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ðïļ From Slave Seculars to The Blues Pt. 2 â The Legacy of Black Spirituals and Hymnals ðķ
Manage episode 467145120 series 2283011
ðïļ From Slave Seculars to The Blues: Preserving & Conserving Black American Folklore Pt. 2 â The Legacy of Black Spirituals and Hymnals ðķJoin us for Part 2 of our deep dive into the evolution of Black American music, as we explore how Black Spirituals, hymnals, and Slave Seculars informed the Blues. In this episode, we uncover the sacred and secular traditions that shaped the foundation of the blues, from the sorrowful expressions of spirituals to the raw storytelling of early blues songs.Weâll break down the two distinct styles of Black hymnalsâone rooted in oral tradition and the other shaped by formal musical trainingâand discuss how class and education influenced Black religious music. Weâll also examine how field hollers, lined-out hymns, and call-and-response structures carried over into the blues, creating a continuous thread of Black cultural expression.Expect a mix of history, storytelling, and audience participation as we connect the past to the present.ðĨ Tune in and join the conversation as we honor, preserve, and celebrate Black musical heritage! ðĨSongs Played TitleâĒ The Old Ship of ZionNamesâĒ Johnson, Warren G. (Performer)âĒ Gregory, Richard (Performer)âĒ Richardson, Zema (Performer)âĒ Winrow, Anthony (Performer)âĒ Work, John W. (John Wesley), 1901-1967 (Collector)âĒ Holloway High School Quartet (Performer)Created / PublishedâĒ Murfreesboro, Tennessee, 1941HeadingsâĒ - African Americans--Southern States--MusicSource CollectionâĒ John Work Collection of Negro Folk Music from the Southeast (AFC 1941/035)RepositoryâĒ American Folklife CenterTitleâĒ John the RevelatorNamesâĒ Work, John W. (John Wesley), 1901-1967 (Collector)âĒ Heavenly Gate Quartet (Performer)Created / PublishedâĒ Nashville, Tennessee, 1941HeadingsâĒ - African Americans--Southern States--MusicâĒ - The performers of this song are identified by Bruce Nemerov as the Heavenly Gate Quartet. "In the spring of 1941 John Work recorded the Heavenly Gate Quartet at his house...(AFS #5163-64)" -- article by Bruce Nemerov.âĒ - Heavenly Gate Quartet, unaccompanied vocals.MediumâĒ Sound disc : analog ; 12 in.Call Number/Physical LocationâĒ AFC 1941/035: AFS 05163a01Source CollectionâĒ John Work Collection of Negro Folk Music from the Southeast (AFC 1941/035)TitleâĒ Po' Boy Long Way From HomeNamesâĒ Work, John W. (John Wesley), 1901-1967 (Collector)âĒ Chestain, Sonny (Performer)Created / PublishedâĒ Georgia, 1941HeadingsâĒ - African Americans--Southern States--MusicSource CollectionâĒ John Work Collection of Negro Folk Music from the Southeast (AFC 1941/035)RepositoryâĒ American Folklife CenterTitleâĒ Rock My Soul in the Bosom of AbrahamNamesâĒ Work, John W. (John Wesley), 1901-1967 (Collector)âĒ Unidentified vocal quartet (Performer)Created / PublishedâĒ Fort Valley, Georgia, 1941HeadingsâĒ - African Americans--Southern States--MusicSource CollectionâĒ John Work Collection of Negro Folk Music from the Southeast (AFC 1941/035)RepositoryâĒ American Folklife CenterDigital Id
108 āļāļāļ
Manage episode 467145120 series 2283011
ðïļ From Slave Seculars to The Blues: Preserving & Conserving Black American Folklore Pt. 2 â The Legacy of Black Spirituals and Hymnals ðķJoin us for Part 2 of our deep dive into the evolution of Black American music, as we explore how Black Spirituals, hymnals, and Slave Seculars informed the Blues. In this episode, we uncover the sacred and secular traditions that shaped the foundation of the blues, from the sorrowful expressions of spirituals to the raw storytelling of early blues songs.Weâll break down the two distinct styles of Black hymnalsâone rooted in oral tradition and the other shaped by formal musical trainingâand discuss how class and education influenced Black religious music. Weâll also examine how field hollers, lined-out hymns, and call-and-response structures carried over into the blues, creating a continuous thread of Black cultural expression.Expect a mix of history, storytelling, and audience participation as we connect the past to the present.ðĨ Tune in and join the conversation as we honor, preserve, and celebrate Black musical heritage! ðĨSongs Played TitleâĒ The Old Ship of ZionNamesâĒ Johnson, Warren G. (Performer)âĒ Gregory, Richard (Performer)âĒ Richardson, Zema (Performer)âĒ Winrow, Anthony (Performer)âĒ Work, John W. (John Wesley), 1901-1967 (Collector)âĒ Holloway High School Quartet (Performer)Created / PublishedâĒ Murfreesboro, Tennessee, 1941HeadingsâĒ - African Americans--Southern States--MusicSource CollectionâĒ John Work Collection of Negro Folk Music from the Southeast (AFC 1941/035)RepositoryâĒ American Folklife CenterTitleâĒ John the RevelatorNamesâĒ Work, John W. (John Wesley), 1901-1967 (Collector)âĒ Heavenly Gate Quartet (Performer)Created / PublishedâĒ Nashville, Tennessee, 1941HeadingsâĒ - African Americans--Southern States--MusicâĒ - The performers of this song are identified by Bruce Nemerov as the Heavenly Gate Quartet. "In the spring of 1941 John Work recorded the Heavenly Gate Quartet at his house...(AFS #5163-64)" -- article by Bruce Nemerov.âĒ - Heavenly Gate Quartet, unaccompanied vocals.MediumâĒ Sound disc : analog ; 12 in.Call Number/Physical LocationâĒ AFC 1941/035: AFS 05163a01Source CollectionâĒ John Work Collection of Negro Folk Music from the Southeast (AFC 1941/035)TitleâĒ Po' Boy Long Way From HomeNamesâĒ Work, John W. (John Wesley), 1901-1967 (Collector)âĒ Chestain, Sonny (Performer)Created / PublishedâĒ Georgia, 1941HeadingsâĒ - African Americans--Southern States--MusicSource CollectionâĒ John Work Collection of Negro Folk Music from the Southeast (AFC 1941/035)RepositoryâĒ American Folklife CenterTitleâĒ Rock My Soul in the Bosom of AbrahamNamesâĒ Work, John W. (John Wesley), 1901-1967 (Collector)âĒ Unidentified vocal quartet (Performer)Created / PublishedâĒ Fort Valley, Georgia, 1941HeadingsâĒ - African Americans--Southern States--MusicSource CollectionâĒ John Work Collection of Negro Folk Music from the Southeast (AFC 1941/035)RepositoryâĒ American Folklife CenterDigital Id
108 āļāļāļ
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