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TanakhCast

Dan Aviv

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Every two weeks, we ponder, riff and consider 4 chapters of the Tanakh, starting in Genesis and finishing in 2 Chronicles. It might take a while. Please be patient.
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Today we deal with 3 themes 1. 3 Generations. The speaker, possibly King Solomon, speaks of messages that he heard from his father that he is passing down to his son. This is a deeply touching image. 2. The Joy of Torah 3. The metaphor of the necklace and the wreath/crown - Mishlei repeatedly speaks of wisdom as jewellery. What does that intend to …
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Today we discuss several features of Mishlei: 1. The engagement with a Judaism that is far wider than ritual moments and encompasses all avenues of life 2. That Mishlei incentivizes the path of Torah 3. We speak of a fascinating intertextual polemic about the "Tree of Life"
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We address two themes: 1. The notion of parent and child; wisdom which comes through the family, through sage adavice rather than direct divine revelation 2. The presentation of choices and consequences; good paths and bad paths; straight and crooked.
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This chapter has 2 stanzas. 1. The victory of the righteous, their joy and dance 2. A battle of justice against the forces of evil and regimes of violence Both are enacted by the "hassidim" - the ethical, pious and righteous.
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Here David is on the run, hiding in a cave, and calling to God. we speak about the despair of isolation and loneliness, and the transformation - religious and social - the shift of mindset that such a situation might engender.
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Jews never forgot Jerusalem, though they wandered the globe for 2000 years. What was the formula for their survival? This chapter gives us some key tools for the Jewish art of making Jerusalem our home no matter where we lived.
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This is a Hallel, a chant, an opportunity to sing and shout to God. We will draw connections to the themes of the upcoming holiday, Sukkot: 1. The universal and the particulatr 2. Appreciation for the blessing of our daily bread.
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This Psalm sung on Shabbat and festive moments before Birkhat Hamazon. It starts with the joy of the return to Zion. But then it requests of God: "Return our captives! Have we returned or not? And if we are so joyous, why are we crying?
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"Jerusalem has mountains surrounding it, and God surrounds His people now and forevermore" We examine this statement both topographically and historically. Has Jerusalem always been protected by God "now and forevermore"?
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This is the song of what might have been, the chorus of Jewish survival, the symphony of thangsgiving to God forhaving our back throughout the millennia and not allowing our enemies to succeed in destroying the Jewish People, in thwarting the designs of anti-Semites and would be destroyers.
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This psalm opens one of the most famous sub-sections of Tehillim - the Songs of Ascent or Shirei Hamaalot. In this podcast we: 1. offer 4 explanations for the term "Shir Ha-Maalot" 2. Study Psalm 120 which speaks about hate speech, peace and war.
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Are vows important? Why is making a vow like buying on credit, and why are vows so central in this Mizmor? Our answer will take us to the colourful world of the Temple, where people would celebrate in the company of friends after a life-threatening situation.
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This Mizmor is a struggle with those who mock Israel for worshipping a God they cannot see. In return, the Mizmor mocks and belittles the idolaters who serve man-made ineffective gods. In response for Israel's trust in the Divine, the poet promises that God will bless Israel.
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The Exodus is depicted not merely as an historical revolution; there is a revolution in nature - water turns to dry land; dry land turns to water! This joyous Mizmor from Hallel expresses the overlap between the emergence of Israel and God's powerful presence in nature. Music. Intro - Sinai Tor. End - Naftali Kempeh…
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This Mizmor is the mirror image of Psalm 111; but whereas the previous psalm depicted God, now we describe the character of the righteous human individual. We suggest that the combination of Psalm 111 and 112 is encouraging us to model our human actions on God's traits.
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This is a chapter spoken in God's name, seating an unnamed king on a chair at his right-hand side and promising victory over his enemies, priesthood to the nations, and the role of dispensing justice to the world. Who is the king? Abraham? King David? Mashiach? We speak about the Radak's interpretation, refuting the Christian reading of the chapter…
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Today we address two themes: 1. VeAni Tefilla - the whole person meeting God in the prayerful moment. 2. David's curses. David issues a litany of curses that no one would ever want poured on his head. What do we make of this diatribe? Is it befitting of David?
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Four situations necessitate thanksgiving to God. This is a chapter that speaks of God's responsiveness to human distress, and the human thanks of God's salvation. The heading - "Let the redeemed of God" - indicates that this distress, salvation and thanks are happening under the rubric of Redemption. This is a chapter that we recite on the night of…
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This historical Psalm is written from a position of Exile. It speaks of Israel's constant waywardness and rebellion against God, from the days of the Wilderness, until the Land of Israel, frequently disloyal, and ungrateful to God's manifold gifts and wonders. Why then is this a chapter of praise? Why is this chpater animated by an upbeat mood?…
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