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Key Change: Creating Opera for All Voices

The Santa Fe Opera

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How do we reimagine opera to reflect the current moment? How does the complexity of the art form help us to hold complicated truths? How can present and future leaders in the industry strengthen our understanding of voice, story, and community? Co-hosts Andrea Fellows Fineberg and Anna Garcia from the Santa Fe Opera invite artists, creators, educators, collaborators, and audience together to discuss both what and how opera can be for generations to come. www.santafeopera.org/keychange
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show series
 
We're taking an Opera For All Voices-adjacent excursion to the realm of wiggly kiddos, innovative teachers, and fresh vocabulary words, highlighting the power of playful arts integration. Join Key Change co-hosts Andrea Fellows Fineberg and Anna Garcia with special guest Charles Gamble, Santa Fe Opera's Director Of School Programs, as they introduc…
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It’s all systems go for season five of Key Change! But before we commence with the anniversary celebrations, co-hosts Andrea Fellows Fineberg and Anna Garcia dust off the time machine for a whirlwind tour of seasons past. Think of this episode as part process evaluation––an appraisal of Opera For All Voices (OFAV), the Santa Fe Opera initiative com…
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It's season 5! This season, we're inviting you, our favorite listeners, on a journey through time and space -- traveling back in time to the origins of Key Change and Opera For All Voices and forward into the future of boundless possibilities. This spring, Andrea Fellows Feinberg and Anna Garcia take you through through the community engagement por…
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Seven years ago, Santa Fe Opera started a conversation that would reverberate throughout American Opera, shaping this celebrated art form into something more reflective of the world in which it's created. Today, Opera For All Voices (OFAV) commissions have surpassed even our wildest storytelling expectations. Key Change co-hosts Andrea Fellows Fine…
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Roadtrip! After many long months of necessary virtual collaboration, the creative team behind The Pigeon Keeper, a Santa Fe Opera Opera For All Voices (OFAV) commission, finally got to spread their wings for an emotional workshop in San Francisco. Key Change co-hosts Andrea Fellows Fineberg and Anna Garcia discover what it was like to have everyone…
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If a chorus of 12 teens can provide compelling commentary on immigration enforcement from the stage of a venerable performing arts center in Santa Fe, how might ten times that number of voices impact the debate? From a Broadway venue that has welcomed some of the twentieth century’s most influential social justice visionaries? Key Change co-hosts A…
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What do you know about the life and legacy of Fannie Lou Hamer? Chances are, not much. That's about to change. Co-hosts Andrea Fellows Fineberg and Anna Garcia dust off the Key Change time machine for a trip back through time and place to the real-life inspiration for This Little Light of Mine (TLLoM), the modern operatic masterpiece commissioned b…
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It’s October 28, 2022. As a brisk, still night settles over Santa Fe, things are heating up inside The Lensic Performing Arts Center. Longtime opera patrons mingle alongside never opera goers. Soon, the curtain will rise on This Little Light of Mine (TLLoM), a modern operatic masterpiece composed by Chandler Carter with libretto by Diana Solomon-Gl…
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If you’re unfamiliar with Santa Fe Opera’s Pueblo Opera Program (POP), take a quick journey back in time for part one of this conversation. Go ahead; we’ll wait. In it, you’ll meet Renee Roybal and Claudene A. Martinez, both members of Pueblo of San Ildefonso. The pair recall the early days of POP and the formation of the Pueblo Opera Cultural Coun…
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All aboard the Key Change time machine for a two-part trip! On this half of the journey, we toggle back to the origins of a beloved community-based program and then forward to celebrate its exciting expansion. 2023 will mark the 50th anniversary of the Pueblo Opera Program, lovingly known around the Santa Fe Opera as POP. Key Change commemorates th…
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Hurry up and wait. When your world premier is stopped in its tracks by forces beyond your control, “momentum” is measured a bit differently. Andrea Fellows Fineberg chats with composer David Hanlon and librettist Stephanie Fleischmann, the creative duo behind The Pigeon Keeper, about maintaining artistic progress during the pandemic, the limits of …
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You’ve heard of main character energy? Well, get ready for youth chorus energy! Andrea Fellows-Fineberg connects with an optimistic, pragmatic, and empathetic mindset courtesy of the youth chorus members who participated in the December 2021 world premiere of Opera For All Voices’ Hometown To The World. Their insights and post-performance emotion s…
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When an initiative is called Opera For All Voices, who’s the “all”? Key Change Season Four examines OFAV’s burgeoning legacy of co-creating new operatic works through a community-centric lens, beginning with an OG favorite, Hometown To The World. Host Andrea Fellows-Fineberg revisits the production with core members of its artistic team, young perf…
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Opera. Change is in the air. These are the stories of Opera For All Voices, its continuing mission to seek out more voices, to explore other ways of sharing story, to boldly go where opera has yet to get. In January of 2016, we started a conversation with opera companies across the country about how to create nimble new works that would resonate mo…
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At its heart, Hometown To The World is a simple story of hope set amongst the emotionally complicated aftermath of a 2008 Immigration and Customs Enforcement raid in Postville, IA––the largest ever in US history. It’s fitting, then, that host Andrea Fellows-Fineberg and her guest Chorus Master Carmen Flórez-Mansi close out this season of Key Change…
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To appreciate the life and legacy of civil rights icon Fannie Lou Hamer is to speak truth to power and unite in song. In June of 2021, Opera For All Voices did just that, hosting an online workshop of This Little Light Of Mine, the one-act opera commissioned by Santa Fe Opera, composed by Chandler Carter with a libretto by Diana Solomon-Glover, in …
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When you name an initiative Opera For All Voices (OFAV), it better have the “all voices” to back that claim up! In the first of a series of guest-hosted episodes, Andrea passes the mic to the remarkable young talents making Is This America? their own. But before she does, Andrea reminds listeners of what OFAV is all about: telling stories for our t…
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"When people talk about life, liberty, and the pursuit of happiness, that's art." ~Jeri Lynne Johnson Near the end of last year’s contentious presidential campaign, opera and activism joined forces on the deck of a moored oil tanker to ask audiences how does democracy function and for whom does it function? In the wake of that election, artists’ re…
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How do artists lend their talents in support of social change when they’re literally and figuratively stifled by a global pandemic? They do as voting rights activist Fannie Lou Hamer did in 1964: they find a way to make their voices heard. Andrea Fellows Fineberg takes listeners on a short trip with maximum impact. Travel back to the autumn of 2020…
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Immigration. Racism. Religion. Some themes are ever present in our society. In this episode, Key Change host Andrea Fellows Fineberg puts the time machine through its paces, capturing the artistic evolution that brought one of the first Opera for All Voices commissions to the stage...sort of. With wrenching plot twists worthy of La Traviata and mor…
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A hummingbird, a beatboxer, and a sweet potato walk into a theatre… We should probably mention the bees, the dog, the squirrel, the baby pigeons, and a few woodpeckers, too. These are some of the creatures that inhabit the magical garden community of Sweet Potato Kicks the Sun, and in 2019, they lit up the stage performing opera in Santa Fe, New Me…
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Key Change is back for Season 3! Hold on… Some things have changed around here; some things have changed everywhere. What happens when a global pandemic upends your well-crafted plans? How does art respond within the confines of social distancing? Where’s Brandon?! Don’t worry, all will be revealed. To better understand where Opera for All Voices (…
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It doesn't seem that long ago, and yet... Remember when we used to gather in a theater with hundreds of other people to see a live show? Remember how that felt? The excitement? The anticipation? In this Season 3 trailer, we listen back to comments from our expectant audience recorded minutes before the world premiere of our first Opera for All Voic…
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For opera to remain vibrant, its stories must reflect a multitude of experiences, and its productions must adapt to unconventional spaces. Both characteristics were in full effect on October 10, 2020, when OFAV (Opera for All Voices), in association with PortSide New York, staged a performance of Is This America? on the deck of an oil tanker docked…
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"There's a multi-layered contract from creator to interpreter to audience, and everybody has to actively participate to make a work come to life." ~Laura Kaminsky, composer of Hometown to the World One of the hallmarks of the Opera for All Voices commissioning process is workshopping the new operas with a team of dedicated artists and a live audien…
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"Relationships are infrastructure." ~Andrea Fellows Walters Of the 100 busiest conductors in classical music only for are female. A list of the 150 composers whose work is most often performed includes only one woman, and women comprise approximately 35% of soloists in opera. Of the 10 productions on the list of the most performed operas in 2017-20…
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"There is no distinction between art and life. Art is the way we express life and life is the way we express art. " ~Diana Solomon-Glover, librettist Fannie Lou Hamer rose from humble beginnings in the Mississippi Delta to become one of the most important, passionate and powerful voices of the civil and voting rights movement. She became a leader i…
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"Every single thing in the world is made of stories, and the story creates the moral energy of the universe where the question of right and wrong you learned from a story. And in this period, particularly when we're living in a world so polarized and people are so extreme and so vicious in their reaction to stuff, you can't tell anyone anything. Bu…
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"The more we get to know one another through our stories, the closer we come together as a community, as a nation, as a world... and as you start to dissect many operas, you're really telling the story of the delicacy and strength of the human condition." ~Dr. Estevan Rael-Gálvez We invited some of our favorite storytellers to talk to us about the …
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"Opera is like one of the transporting art forms... transporting you to these hidden secrets places like in yourself that are otherwise inaccessible." ~David Hanlon, composer Andrea takes a deep dive into the creative process behind creating a new opera with composer David Hanlon and librettist Stephanie Fleischmann. Fresh from the New York librett…
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"If they don't give you a seat at the table, bring a folding chair.” ~Shirley Chisholm We take a moment to dream with members of the opera community across departments about what a more equitable, diverse and inclusive opera industry will look, feel, and sound like. Beyond that, we take a practical look at things that are working and things that pe…
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Equity, diversity, and inclusion: it's a phrase that's at the forefront of many industries at the moment, and opera is no different. What do those words really mean and how do they relate to the forward momentum of our art form? This conversation is at the heart of what Opera for All Voices is about and we're going deep into the struggles, the uphi…
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Andrea Fellows Walters and Brandon Neal are back with Season 2! Sweet Potato Kicks the Sun, our first commission for Opera for All Voices, gets a closer listen with a live audience. Hopping back in our OFAV time machine, we travel to September 2018 Chicago. Sweet Potato had a live workshop with invited audience and we had a rare opportunity to find…
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This season, it's time to dig a little deeper. Exploring the future of opera in America and telling new stories with Opera for All Voices. Season 2 drops April 10th, 2019. Subscribe now to be the first to listen! *** Key Change is a production of The Santa Fe Opera in collaboration with Opera for All Voices. Produced and edited by Andrea Klunder at…
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7 American opera companies, 4 new commissions, 2 workshops... Opera for All Voices is back with Season 2 of Key Change! Andrea Fellows Walters and Brandon Neal take you on a journey behind the scenes of commissioning new opera, reaching new audiences and supporting emerging artists. This season, we're digging even deeper into the most compelling to…
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Where you begin and where you end up are often two very different things. While this final episode of the season is definitely NOT the end, we thought it was a good time to pause, check in with our consortium members and commissioned artists, and speculate on what lies ahead for Opera For All Voices. And for that matter, we hear some interesting th…
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All the way back in episode 01, we began this season in New York City, celebrating the career of Charles MacKay, who has been the General Director of the Santa Fe Opera since 2008. Charles is a known visionary in the opera industry who has given opportunities to countless new artists, musicians, and administrators during his 50-year tenure. His art…
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"Postville: Hometown to the World" almost didn't happen -- at least not as part of Opera for All Voices. The true and timely story of immigrant workers in a Kosher slaughterhouse and meat packing plant that was raided by ICE in 2008 in the town of Postville, Iowa felt too large in scope for the OFAV framework -- 3 singers, small pit orchestra, 90-m…
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Andrea always says, "our best education program is what happens on the main stage," and it's true, but how do we get new audience members TO the main stage? Education, outreach, programs and partnerships... these departments are not just about programming for children and schools, but even more so about building relationships on and off stage an sp…
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For such an ambitious undertaking as Opera for All Voices (OFAV) -- balancing the needs of multiple companies, production budgets planned years in advance, the commission of new works with very little to go on up front, hiring musicians and singers, the changing landscapes of main stage vs workshop premieres, leaps of faith from funders, administra…
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What happens when the composer that you've commissioned to write a new opera says to you, "Sit down -- I have something to tell you," and that something is that she's fallen in love... with a beatbox artist? The first Opera for All Voices (OFAV) commission, Sweet Potato Kicks the Sun, is scheduled to premiere in the Fall of 2019 and this episode is…
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Opera for All Voices (OFAV) wasn't always "Opera for All Voices." Amidst endless brainstorming sessions, redefining family programming, seeking edgier content, aligning with social justice themes, addressing significant doubts, and drawing solutions on dinner meeting napkins... ...Is it even possible for 7 opera companies to reach some kind of cons…
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What do you think of when you think of opera? In January of 2016, opera companies from all over the United States started a conversation, trying to figure out how to create new works for smaller stages, alternative spaces, and major opera companies. Could we develop works that speak to a broader audience and how can we be the leaders in showing tha…
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Starting June 29th, The Santa Fe Opera brings you Key Change, a series exploring the commission and creation of new operas and their connection to our industry, our communities, and our future. Will we fail? Will we succeed? What if we keep imagining? These and other questions guide us through the ups and downs of this new collaborative initiative …
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