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เนื้อหาจัดทำโดย Alan Seales & Broadway Podcast Network and Broadway Podcast Network เนื้อหาพอดแคสต์ทั้งหมด รวมถึงตอน กราฟิก และคำอธิบายพอดแคสต์ได้รับการอัปโหลดและจัดเตรียมโดย Alan Seales & Broadway Podcast Network and Broadway Podcast Network หรือพันธมิตรแพลตฟอร์มพอดแคสต์โดยตรง หากคุณเชื่อว่ามีบุคคลอื่นใช้งานที่มีลิขสิทธิ์ของคุณโดยไม่ได้รับอนุญาต คุณสามารถปฏิบัติตามขั้นตอนที่อธิบายไว้ที่นี่ https://th.player.fm/legal
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Ep152 - JoAnn M. Hunter: Top Choreographer working on ALW's Cinderella

54:15
 
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Manage episode 297432445 series 2515187
เนื้อหาจัดทำโดย Alan Seales & Broadway Podcast Network and Broadway Podcast Network เนื้อหาพอดแคสต์ทั้งหมด รวมถึงตอน กราฟิก และคำอธิบายพอดแคสต์ได้รับการอัปโหลดและจัดเตรียมโดย Alan Seales & Broadway Podcast Network and Broadway Podcast Network หรือพันธมิตรแพลตฟอร์มพอดแคสต์โดยตรง หากคุณเชื่อว่ามีบุคคลอื่นใช้งานที่มีลิขสิทธิ์ของคุณโดยไม่ได้รับอนุญาต คุณสามารถปฏิบัติตามขั้นตอนที่อธิบายไว้ที่นี่ https://th.player.fm/legal

JoAnn M. Hunter is a performer and choreographer with 20 Broadway credits and five US National tours on her resume, including Jerome Robbins’ Broadway (her Broadway debut), Miss Saigon, Guys and Dolls, Damn Yankees, Chicago, Spring Awakening, A Funny Thing Happened on the Way to the Forum, School of Rock, Kiss Me Kate, Curtains, She Loves Me, and most recently Disaster!. She is now across the pond choreographing Andrew Lloyd Webber’s brand new Cinderella, set to open soon on the West End.

Born in Japan, and raised in a small town in Rhode Island, JoAnn grew up as a first generation Japanese American in a “very white place”. She found somewhere she felt like she belonged around age 10 when she began taking dance classes, and later, after spending a high school summer dancing in NYC, she dropped out to move to New York and pursue a career.

JoAnn talks with us about working on Andrew Llloyd Webber’s Cinderella, a new iteration of the classic musical set to open in London’s West End at the end of July, and also opens up about her working relationship with Webber himself. She shares her hopes for the theater community as a whole to collectively come together and figure out how to make live performance work in the midst of a pandemic, circumstances no one alive has ever encountered before. JoAnn also chronicles her journey from performer to choreographer, a journey she admits was not easy nor a conscious decision, but later realized she actually loved it more than she anticipated.

In this episode, we talk about:

  • How Andrew Lloyd Webber's Cinderella differs from other revivals
  • Frustration over societies devotion to sports over the arts
  • The impact of theatre immediately following September 11th
  • Leaving school for New York City as a high schooler
  • The lack of protocols for reopening theatre in the U.S.

Connect with JoAnn:

Connect with The Theatre Podcast:

Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com.

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

351 ตอน

Artwork
iconแบ่งปัน
 
Manage episode 297432445 series 2515187
เนื้อหาจัดทำโดย Alan Seales & Broadway Podcast Network and Broadway Podcast Network เนื้อหาพอดแคสต์ทั้งหมด รวมถึงตอน กราฟิก และคำอธิบายพอดแคสต์ได้รับการอัปโหลดและจัดเตรียมโดย Alan Seales & Broadway Podcast Network and Broadway Podcast Network หรือพันธมิตรแพลตฟอร์มพอดแคสต์โดยตรง หากคุณเชื่อว่ามีบุคคลอื่นใช้งานที่มีลิขสิทธิ์ของคุณโดยไม่ได้รับอนุญาต คุณสามารถปฏิบัติตามขั้นตอนที่อธิบายไว้ที่นี่ https://th.player.fm/legal

JoAnn M. Hunter is a performer and choreographer with 20 Broadway credits and five US National tours on her resume, including Jerome Robbins’ Broadway (her Broadway debut), Miss Saigon, Guys and Dolls, Damn Yankees, Chicago, Spring Awakening, A Funny Thing Happened on the Way to the Forum, School of Rock, Kiss Me Kate, Curtains, She Loves Me, and most recently Disaster!. She is now across the pond choreographing Andrew Lloyd Webber’s brand new Cinderella, set to open soon on the West End.

Born in Japan, and raised in a small town in Rhode Island, JoAnn grew up as a first generation Japanese American in a “very white place”. She found somewhere she felt like she belonged around age 10 when she began taking dance classes, and later, after spending a high school summer dancing in NYC, she dropped out to move to New York and pursue a career.

JoAnn talks with us about working on Andrew Llloyd Webber’s Cinderella, a new iteration of the classic musical set to open in London’s West End at the end of July, and also opens up about her working relationship with Webber himself. She shares her hopes for the theater community as a whole to collectively come together and figure out how to make live performance work in the midst of a pandemic, circumstances no one alive has ever encountered before. JoAnn also chronicles her journey from performer to choreographer, a journey she admits was not easy nor a conscious decision, but later realized she actually loved it more than she anticipated.

In this episode, we talk about:

  • How Andrew Lloyd Webber's Cinderella differs from other revivals
  • Frustration over societies devotion to sports over the arts
  • The impact of theatre immediately following September 11th
  • Leaving school for New York City as a high schooler
  • The lack of protocols for reopening theatre in the U.S.

Connect with JoAnn:

Connect with The Theatre Podcast:

Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com.

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

351 ตอน

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