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เนื้อหาจัดทำโดย ARTIFICE and Artifice Podcast by Emily Merrell เนื้อหาพอดแคสต์ทั้งหมด รวมถึงตอน กราฟิก และคำอธิบายพอดแคสต์ได้รับการอัปโหลดและจัดเตรียมโดย ARTIFICE and Artifice Podcast by Emily Merrell หรือพันธมิตรแพลตฟอร์มพอดแคสต์โดยตรง หากคุณเชื่อว่ามีบุคคลอื่นใช้งานที่มีลิขสิทธิ์ของคุณโดยไม่ได้รับอนุญาต คุณสามารถปฏิบัติตามขั้นตอนที่อธิบายไว้ที่นี่ https://th.player.fm/legal
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Ep. 116: Andrew Maxfield

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Manage episode 316584886 series 2796697
เนื้อหาจัดทำโดย ARTIFICE and Artifice Podcast by Emily Merrell เนื้อหาพอดแคสต์ทั้งหมด รวมถึงตอน กราฟิก และคำอธิบายพอดแคสต์ได้รับการอัปโหลดและจัดเตรียมโดย ARTIFICE and Artifice Podcast by Emily Merrell หรือพันธมิตรแพลตฟอร์มพอดแคสต์โดยตรง หากคุณเชื่อว่ามีบุคคลอื่นใช้งานที่มีลิขสิทธิ์ของคุณโดยไม่ได้รับอนุญาต คุณสามารถปฏิบัติตามขั้นตอนที่อธิบายไว้ที่นี่ https://th.player.fm/legal
The compositions of ANDREW MAXFIELD—hailed as “rhythmically vital … superbly judged … [and] tender” by Fanfare Magazine—have been performed throughout the U.S. and Europe. A recent winner of the King’s Singer’s New Music Prize (Jury Special Commendation), Andrew has been a Composer Fellow of the National Collegiate Choral Organization and Composer-in-Residence for Southern Virginia University and Newburyport Choral Society. Recent commissions include choral works for the Barlow Endowment for Music Composition, Hillsdale College, and Salem Hills High School; an orchestral adaptation of the Caldecott honor book, They All Saw A Cat, for the Center for Latter-day Saint Arts in New York City; and a concert-length score for SALT Contemporary Dance, showcased at Lincoln Center. His album, Celebrating Wendell Berry in Music, was released by Tantara Records and his “well-crafted, approachable” works (Dr. George Case, The Boston Cecilia) are published by Walton, Santa Barbara, and Yalecrest. Ensembles which have performed Andrew’s music recently include The Gesualdo Six, USC Thornton Chamber Singers, Emporia Symphony Orchestra, Carroll University Symphonic Band and Choir, Wingate University Singers, Utah Philharmonic, The Piedmont Singers, University of Pennsylvania Chamber Choir, and Choral Arts Initiative. Andrew studied music at Brigham Young University, where he was valedictorian and where he occasionally teaches. He has pursued advanced studies in counterpoint and harmony at the EAMA–Nadia Boulanger Institute in Paris, France, graduate composition studies at Boston Conservatory at Berklee, and doctoral studies at the University of Bristol (UK). His primary teachers include Philip Lasser (Juilliard), John Pickard, Jonathan Bailey Holland, and Marti Epstein, and he has also studied with Aaron Jay Kernis and Steven Sametz through the ACDA Choral Composers Forum. He also holds an MBA in Arts Administration from the University of Wisconsin–Madison. Andrew lives with his wife Liz Davis Maxfield—a cellist, expert in Irish traditional music, and rock climber—and their two handsome, high-octane boys (plus a hyper puppy) just downhill from Sundance in Provo, Utah. https://andrewmaxfield.org/hello
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190 ตอน

Artwork

Ep. 116: Andrew Maxfield

Artifice

published

iconแบ่งปัน
 
Manage episode 316584886 series 2796697
เนื้อหาจัดทำโดย ARTIFICE and Artifice Podcast by Emily Merrell เนื้อหาพอดแคสต์ทั้งหมด รวมถึงตอน กราฟิก และคำอธิบายพอดแคสต์ได้รับการอัปโหลดและจัดเตรียมโดย ARTIFICE and Artifice Podcast by Emily Merrell หรือพันธมิตรแพลตฟอร์มพอดแคสต์โดยตรง หากคุณเชื่อว่ามีบุคคลอื่นใช้งานที่มีลิขสิทธิ์ของคุณโดยไม่ได้รับอนุญาต คุณสามารถปฏิบัติตามขั้นตอนที่อธิบายไว้ที่นี่ https://th.player.fm/legal
The compositions of ANDREW MAXFIELD—hailed as “rhythmically vital … superbly judged … [and] tender” by Fanfare Magazine—have been performed throughout the U.S. and Europe. A recent winner of the King’s Singer’s New Music Prize (Jury Special Commendation), Andrew has been a Composer Fellow of the National Collegiate Choral Organization and Composer-in-Residence for Southern Virginia University and Newburyport Choral Society. Recent commissions include choral works for the Barlow Endowment for Music Composition, Hillsdale College, and Salem Hills High School; an orchestral adaptation of the Caldecott honor book, They All Saw A Cat, for the Center for Latter-day Saint Arts in New York City; and a concert-length score for SALT Contemporary Dance, showcased at Lincoln Center. His album, Celebrating Wendell Berry in Music, was released by Tantara Records and his “well-crafted, approachable” works (Dr. George Case, The Boston Cecilia) are published by Walton, Santa Barbara, and Yalecrest. Ensembles which have performed Andrew’s music recently include The Gesualdo Six, USC Thornton Chamber Singers, Emporia Symphony Orchestra, Carroll University Symphonic Band and Choir, Wingate University Singers, Utah Philharmonic, The Piedmont Singers, University of Pennsylvania Chamber Choir, and Choral Arts Initiative. Andrew studied music at Brigham Young University, where he was valedictorian and where he occasionally teaches. He has pursued advanced studies in counterpoint and harmony at the EAMA–Nadia Boulanger Institute in Paris, France, graduate composition studies at Boston Conservatory at Berklee, and doctoral studies at the University of Bristol (UK). His primary teachers include Philip Lasser (Juilliard), John Pickard, Jonathan Bailey Holland, and Marti Epstein, and he has also studied with Aaron Jay Kernis and Steven Sametz through the ACDA Choral Composers Forum. He also holds an MBA in Arts Administration from the University of Wisconsin–Madison. Andrew lives with his wife Liz Davis Maxfield—a cellist, expert in Irish traditional music, and rock climber—and their two handsome, high-octane boys (plus a hyper puppy) just downhill from Sundance in Provo, Utah. https://andrewmaxfield.org/hello
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