พอดคาสท์ Conversations On Art ชั้นนำ (2024)

1
“Fragmentary Ruins and the Enduring Image”: Cammy Brothers on Drawing as a Way of Thinking 43:20

2M ago43:20

43:20

In this final episode of the season focused on the craft of writing, Sara Houghteling (special projects coordinator in the Research and Academic Program) speaks with Cammy Brothers, a scholar of art and architecture at Northeastern University. In this episode, Brothers examines Michaelangelo’s drawing practice and that of his contemporary, Giuliano…

1
"A Critique of What Art Can Do”: Jennifer Nelson on Undoing Mastery 40:15

2M ago40:15

40:15

In this episode, Sara Houghteling (special projects coordinator in the Research and Academic Program) speaks with Jennifer Nelson, a poet and scholar of early modern art at the University of Delaware. Through the lens of their first book on Holbein, and a second, forthcoming, on Cranach, Nelson describes how comparative studies of elite cultural pr…

1
“To Give Shape to a Way of Seeing the Past”: Shira Brisman on the Intimacy of Writing the History of Social Art 44:15

2M ago44:15

44:15

In this continuation of a season focused on the craft of writing in art history, Sara Houghteling (special projects coordinator in the Research and Academic Program) speaks to Shira Brisman, a historian of early modern art and assistant professor of the history of art at the University of Pennsylvania. Through the lens of her two books, the first o…

1
“The Magic Art of Framing”: Alexander Nemerov on Writing History and Making a World 41:11

3M ago41:11

41:11

This is the first episode of a new season focused on the craft of writing in art history. Sara Houghteling (special projects coordinator for the Research and Academic Program and a fiction writer) speaks with Alexander Nemerov, professor of art history at Stanford University, about his most recent book, The Forest: A Fable of America in the 1830s. …

1
"On Living Archives": Tsedaye Makonnen on Collaboration and Black Performance Practices 36:54

1y ago36:54

36:54

In this episode, Caitlin Woolsey (Assistant Director of the Research and Academic Program) speaks with artist and curator Tsedaye Makonnen about her multidisciplinary studio, curatorial, and research-based practice. They discuss how Tsedaye’s sculptural installations and performances thread together her identity as a daughter of Ethiopian immigrant…

1
"Attention Becomes a Kind of Politics": Sarah Hamill on Sculpture and Interpretation 33:45

1y ago33:45

33:45

In this week episode Caitlin Woolsey (Assistant Director of the Research and Academic Program) speaks with Sarah Hamill, a scholar of modern and contemporary art and professor at Sarah Lawrence College, about the role of description in art history, and how description is always a form of interpretation. Sarah describes how the embodied experience o…

1
“Shifting Focal Points”: Sergei Tcherepnin on Sonic Attention 42:16

1y ago42:16

42:16

In this episode, Caitlin Woolsey (Assistant Director of the Research and Academic Program) speaks with Sergei Tcherepnin, an artist who works in the intersections of sound, music, sculpture, theater, and photography. We discuss how his work is made to be interacted with, creating new intimacies—listening by hearing, but also listening by touching, …

1
“What ‘Minor' Histories Allow Us to See”: Donette Francis on Writing African Diaspora 41:34

1y ago41:34

41:34

In this episode, Caitlin Woolsey (Assistant Director of the Research and Academic Program) speaks with Donette Francis, an Associate Professor of English at the University of Miami, Coral Gables. A founding member of the Hemispheric Caribbean Studies Collective, her research and writing investigate place, aesthetics, and cultural politics in the Af…

1
"I Never Start with Nothing": Mary Lum on Collage and Constructed Geographies 41:53

1y ago41:53

41:53

In this episode, Caitlin Woolsey (Assistant Director of the Research and Academic Program at the Clark) speaks with Mary Lum, a visual artist based in North Adams, Massachusetts, about how her intricate collages, paintings, and photographs explore the margins of city life, constructed geographies, and her use of text as image. The recipient of a Gu…

1
“An Outward-Looking Model”: The Future(s) of the University and Higher Education in a Digital Age with Koenraad Brosens and Blake Stimson 57:01

2y ago57:01

57:01

In this episode, guest interviewer Anne Helmreich (The Getty Foundation) speaks with Koenraad Brosens, professor of art history at the University of Leuven in Belgium, and Blake Stimson, professor of art history at the University of Illinois Chicago, about the future of universities in a digital age. They discuss the benefits and challenges of teac…

1
“What are Our Important Questions?”: Collaboration and Interdisciplinarity in a Digital Age with Jacqueline Francis and Susan Elizabeth Gagliardi 56:56

2y ago56:56

56:56

In this episode, guest interviewer Paul B. Jaskot (Duke University) speaks with Jacqueline Francis, a scholar of contemporary art and chair of the Graduate Visual and Critical Studies Program at the California College of the Arts, and Susan Elizabeth Gagliardi, a specialist of the arts of Africa and associate professor of art history at Emory Unive…

1
“To Make Visible the Structures”: Challenging the Canon, Digital and Beyond, with Niall Atkinson and Min Kyung Lee 1:03:03

2y ago1:03:03

1:03:03

In this episode, guest interviewer Anne Helmreich (Getty Foundation) speaks with Niall Atkinson, associate professor of art history at the University of Chicago, and Min Kyung Lee, assistant professor of Growth and Structure of Cities at Bryn Mawr College, to reflect on the canon of art history. They discuss how the canon as a narrative offers a sh…

1
“Distance and Criticality”: The Digital Humanities and the Potential for Art History Scholarship with Hubertus Kohle and Emily Pugh 1:02:05

2y ago1:02:05

1:02:05

Paul B. Jaskot (Duke University) speaks with Hubertus Kohle (professor of art history at Ludwig Maximilian University of Munich in Germany) and Emily Pugh (an art historian and the Digital Humanities Specialist for The Getty Research Institute in Los Angeles) on the relation between the digital humanities and the potential for art history. They ref…

1
“Directed Towards How We See Ourselves”: Social Art History in a Digital World with Paul B. Jaskot and Barbara McCloskey 1:06:57

2y ago1:06:57

1:06:57

This fourth season of In the Foreground is a special series of five roundtable conversations dedicated to “the Grand Challenges” – a phrase frequently adopted in the sciences to refer to the great unanswered questions that represent promising frontiers – of bringing together digital and computational methods and the social history of art. This seri…

1
Kim Longinotto And Jessica Kingdon - Conversation #3 - Anthology #5 - March 3 1:01:08

2y ago1:01:08

1:01:08

British documentary filmmaker Kim Longinotto and Chinese-American Director / Producer Jessica Kingdon join host Pamela Cohn to discuss familiarity, distance, perspective, and the independence of their practice.

1
Luke Fowler And Ernst Karel - Conversation #2 - Anthology #5 - February 24 58:25

2y ago58:25

58:25

Host Pamela Cohn speaks with Scottish artist, filmmaker, and musician Luke Fowler alongside collaborator Ernst Karel, an artist, and filmmaker working with experimental sound and electroacoustic music.

1
Jenni Olson And Angelo Madsen Minax - Conversation #1 - Anthology #5 - February 17 1:09:52

2+ y ago1:09:52

1:09:52

In this episode Pamela is joined by writer, historian, archivist and filmmaker Jenni Olson, and artist, filmmaker and performer Angelo Madsen Minax.

1
“A Mechanism for Survival”: McClain Groff on nibia pastrana santiago’s NO MORE EFFORTS 9:29

2+ y ago9:29

9:29

Puerto Rican multidisciplinary artist nibia pastrana santiago’s video NO MORE EFFORTS (2020) uses humor, dance, and site-specificity to critique contemporary labor conditions and challenge histories of colonialism, dispossession, and marginalization.โดย McClain Groff

1
“A Picture of Resilience”: Ashley Lazevnick on Charles Demuth’s "Red Poppies" 10:16

2+ y ago10:16

10:16

A still life, like a poem, may be charged with private meaning, and yet it is offered like a gift that the viewer may open for themselves, not unlike the delicate unfurling of a flower. Charles Demuth’s watercolor Red Poppies of 1929 exemplifies this exchange in the way it pictures how vulnerability may still be resilient, as expressed in a contemp…

1
“An Expression of the Poetic Self”: Yuefeng Wu on the Stele Inscription of the Jiu-Cheng Palace 11:58

2+ y ago11:58

11:58

The Jiu-Cheng Palace Stele inscription, created in China in 632, during the early Tang dynasty, is an influential work of Chinese calligraphy that embodies a skillful balance between liminality and tranquil harmony.โดย Yuefeng Wu

1
“From Imitation to Evolution”: Emmelyn Butterfield-Rosen on Georges Seurat’s "A Sunday on La Grande Jatte–1884" 17:57

2+ y ago17:57

17:57

Georges Seurat’s masterpiece A Sunday on La Grande Jatte–1884, is the kind of painting that has become so ubiquitous it almost disappears into itself, but within this busy scene of curiously automata-like human interaction lie many clues to the transformations of the period. For one, this picture manifests a shift in thinking from imitation to civi…

1
“An Allegory of Representation”: Byron Otis on Gabriel Metsu’s "View into a Hall with a Jester, a Boy, and his Dog" 12:15

2+ y ago12:15

12:15

Gabriel Metsu's painting View into a Hall with a Jester, a Boy, and his Dog from c. 1667 subtly upends expectations of Dutch genre painting from this period. Rather than depicting a placid scene of everyday life, Metsu reflexively calls attention to the constructed nature of this illusionistic scene and implicates the viewer within the cast of char…

1
"Touching at a Distance”: Ellen Tani on Nadine Robinson’s "Coronation Theme: Organon" 10:41

2+ y ago10:41

10:41

Nadine Robinson’s installation Coronation Theme: Organon of 2008 uses its monumental sculptural presence and an immersive soundscape to weave complex layers referencing aspects of Black life in America over the past century, from dance halls to sacred and secular oration, to the Civil Rights movement and police brutality.…

1
“Between the Personal and the Historical”: Asma Naeem on Listening to Art and Visual Culture 41:00

2+ y ago41:00

41:00

In this episode, Caitlin Woolsey (Assistant Director of the Research and Academic Program at the Clark Art Institute) speaks with Asma Naeem, the Eddie C. and C. Sylvia Brown Chief Curator at the Baltimore Museum of Art. Asma shares her circuitous path into the discipline, from her sensitivity to the visual landscape of her childhood within an Indo…

1
“The Ethics of Seeing”: Kaira M. Cabañas on Creative Care and Art’s Histories 54:38

2+ y ago54:38

54:38

In this episode, which continues the miniseries focused on sound, media, and visual art, Caitlin Woolsey (Assistant Director of the Research and Academic Program at the Clark Art Institute) speaks with Kaira M. Cabañas, professor of art history at the University of Florida, where she is also affiliate faculty in the Center for Latin American Studie…

1
“Grounded by a Set of Relations”: Nancy Um on "Horizontal" Cultures within Art History 51:57

2+ y ago51:57

51:57

In this episode Caro Fowler (Starr Director of the Research and Academic Program at the Clark Art Institute) speaks with Nancy Um, professor of art history at Binghamton University in New York State, whose research explores the Islamic world from the perspective of the coast, with a focus on material, visual, and built culture on the Arabian Penins…

1
“To Approach the Object from Outside”: Joseph Koerner on History, Trauma, and Wonder 55:23

2+ y ago55:23

55:23

In this episode Caro Fowler (Starr Director of the Research and Academic Program at the Clark Art Institute) speaks with Joseph Leo Koerner, professor of art history at Harvard University, who teaches and writes about the history of art from the late Middle Ages to the present day, with an emphasis on Northern Renaissance art. Joseph discusses his …

1
“To See the Effects of Sound”: Niall Atkinson on Acoustic Topographies of the Early Modern 45:42

2+ y ago45:42

45:42

In this episode, Caitlin Woolsey (Assistant Director of the Research and Academic Program at the Clark Art Institute) continues the miniseries on sound and visual art in conversation with Niall Atkinson, an associate professor of art history at the University of Chicago. Niall's research concerns the relationship between sound, space, and architect…

1
“What a Picture Can’t Offer”: Michael Gaudio on the Imaginative Work of Sound in Art History 45:48

2+ y ago45:48

45:48

In this episode, Caitlin Woolsey (Assistant Director of the Research and Academic Program at the Clark Art Institute) continues the miniseries on sound and visual art in conversation with Michael Gaudio, professor of art history at the University of Minnesota, who specializes in visual arts in the early modern Atlantic world. Michael describes his …

1
“How Do We Know What We Know?”: Susan Elizabeth Gagliardi on Fieldwork and Evidence 51:17

2+ y ago51:17

51:17

In this episode, Alice Matthews ('21 graduate of the Williams Graduate Program in the History of Art) speaks with Susan Elizabeth Gagliardi, associate professor of the historical and present-day arts of West Africa at Emory University. They discuss the trajectory that ultimately brought Susan to her field, including undergraduate internships with t…

1
“Becoming Belonged”: Roberto Tejada on the Political Project of Photography and Poetry 53:56

2+ y ago53:56

53:56

In this episode Caro Fowler (Starr Director, Research and Academic Program) speaks with Roberto Tejada, a poet and art historian who in a professor in the creative writing program and the department of art history at the University of Houston, Texas. They discuss the decade he spent immersed in the literary culture of Mexico City, including working…

1
“What Sort of Problems Does an Artwork Pose?”: Joan Kee on Art History as an Infinite Game 57:02

2+ y ago57:02

57:02

In this episode, Caro Fowler (Starr Director of the Research and Academic Program at the Clark Art Institute) speaks with Joan Kee, professor of art history at the University of Michigan in Ann Arbor. Joan describes the influence of growing up in Seoul, Korea, but shares her uneasiness with centering a sense of self within art historical writing. S…

1
Amiel Courtin-Wilson - Conversation #7 - Anthology #4 - July 29 1:01:50

3y ago1:01:50

1:01:50

In the final episode of Anthology 4 filmmaker Amiel Courtin-Wilson converses with Pamela Cohn about friendship, encounters, and feeling the world.

1
Ezequeil Yanco - Conversation #6 - Anthology #4 - July 22 54:33

3y ago54:33

54:33

Argentinian filmmaker Ezequiel Yanco joins Pamela to explore the nuances of casting, performance, and time: all central to his process.

1
Louis Henderson - Conversation #5 - Anthology #4 - July 15 1:01:56

3y ago1:01:56

1:01:56

Filmmaker and artist Louis Henderson joins Pamela to discuss collective making, historiography and languages of cinema.

1
Beatriz Seigner - Conversation #4 - Anthology #4 - July 8 1:00:12

3y ago1:00:12

1:00:12

In conversation 4 Brazilian filmmaker Beatriz Seigner joins Pamela to discuss being in place, being out of place, and what happens between.

1
Martin Dicicco - Conversation #3 - Anthology #4 - July 1 1:08:14

3y ago1:08:14

1:08:14

In episode 3 of this anthology, Pamela speaks with filmmaker Martin Dicicco about friendship, labour, movement, and outsiders.

1
Claire Simon - Conversation #2 - Anthology #4 - June 24 59:34

3y ago59:34

59:34

In episode two of the fourth Anthology Pamela discusses connection, the eye, youth and cinema with the wondrous Claire Simon.

1
Raed Andoni - Conversation #1 - Anthology #4 - June 17 52:49

3y ago52:49

52:49

In this episode Pamela meets Palestinian filmmaker Raed Andoni to grapple with politics of self, memory and performance.

1
“Always About to Take Place”: Glenn Peers on the Byzantine Fresco Chapel 14:14

3y ago14:14

14:14

The Research and Academic Program at the Clark Art Institute presents In the Foreground: Object Studies: short meditations that introduce you to a single work of art seen through the eyes of an art historian. Originally adorning a small Greek Orthodox chapel in Cyprus, from 1997 to 2012 these Byzantine frescoes were installed in a specially built s…

1
“The Status of the Human”: Amy Freund on the First French Hunting Portrait 13:33

3y ago13:33

13:33

The Research and Academic Program at the Clark Art Institute presents In the Foreground: Object Studies: short meditations that introduce you to a single work of art seen through the eyes of an art historian. Amy Freund (Southern Methodist University) reveals the newly discovered Portrait of a Seated Hunter with His Dogs (1661), which dates to near…

1
“The Erosion of History”: Samantha Page on Hung Liu’s “Migrant Mother” 11:24

3y ago11:24

11:24

The Research and Academic Program at the Clark Art Institute presents In the Foreground: Object Studies: short meditations that introduce you to a single work of art seen through the eyes of an art historian. Samantha Page (Clark Art Institute) explores how Hung Liu’s painting Migrant Mother (2015) reimagines Dorothea Lange’s iconic Depression-era …

1
“A Rebuke to Polite Masculinity”: Charles Keiffer on Thomas Patch’s “British Gentlemen at Sir Horace Mann’s Home in Florence” 9:11

3y ago9:11

9:11

The Research and Academic Program at the Clark Art Institute presents In the Foreground: Object Studies: short meditations that introduce you to a single work of art seen through the eyes of an art historian. Charles Keiffer (Williams College) recounts the heightened atmosphere of intoxicated conviviality on display in Thomas Patch’s oil painting B…

1
“The Color of Emergency”: Joan Kee on Chao-Chen Yang’s “Apprehension” 13:24

3y ago13:24

13:24

The Research and Academic Program at the Clark Art Institute presents In the Foreground: Object Studies: short meditations that introduce you to a single work of art seen through the eyes of an art historian. Joan Kee (University of Michigan) delves into how Chao-Chen Yang’s color photograph Apprehension (c. 1942) captures the feeling of surveillan…

1
“It Looks like How Jazz Sounds”: Jordan Horton on Romare Bearden's “The Dove” 10:35

3y ago10:35

10:35

The Research and Academic Program at the Clark Art Institute presents In the Foreground: Object Studies: short meditations that introduce you to a single work of art seen through the eyes of an art historian. Jordan Horton (Williams College) explores how Romare Bearden’s collage The Dove (1964) plays with fragmented forms to visually evoke the “bro…

1
“‘Others’ of Various Kinds”: J. Vanessa Lyon on Intersectionality as an Early Modern Scholar 40:07

3y ago40:07

40:07

In this episode Caroline Fowler (Starr Director of the Research and Academic Program at the Clark Art Institute) speaks with J. Vanessa Lyon, who is on the faculty at Bennington College, where she teaches the histories of art with an emphasis on gender, race, and post/colonial relationships in Spanish, Flemish, and Transatlantic visual representati…

1
“Where the Impossible is Possible”: Saundra Weddle and Lisa Pon on Collaboration and Renaissance Studies 40:45

3y ago40:45

40:45

In this episode Caroline Fowler (Starr Director of the Research and Academic Program at the Clark Art Institute) speaks with two scholars of Renaissance art and architecture: Saundra Weddle, professor of architecture at Drury University and a Clark Fellow in fall 2020, and Lisa Pon, professor of art history at the University of Southern California.…

1
"One's Own Bifurcations": Lorraine O'Grady on Both/And Thinking in Art 40:45

3y ago40:45

40:45

In this episode, Caro Fowler (Starr Director of the Research and Academic Program at the Clark Art Institute) speaks with Lorraine O’Grady, an artist and cultural critic whose work on Black female subjectivity and modernism has made significant contributions to numerous disciplines. Lorraine discusses her early research on the relationship between …

1
“Moving Across the Threshold“: Alisa LaGamma on Curating the Arts of Africa 38:38

3y ago38:38

38:38

In this episode Caroline Fowler (Starr Director of the Research and Academic Program at the Clark Art Institute) speaks with Alisa LaGamma, a specialist of African art and Ceil and Michael E. Pulitzer Curator in Charge for the Arts of Africa, Oceania, and the Americas at the Metropolitan Museum of Art in New York, where she has been a curator for t…

1
“Sound is a Dimension of Reality”: Robin James on Theorizing Sound, Race, and Gender 41:41

3y ago41:41

41:41

In this episode in the mini-series focused on sound, art, and media, Caitlin Woolsey (Manton Postdoctoral Fellow in the Research and Academic Program at the Clark Art Institute) speaks with Robin James, an associate professor of philosophy at the University of North Carolina in Charlotte. Robin explores the intersections of pop music, sound studies…

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