When a young Eva Kollisch arrives as a refugee in New York in 1940, she finds a community among socialists who share her values and idealism. She soon discovers ‘the cause’ isn’t as idyllic as it seems. Little does she know this is the beginning of a lifelong commitment to activism and her determination to create radical change in ways that include belonging, love and one's full self. In addition to Eva Kollisch’s memoirs Girl in Movement (2000) and The Ground Under My Feet (2014), LBI’s collections include an oral history interview with Eva conducted in 2014 and the papers of Eva’s mother, poet Margarete Kolllisch, which document Eva’s childhood experience on the Kindertransport. Learn more at www.lbi.org/kollisch . Exile is a production of the Leo Baeck Institute , New York | Berlin and Antica Productions . It’s narrated by Mandy Patinkin. Executive Producers include Katrina Onstad, Stuart Coxe, and Bernie Blum. Senior Producer is Debbie Pacheco. Associate Producers are Hailey Choi and Emily Morantz. Research and translation by Isabella Kempf. Sound design and audio mix by Philip Wilson, with help from Cameron McIver. Theme music by Oliver Wickham. Voice acting by Natalia Bushnik. Special thanks to the Kollisch family for the use of Eva’s two memoirs, “Girl in Movement” and “The Ground Under My Feet”, the Sophia Smith Collection at Smith College and their “Voices of Feminism Oral History Project”, and Soundtrack New York.…
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เนื้อหาจัดทำโดย Geraldine Quinn เนื้อหาพอดแคสต์ทั้งหมด รวมถึงตอน กราฟิก และคำอธิบายพอดแคสต์ได้รับการอัปโหลดและจัดหาให้โดยตรงจาก Geraldine Quinn หรือพันธมิตรแพลตฟอร์มพอดแคสต์ของพวกเขา หากคุณเชื่อว่ามีบุคคลอื่นใช้งานที่มีลิขสิทธิ์ของคุณโดยไม่ได้รับอนุญาต คุณสามารถปฏิบัติตามขั้นตอนที่แสดงไว้ที่นี่ https://th.player.fm/legal
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เนื้อหาจัดทำโดย Geraldine Quinn เนื้อหาพอดแคสต์ทั้งหมด รวมถึงตอน กราฟิก และคำอธิบายพอดแคสต์ได้รับการอัปโหลดและจัดหาให้โดยตรงจาก Geraldine Quinn หรือพันธมิตรแพลตฟอร์มพอดแคสต์ของพวกเขา หากคุณเชื่อว่ามีบุคคลอื่นใช้งานที่มีลิขสิทธิ์ของคุณโดยไม่ได้รับอนุญาต คุณสามารถปฏิบัติตามขั้นตอนที่แสดงไว้ที่นี่ https://th.player.fm/legal
Rock cabaret singer-songwriter, actor, one-time dancer and long-term klutz Geraldine Quinn. Posts occasional music to Soundcloud, but mostly uses it to host the cabaret podcast 'Bang On The Strillers'.
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9 ตอน
ทำเครื่องหมายทั้งหมดว่า (ยังไม่ได้)เล่น…
Manage series 2577709
เนื้อหาจัดทำโดย Geraldine Quinn เนื้อหาพอดแคสต์ทั้งหมด รวมถึงตอน กราฟิก และคำอธิบายพอดแคสต์ได้รับการอัปโหลดและจัดหาให้โดยตรงจาก Geraldine Quinn หรือพันธมิตรแพลตฟอร์มพอดแคสต์ของพวกเขา หากคุณเชื่อว่ามีบุคคลอื่นใช้งานที่มีลิขสิทธิ์ของคุณโดยไม่ได้รับอนุญาต คุณสามารถปฏิบัติตามขั้นตอนที่แสดงไว้ที่นี่ https://th.player.fm/legal
Rock cabaret singer-songwriter, actor, one-time dancer and long-term klutz Geraldine Quinn. Posts occasional music to Soundcloud, but mostly uses it to host the cabaret podcast 'Bang On The Strillers'.
…
continue reading
9 ตอน
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Geraldine Quinn

Parody of Australian Politics and their terrible federal response to the pandemic
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Geraldine Quinn

It was the third day of the third Ashes test in Melbourne, and the unthinkable happened… A quickie special song requested by Felicity Ward & for her and Andy Zaltzman’s The Bugle Ashes Urncast. Written and recorded by Geraldine Quinn on 30 December 2021.
Written by Casey Bennetto as an exercise in hyper-distilled pop for ABC TV's 'Get Krack!n' (Kate McLennan & Kate McCartney) and sung by GQ. Re-gifted by the Kates to Casey when they found they didn't have a space for it in the show (they did love it though). 'I Am' was then entered into 'Eurovision 2020 - Australia Decides', almost on a whim by CB with GQ's hearty encouragement. And it made it to the Top 20 longlist - before being culled out of the Top 10. Then singer Geraldine Quinn (me) made a music video in her lounge-room over 12 hours in 35 degree heat, a few seconds of which was aired during the 'Australia Decides' broadcast and an underground banger was sneak-released to a nation. Oh you done goofed, guys, you done goofed...…
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Geraldine Quinn

One of the the most popular songs of Geraldine Quinn's career. An inspiring tale of love across a city's problematic public transport system. From the album of the multi-award-winning original cabaret 'You're the Voice: Songs for the Ordinary by an Anthemaniac' (2011) available on iTunes and via www.geraldinequinn.com. Personnel includes Casey Bennetto (all instruments and engineering apart from...), Martin Lubran (lead electric guitar), Geraldine Quinn (all vocals, acoustic guitar).…
From the 'MDMA: Modern Day Maiden Aunt' album of the award-winning original cabaret. Engineered/instruments by Steve Hearne. Vocals by Geraldine Quinn. Words and music by G.M. Quinn. Available for purchase on iTunes and via www.geraldinequinn.com
Opening track from the 2017 album 'Fox Poncing'. Personnel: Mark Jones (piano), Tristan Courtney (bass), Sonja Horbelt (drums), Geraldine Quinn (lead and backing vocals) and Michelle Brasier (backing vocals). All words and music by G.M. Quinn. Recorded at Pughouse Studios.
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Geraldine Quinn

Late in 2016, singer-songwriter, fruit-pusher and maybe witch Benn Bennett returned to the stage after a far-too-long hiatus with the enchanting 'Occasional Suburban Witch'; a cabaret collaboration Bec Matthews and Sarah Ward celebrating the women of the Western suburbs of Melbourne who Benn loved and laughed with. In fact, Benn is one of the great collaborators, having created unique, hilarious, touching and award-nominated work with previous guest (and drunk pash of the podcast) Wes Snelling (episodes #3 and #5). We sat in his sunny Western 'burbs kitchen listening to Kate Bush (it was with Benn that I took part in The Most Wuthering Day Ever last year, both dressed to the nines in 'Wuthering Heights' frocks and wigs) and talked in our everyday circular fashion about footy franks, songwriting, suburbia, working with other artists, being terrified of debuting your own songs, Prince, matryoshka dolls, 'Return to Oz', and musicians' musicians. Also my Toni Childs impression rears its head...but only when I was attempting to do an impression of Elton John...hey, swings and roundabouts! Benn also plugs about a dozen local businesses in Yarraville, Melbourne, so I'm hoping the podcast gets a sponsor out of this episode...failing that, please share/subscribe and say nice things on iTunes if you wish/can. Everything helps. See you in Oakleigh for brunch! S.L.A.P. Photograph of Benn, Bec and Sarah by Pier Carthew…
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Geraldine Quinn

1 #23 - Scott Brennan 1:02:39
1:02:39
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ที่ถูกใจแล้ว1:02:39
It's 2017! Where better than with an old friend, much theatre/Dr Who nerdiness, and absolutely filthy sexual content. Seriously - **STRONG ADULT/SCIFI CONTENT** Scott Brennan and I met twenty years ago when we were both cast in an amateur production of Marat/Sade and we've been complimentary dickheads ever since. A writer, stand up comedian, actor, skilled improvisor, musician, voice-over artist, mentor, producer, star of the Talking Poofy podcast and all round spunk, Scott has been a familiar face on Australian TV and a familiar voice on Australian radio for more years than either of our ageing, forgetful brains care - or are able - to remember. We share a love of the timelord and an adoration of David Bowie (Scott was my date for the David Bowie Is... exhibition in 2015), and he's one of my favourite guest singers in my many idiotic band ventures. Not to overstate it, but he's the David to my Freddie in Under Pressure. From the changing face of gay identity, to which people over 50 years old we'd root, to difficult parent/child relationships, to the inherent impracticalities of the spit roast, join Uncle Scotty B and Aunty Quim as they dispense relationship advice and struggle to remember actors' names like two drunk, dirty, addled old ravaged hags (i.e. basically, us). P.S. In case you were wondering, the thumbnail image is precisely what Scott delivered when I asked for a high res picture... P.P.S. Ian MARTER. It was Ian Marter...GAH!! P.P.P.S. Sound is a little different in the studio narration - sorry about that - emergency recording set up! Tickets for the Asylum Seeker Resource Centre on 9 April 2017 - a tribute to Split Enz with many special guests - can be purchased here!…
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Geraldine Quinn

The opening song from the 2016 album 'The Last Gig In Melbourne', also known as my love letter from a performer to the audience. Written by Geraldine Quinn. Arranged by G.M. Quinn, Casey Bennetto and band. Performed by Geraldine Quinn, Sonja Horbelt, Martin Lubran and Mark Jones. (c) 2016 Audience Tonight Without you here I am a nova in the sky So lively from afar But it’s another long dead star Burnt out a million years ago… Without you here I am a peacock with no tail My fan of vivid plumes Plucked out to decorate a room While I’m left looking sheepish Mixing my metaphors and freezing my behind Please be my audience tonight… Are you my audience tonight? You are my audience [HEY!] You make me light up when you’re in the room I show off like a child I’m nothing if not in your sight You are my audience tonight… Long as you look my way I wouldn’t change a thing In love with all your eyes I’ll risk my neck to make you smile You are my audience tonight… I’ll give you everything! I’ll give you my first born! I give my soul to you – I gave My right ear’s upper register too My tinnitus rings out for me and you You’re in my heart – when all I hear is… Ooooooooooo…. [HEY!] Without you here, I’m nothing but a fool Shouting at a distant wall There is no point at all without you I don’t make any sense without you I have no future, dear, without you So glad you’re here because without you…. I’d have no audience without you You are my audience tonight……
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