruelty upsets you (which it should), you might want to stay far away from this …
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It's season three of MAS. I'm shifting the direction of the show a little. More solo episodes. More extreme cinema/art. To kick things off, I'll be discussing Olaf Ittenbach's SOV (shot on video) splatter film The Burning Moon.
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The big five oh. Episode number fifty. MAS is no longer a baby podcast. So it's appropriate that we discuss a film about infanticide. Today I talk with return guest Peter Dragovich about Subconscious Cruelty.
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On today's MAS I discuss the 2007 gore-fest, 100 Tears with my guest Luke Perez. We talk about extreme horror vs mainstream horror, killer clowns, ICP, Marcus Koch, Stephen Sayadian, mixtape films, Tubi, ladder climbers, and the forgotten era of the artist-critic.
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Jack Jenocide is the guest for the first non-AKIRA episode of AKIRA Pilled. We discuss "Episode 1: Genesis" of the THE GUYVER anime series from 1989, and THE GUYVER live-action film from 1991. We also talk about David Icke, Nick Land, Baudrillard, Deleuze, Star Wars, The MCU, The Savage Dragon, The Cybernetic Culture Research Group, Cyberpunk, Neur…
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Hans from Movies: A Podcast About The Act Of Cinema joins me today on MAS to talk about Jason Eisener's Kids vs. Aliens. We also discuss the state of the horror genre, film critics/criticism, indie vs. establishment art, Mass State Lottery, bad remakes (Black Christmas), Hollywood careerism, and art vs. commerce.…
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Grant Wamack is back to talk about a MAS film discovery, Suzki Matsuo's 108: Revenge and Adventure of Goro Kaiba. We talk at length about this movie which lives up to the promise of its premise. It's a banger episode and a banger film. Pick up Grant's new short story collection The Hum Of The World at Amazon or picked a Signed Copy from Grant's big…
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Today's episode of MAS I talk with return guest Drew Bolduc about the 2010 film Mutant Girls Squad, directed by Yoshihiro Nishimura, Noboru Iguchi, and Tak Sakaguchi. We talk at length about this specific subgenre of Japanese absurdist gore films and then (as usual) we discuss the philosophical implications of liking/making/watching movies like Mut…
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